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with tag: photography [clear]

20160907045908-p00 Epifanía 9595A  
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MASTUSET at GArte AYA > Worldwide Bilbo
September 7th - December 31st, 2017
Posted 9/7/16

[more]

Dive In... video installation performance  
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Tal Eshed at Tanja Grunert Gallery, // 524 West 19th Street, New York, NY 10011 // > Worldwide New York,
May 5th - June 4th
Posted 7/14/16

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20160629143844-annabelle-craven-jones16-002c-300dpi On the exhibition / Zur Ausstellung  
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Annabelle Craven-Jones at Cruise & Callas > Berlin
June 25th - July 23rd
Posted 6/21/16

Transmitting information is inherent in today’s networked Internet Age. The information structures of our digital surroundings resemble the inner transmitting systems of nerves and their contacts, the synapses. With the help of messenger substances, neurotransmitters like serotonin pass on information and thereby activate the inner neural system. In her installation Conditions for Neurotransmission [P.O.V.] artist Annabelle Craven-Jones visualizes the mutual effects of both information systems and... [more]

20160518172825-images__1__3 SPRING EQUIOX 2017  
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International Comunity of Artists at Jose Peon Contreras Palce > Worldwide Merida
March 18th, 2017 6:00 PM - 8:00 PM
Posted 5/18/16

T'HO fest Yucatan Art Code: Is a visual dialogue among civilizations, an international collective of contemporary art in painting, sculpture, photography, Installation, mix media, digital art, and video. Jose Luis Rodriguez de Armas, General Coordinator, is a critic member of AICA Cuba-Mexico, an experienced museologist, and curator at this festival on contemporary art in Yucatan. What does a dialogue among civilizations mean? One could argue that there are two groups of civilizations in the wo... [more]

20160428164240-matt_henry_twin_palms_blue_room_pool Flatland Gallery presenteert nieuwe fotografen, in: Digifoto, 2016  
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Gioia de Bruijn, Annouk Griffioen, Johan Grimonprez, Matt Henry, Jocelyn Lee, Sanja Marusic, David Verbeek, Guy Yanai at Flatland Gallery > Amsterdam
May 7th - June 18th
Posted 4/28/16

by Nadja Geskus Nederlandse fotograaf David Verbeek en Britse fotograaf Matt Henry sluiten zich aan bij de Flatland Gallery. Flatland Gallery is een Nederlandse gallerie voor moderne kunst gevestigd in Amsterdam. De gallerie staat bekend op het gebied van hedendaagse fotografie en heeft een hoge reputatie voor film, video, installaties, sculpturen, schilderijen en tekeningen. David Verbeek Flatland Gallery kondigt de vertegenwoordiging van David Verbeek, Nederlandse filmmaker en fotograa... [more]

20151029035806-carl-solo-liu-sep2014-14ia1 "Picturing The Unsyable" Editor's Choice, - BOMB MAGAZINE  
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Carl E. Hazlewood at Salena Gallery, Long Island University > New York
September 29th, 2014 - October 29th, 2014
Posted 3/4/16

Picturing the Unsayable: Carl E. Hazlewood by Patricia Spears Jones From the New York Quotidian series, 2012, pigment print, 15 × 10 inches. Images courtesy of the artist and Skoto Gallery, New York. I met Carl Hazlewood in that most millennial of ways: Facebook. His daily postings of his and other artists’ works intrigued me; I had to “friend” him. What started as an interest in daily musings and pictorial renderings became a full-fledged 3D friendship. But Car... [more]

20160227152646-ultraviolet_sun Ultraviolet Sun  
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Vanya Balogh, Nathan Birchenough, (BBKP) Nicholas Brown, 
Tom Estes, Sarah Gavin, Craig Kao, Jahan Nazeer, Savvas Papasavva, Riffy Powerz, Barbara Rosenthal, Annabelle Stapleton-Crittenden at WAC Waterloo Action Centre > Worldwide London
February 27th 6:00 PM - 9:00 PM
Posted 2/27/16

Greg Sholette describes a “Mockstitution” as a mock institution that is an informally structured art agency that overtly mimics the name and to some degree the function of larger, more established organizational entities. Mockinstitution thrive within the voids left by an increasingly fractured social framework whose coherence is faltering thanks to rampant privatization, economic deregulation, ubiquitous social risk and day-to-day precariousness. Inserting themselves into these dete... [more]

20160227152646-ultraviolet_sun Ultraviolet Sun  
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Vanya Balogh, Nathan Birchenough, (BBKP) Nicholas Brown, 
Tom Estes, Sarah Gavin, Craig Kao, Jahan Nazeer, Savvas Papasavva, Riffy Powerz, Barbara Rosenthal, Annabelle Stapleton-Crittenden at WAC Waterloo Action Centre > Worldwide London
February 27th 6:00 PM - 9:00 PM
Posted 2/27/16

Greg Sholette describes a “Mockstitution” as a mock institution that is an informally structured art agency that overtly mimics the name and to some degree the function of larger, more established organizational entities. Mockinstitution thrive within the voids left by an increasingly fractured social framework whose coherence is faltering thanks to rampant privatization, economic deregulation, ubiquitous social risk and day-to-day precariousness. Inserting themselves into these d... [more]

20160227152646-ultraviolet_sun How The Internet Is Rewiring Your Brain  
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Vanya Balogh, Nathan Birchenough, (BBKP) Nicholas Brown, 
Tom Estes, Sarah Gavin, Craig Kao, Jahan Nazeer, Savvas Papasavva, Riffy Powerz, Barbara Rosenthal, Annabelle Stapleton-Crittenden at WAC Waterloo Action Centre > Worldwide London
February 27th 6:00 PM - 9:00 PM
Posted 2/27/16

Greg Sholette describes a “Mockstitution” as a mock institution that is an informally structured art agency that overtly mimics the name and to some degree the function of larger, more established organizational entities. Mockinstitution thrive within the voids left by an increasingly fractured social framework whose coherence is faltering thanks to rampant privatization, economic deregulation, ubiquitous social risk and day-to-day precariousness. Inserting themselves into these d... [more]

20160227152646-ultraviolet_sun How The Internet Is Rewiring Your Brain  
by
Vanya Balogh, Nathan Birchenough, (BBKP) Nicholas Brown, 
Tom Estes, Sarah Gavin, Craig Kao, Jahan Nazeer, Savvas Papasavva, Riffy Powerz, Barbara Rosenthal, Annabelle Stapleton-Crittenden at WAC Waterloo Action Centre > Worldwide London
February 27th 6:00 PM - 9:00 PM
Posted 2/27/16

Emoticon by Artist Tom Estes for Communication Futures at The Old Royal Naval College during DRHA 2014 Greg Sholette describes a “Mockstitution” as a mock institution that is an informally structured art agency that overtly mimics the name and to some degree the function of larger, more established organizational entities. Mockinstitution thrive within the voids left by an increasingly fractured social framework whose coherence is faltering thanks to rampant privatization, economic deregulation, ubiquitous social risk and... [more]

20160212204343-working_morning SLATE, February 25th, 2016  
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at KLOMPCHING GALLERY > New York
March 2nd - April 9th
Posted 2/27/16

Imagining Life in 1930s Poland Through Dioramas and Photography By David Rosenberg LINK TO ARTICLE: http://slate.me/21tVOr7 When Richard Tuschman—known for the detailed dioramas he creates and photographs—visited his wife’s hometown of Krakow, Poland, in 2011, he knew he’d found the setting for his next project. “Once Upon a Time in Kazimierz” follows a Jewish family in 1930s Poland over 17 images. The work is presented in a sequence, but Tuschman said that he wants view... [more]

20160216181744-alakananda_nag_s Working with available light: re-developing a boxful of found photographs  
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Sunandini Banerjee, Aditya Basak, Mamata Basak, Swarna Chitrakar, Sanjeet Chowdhury, Chhatrapati Dutta, Alakananda Nag, Prabir C Purkayastha, Amritah Sen, Sarbajit Sen, Alan Teller, Jerri Zbiral at Indira Gandhi National Centre for The Arts, New Delhi > India
January 11th - January 31st
Posted 2/16/16

Found objects have always been secret allies for visual artists. They are stumbled upon and acquired, magpie-like, because of a private vision of “intrinsic interest,” to be teased out and made concrete later. Found photographs, too, have long since found their place inside artists’ private wunderkammern. Following the Box, an exhibition of a particularly curious origin now on view at the Indian Museum, Kolkata, brings the aesthetic power of found photographs front and center. http:/... [more]

20151212232618-screen_shot_2015-12-12_at_6 http://easthamptonstar.com/Arts/2011817/Art-Scene-081811  
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at Sara Nightingale Gallery > New York
May 11th, 2011 - June 11th, 2011
Posted 12/12/15

[more]

20151125151703-auerbach_les-miserables-5 Photography is growing up  
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Keith Auerbach, Priscilla Briggs, Carrie Burr, Tiffany Carbonneau, Mary Carothers, Debra Clem, Robert Ladislas Derr, Anita Douthat, Mitch Eckert, Julius Friedman, Dana Fritz, Laura Hartford, Celene Hawkins, Barbara Houghton, Brian Jones, Keith Kleespies, Cal Kowal, Tom LeGoff, Suzanne Mitchell, James Norton, CJ Pressma, Arturo Alonzo Sandoval, Jenée Rue Sastry, Mel Strawn, Alan Teller, Alex Traube, John Whitesell, Marilyn Whitesell, Jerri Zbiral, Jenny Zeller at Carnegie Center for Art & History > Worldwide New Albany
October 9th, 2015 - January 9th
Posted 11/24/15

It is hard to take any exhibition with a grandiose title such as Photography Since the Millennium seriously, but then again, we are just fifteen years into this new millennium. And there have not been any major strides in photography since the new millennium except for, well, the death of analogue, and video is accessible to all. Goodbye film, hello pixels. Has there been one year since the new millennium that has not seen a new release of cameras with enhanced numbers of pixels? It is the mega... [more]

20151023225251-8th_arte_laguna_prize Arsenale di Venezia  
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Exhibition of the 110 finalist from the 8th Arte Laguna Prize at Arsenal of Venice, Italy > Worldwide Venice
March 23rd, 2014 - April 6th, 2014
Posted 10/23/15

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20150726194509-max_square-1 Photograph Magazine  
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at KLOMPCHING GALLERY > New York
September 12th, 2015 - October 31st, 2015
Posted 9/11/15

ABOUT THE COVER – LYLE REXER Photograph Mag, Sept/Oct Issue Like a fault line in the surface of appearances, photo collage opens up in periods of social stress and political obfuscation. In the 1880s, the playful cut and paste of Victorian albums betrayed a skepticism about photography’s ability to sustain memory and maintain the connection to a tradition that technology was rapidly effacing. In the 1920s and ‘30s, collage mobilized images against themselves, recombining th... [more]


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