We build and shape our landscapes and terrains—gardens, bridges, truck stops, quarries, canals and dams—to suit both our physical and emotional desires. Yet this is not without consequences. This exhibition presents a selection of potent images from a larger body of work that Martin Stupich has explored and recorded since the 1970s. These images of some of our most ambitious, often permanent structures are breathtaking to behold yet also pose questions about what it is we are leaving behind as the “remnants” of our culture and time. Stupich clearly works within a historical sphere which harks back to the nineteenth-century and includes some of the great camera artists of that era such as Timothy O’Sullivan, Carleton Watkins and Darius Kinsey.