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Santa Fe

Monroe Gallery of Photography

Exhibition Detail
Bob Gomel: LIFE in the 1960s
112 Don Gaspar
Santa Fe, 87501


October 5th, 2012 - November 18th, 2012
Opening: 
October 5th, 2012 5:00 PM - 7:00 PM
 
Black Muslim leader Malcolm X photographing Cassius Clay, Miami, Bob GomelBob Gomel,
Black Muslim leader Malcolm X photographing Cassius Clay, Miami,
1964
© Courtesy of the artist and Monroe Gallery of Photography
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The triumphs and tragedies of the 1960s provided photographer Bob Gomel and his LIFE magazine colleagues extraordinary opportunities to advance American photojournalism. "LIFE was the world's best forum for photojournalists. We were encouraged to push creative and technical boundaries. There was no better place to work in that extraordinary decade."

Bob Gomel was born (1933) and raised in New York City. After serving four years in the U.S. Navy, he was promptly offered a job at the Associated Press. But by then, he had changed his mind about what he wanted to do. "I just felt one picture wasn't sufficient to tell a story," he explains. "I was interested in exploring something in depth. And, of course, the mecca was Life magazine." He turned down the offer from AP, and began working for LIFE in 1959, producing many memorable images. When LIFE ceased being a weekly in the early 1970s, he began making photographs for other major magazines. Also in the 1970s, he branched out into advertising photography. Among other accounts, he helped introduce Merrill Lynch's Bullish on America campaign.

Bob says, "Each time I raised a camera to my eye I wondered how to make a viewer say, "wow." What followed were the use of double exposures to tell a more complete story; placing remote cameras where no human being could be; adapting equipment to reveal what could not ordinarily be captured on film. My goal with people was to penetrate the veneer, to reveal the true personality or character. The ideal was sometimes mitigated by circumstances, a lack of time or access. But more often than not what the mind conceived could be translated into successful photographic images."


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