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Zane Bennett Gallery is proud to announce &ldquo\;Keeping Things Whol e: Sculpture\,&rdquo\; an exhibition by Guy Dill\, Aurelius Aurelius and Ra chel Stevens. The opening is M arch 27th at the gallery\, 435 South Guadalupe Street\, ac ross from the rail station\, f rom 5:00 ‐ 7:00 pm to coincide with the Railyard Arts Distri ct Last Friday Art Walk. \;

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 \;

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In a field

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I am the absence

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of field.

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This is

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always the case.

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Wherever I am

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I am what is missing.

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Keeping Things Whole: Sculpture is an exhibition dedicated to three sculptors represented at Zane Bennett Con temporary Art: Guy Dill\, Aurelius Aurelius and Rachel Stevens. The works a re tied together by their unique approaches to form\, mass and perhaps most importantly\, through their use of negative space. These three dimensional works remind us of the effects of openness on material\, the contribution of space / place to a work of art and question the separation between objec t and the space where an object is held. The exhibition&rsquo\;s tappropria ted from Mark Strand&rsquo\;s pivotal poem of the same name.

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Guy Dill offers unique sculptures t hat impress with both their intensity of scale and their unmistakable light ness. Despite their often times monumental scale and sheer mass\, Dill&rsqu o\;s work feels nearly the same weight as the empty space around them. They are perpetually locked in a weightless flight.

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The clean economy of material works in tandem wi th the negative space left between structures. They whirl\, spring and are thoroughly engaged with a dance between their own unique form and the uniqu e space which they are held.

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Dill was born in 1946 and received his education at Chouinard Insti tute of Art\, Los Angeles\, California in 1970. Dill currently works in Ven ice\, California and Brussels\, Belgium. Dill is recognized internationally as a contemporary master of large‐scale\, abstract sculptural work. His wo rks directly engage with the tension of structure and space and as a result speak to the beauty of movement\; to movement as the ultimate subject of s culpture. He has five permanent\, public installations in L.A. that opened to the public in 2014.

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Seemingly on the reverse of Dill&rsquo\;s expert economy and lightness\, Aurelius Aurelius roots his works unabashedly to the labor of their making. These works perform the experience of living. Each piece reflects back the pressure created by both negative / positive space\, of two opposing force s continually pressed to each other&rsquo\;s borders\, becoming inseparable .

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When I walk

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I part the air

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and alw ays

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the air moves in

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to fill the spaces

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where my body&rsquo\;s been.

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Dunh am Aurelius&rsquo\; works are knotty\; made with clays\, waxes\, wood\, bro nze\, steel and found objects\, Aurelius employs whatever means satisfy the needs of the work. The work strikes a brutal contrast. In Aurelius\, we ha ve weight in empty space. They are reminiscent of De Kooning&rsquo\;s &ldqu o\;Clam Diggers\,&rdquo\; in that Aurelius gives us forms that are utterly crushed yet still surviving and spilling to the outside\, speaking of a mat ter of duration to the viewer.

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Aureli us uses the lost wax casting method\, among others\, to transform his art. He allows the forms to be deformed by the process through which they are ma de\, stipulating perhaps that this deformation is their form. Each work is essentially a canyon\, etched out by heavy winds. It is perhaps this incont estable pressing of space and material\, this always two edged cutting that provide us with such a richness of life.

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Dunham Aurelius was born in 1970 in Ridgewood\, New Jersey. He current ly lives and works in Santa Fe\, NM. Aurelius was exhibited in the Biennial Southwest: Albuquerque Museum of Art in 2006 and 2008. His work\, &ldquo\; Flight\,&rdquo\; in its polished bronze version\, is a part of the permanen t collection of the New Mexico Museum of Art and this work was exhibited in the show entitled &ldquo\;Explorations in Bronze: Degas and New Mexico Scu lptors&rdquo\; at the NMMA.

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We all have reasons

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for moving.

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I move

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to keep things whole.

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Mark Strand\, "Keeping Things Whole" from Selected Poems

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Playing the intermediary between Dill and Aurelius\, Rachel Steven s makes sculpture that is profoundly rooted in space and movement. Here\, s he presents work that isn&rsquo\;t afraid to show the process of labor or t he effects of the outside on an organic form\, of wind pushing against a li mb tirelessly\, all the while maintaining elegance\, a fragility of form.\n

In new clay works\, St evens plays with objects suspended. These works open up to the negative spa ce and are held completely within. They are both dense and weightless but h ave to vacillate between this relationship.

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Stevens received her BFA from the Maryland Institute of College of Art (MICA) and her MFA from Syracuse University. She attende d The Skowhegan School of Painting and Sculpture while still an undergrad a t MICA. Her work has been deeply influenced by her travels abroad\, particu larly her Fulbright to Nepal. Stevens was made a Fulbright Ambassador in 20 10. She has received numerous grants and awards most notably a Pollock-Fras ner Foundation grant.

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Zane B ennett will be hosting this exhibition starting

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Friday\, March 27\, from 5:00‐7:00 pm

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of the Railyard Arts Distr ict Last Friday Artwalk \;

DTEND:20150417 DTSTAMP:20150228T140646 DTSTART:20150327 GEO:35.683666;-105.9459679 LOCATION:Zane Bennett Contemporary Art\,435 S Guadalupe \nSanta Fe\, NM 875 01 SEQUENCE:0 SUMMARY:Keeping Things Whole: Sculpture\, Guy Dill\, Dunham Aurelius\, Rach el Stevens UID:375514 END:VEVENT BEGIN:VEVENT DTEND:20150327T190000 DTSTAMP:20150228T140646 DTSTART:20150327T170000 GEO:35.683666;-105.9459679 LOCATION:Zane Bennett Contemporary Art\,435 S Guadalupe \nSanta Fe\, NM 875 01 SEQUENCE:0 SUMMARY:Keeping Things Whole: Sculpture\, Dunham Aurelius\, Guy Dill\, Rach el Stevens UID:375515 END:VEVENT BEGIN:VEVENT DESCRIPTION:
Over a period of 35 years\, Joann and Gifford Phillips gifted a series of paintings to the Museum of Ar t. These artworks represent two distinct locations with works created durin g eras of significant growth and change within their respective contemporar y art scenes -- California from the 1950 -1980s and New Mexico from the 198 0s. The Phillips&rsquo\; generous gift included works by California artists Richard Diebenkorn\, John McLaughlin\, Edward Moses Lee\, Mullican and Joe Goode as well as works by New Mexico based artists Emmi Whitehorse\, Richa rd Hogan Eugene Newmann and Allan Graham.
DTEND:20150816 DTSTAMP:20150228T140646 DTSTART:20150417 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:Selections from the Joann and Gifford Phillips Gift\, Richard Diebe nkorn\, John McLaughlin\, Edward Moses Lee\, Mullican\, Joe Goode\, Emmi Wh itehorse\, richard hogan\, Allan Graham\, eugene newmann UID:374957 END:VEVENT BEGIN:VEVENT DTEND:20150417T200000 DTSTAMP:20150228T140646 DTSTART:20150417T100000 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:Selections from the Joann and Gifford Phillips Gift\, Richard Diebe nkorn\, Joe Goode\, Allan Graham\, richard hogan\, Edward Moses Lee\, John McLaughlin\, Mullican\, eugene newmann\, Emmi Whitehorse UID:374958 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Return of the Friends of Conte mporary Art + Photography juried exhibition. Artists from New Mexico and it s adjoining states selected by Nora Burnett Abrams\, Associate Curator at t he Denver Museum of Contemporary Art. \;This year&rsquo\;s artists are Will Clift\, Danae Falliers\, Chris Oatey\, Sarah McKenzie\, Kate Rivers\, Ian Fisher and Jill Christian.

DTEND:20150816 DTSTAMP:20150228T140646 DTSTART:20150417 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:Art on the Edge 2015\, Will Clift\, Danae Falliers\, Chris Oatey\, Sarah McKenzie\, Kate Rivers\, Ian Fisher\, Jill Christian UID:374955 END:VEVENT BEGIN:VEVENT DTEND:20150417T200000 DTSTAMP:20150228T140646 DTSTART:20150417T100000 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:Art on the Edge 2015\, Jill Christian\, Will Clift\, Danae Falliers \, Ian Fisher\, Sarah McKenzie\, Chris Oatey\, Kate Rivers UID:374956 END:VEVENT BEGIN:VEVENT DESCRIPTION:

As part of the Santa Fe 2015 & ldquo\;Summer of Color\,&rdquo\; The New Mexico Museum of Art will present the exhibition\, Colors of the Southwest. The artwork in this exhi bition showcases the special qualities of color and light found in the Sout hwestern United States that have attracted artists for generations. The exh ibition will encompass an array of art created from the early 20th century to the present and will include paintings\, photographs\, prints\, watercol ors\, and ceramics.. Included are iconic work by artists such as Victor Hig gins\, Gustave Baumann\, Sheldon Parsons\, Dorothy Morang\, Louise Crow\, A ndrew Dasburg\, Fremont F. Ellis\, William Penhallow Henderson\, Kate Krasi n\, Robert Daughters\, Eddie Dominguez\, Helmuth Naumer\, Warren E. Rollins \, and Hulleah J. Tsinhnahjinnie.

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T he Museum of Art&rsquo\;s exhibition celebrates color&rsquo\;s entire spect rum. The other participating &ldquo\;Summer of Color&rdquo\; cultural insti tutions focus on the range within one specific color\; red at the Museum of International Folk Art in The Red That Colored the World\, turquoise at the Museum of Indian Arts and Culture\ , indigo at the Museum of Spanish Colonial Art\, silver at the Wheelwright Museum of the American Indian\, and orange at the Santa Fe Botanical Garden .
DTEND:20150920 DTSTAMP:20150228T140646 DTSTART:20150306 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:Colors of the Southwest\, Victor Higgins\, Gustave Baumann\, Sheldo n Parsons\, Dorothy Morang\, Louise Crow\, Andrew Dasburg\, Fremont F. Elli s\, William Penhallow Henderson\, Kate Krasin\, Robert Daughters\, Eddie Do minguez\, Helmuth Naumer\, Warren E. Rollins\, Hulleah J. Tsinhnahjinnie UID:374953 END:VEVENT BEGIN:VEVENT DTEND:20150306T200000 DTSTAMP:20150228T140646 DTSTART:20150306T100000 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:Colors of the Southwest\, Gustave Baumann\, Louise Crow\, Andrew Da sburg\, Robert Daughters\, Eddie Dominguez\, Fremont F. Ellis\, William Pen hallow Henderson\, Victor Higgins\, Kate Krasin\, Dorothy Morang\, Helmuth Naumer\, Sheldon Parsons\, Warren E. Rollins\, Hulleah J. Tsinhnahjinnie UID:374954 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Join us for a gallery talk by Santa Fe artist Edward Ranney\, who will talk about his work as an artist a nd his efforts to photograph ancient habitations along the coastal Americas on Friday\, March 6\, 2015\, at 5:30 p.m.

DTEND:20150306T190000 DTSTAMP:20150228T140646 DTSTART:20150306T173000 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:Gallery Talk with Edward Ranney\, Edward Ranney UID:374952 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Photographers used to spend mu ch of their time in the dark\, processing film and developing pictures. Man y have come into the light by switching to digital image-making but the mys tique of the darkroom lingers. This group exhibition is a tribute to the to ols of the trade of wet-process\, darkroom photography.

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Join us for a gallery talk and book signing by Santa Fe artist Robert Stivers who will talk about his unique photograms made with h is darkroom developing tray\, Friday\, February 6\, 2015\, at 5:30 p.m.

DTEND:20150419 DTSTAMP:20150228T140646 DTSTART:20150109 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:Tales from a Dark Room UID:374951 END:VEVENT BEGIN:VEVENT DESCRIPTION:

A survey of remarkable images by this master of photography whose work ranges from the southern Andes of Peru to the Galisteo basin. A longtime New Mexico resident\, Ranney has ext ensively explored the cultural landscape of ancient peoples as well as cont emporary human interventions such as artist Charles Ross&rsquo\; immense Star Axis project near Las Vegas\, New Mexico.

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Join us for a gallery talk by Santa Fe artist Edward Ranne y\, who will talk about his work as an artist and his efforts to photograph ancient habitations along the coastal Americas on Friday\, March 6\, 2015\ , at 5:30 p.m

DTEND:20150419 DTSTAMP:20150228T140646 DTSTART:20141219 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:North to South: Photographs by Edward Ranney\, Edward Ranney UID:374950 END:VEVENT BEGIN:VEVENT DESCRIPTION:
The diverse artworks brought together by a process of &ldquo\;Hunting + Gathering&rdquo\; are grouped t hematically in ways intended to open up a reading of the work through new a nd unexpected juxtapositions. The title refers to the curatorial process of developing and cultivating the growth of the Museum&rsquo\;s permanent col lection. As a collecting institution\, the New Mexico Museum of Art holds a rtworks on behalf of the public with the intention of caring for the works and making them accessible to visitors. The Museum&rsquo\;s mission and est ablished collecting criteria guide curators in evaluating art offered and i n seeking out work that will enhance the collection. In this exhibition\, a rtworks that might not otherwise be shown together are arranged in creative contexts making use of this opportunity to showcase new additions to the M useum&rsquo\;s holdings.
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 \;< /div>\n
While it is true that most museum s show only a portion of their collection at any given time\, growing art h oldings expands museum capacity. Artwork that enters the collection now may not be shown immediately but gives curators more choices in designing futu re exhibitions. An unchanging permanent collection installation can get sta le. Having options for a variety of collections-based exhibitions shows off the vibrancy of the collection and engages audiences by making the art com e alive in novel ways. Artworks in the collection are utilized in other way s as well. They are a resource for scholars and researchers of art\, for ex ample. Museums also loan artworks to other institutions which allows new au diences to see the art in person. Museums hold art in the public trust and make the works of art accessible.
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Hunting + Gathering< /em> presents a sampling of artworks that have entered the Museum of Art&rs quo\;s collection since 2010. The exhibition comprises nearly 200 works of art in a range of media that includes painting\, photography\, sculpture\, prints\, ceramics\, mixed media\, textiles\, and drawings. The exhibition e ncompasses a broad cross-section of work by artists working locally and int ernationally. Among the artists included are Joyce Neimanas\, Francisco Z&u acute\;ñ\;iga\, Woody Gwyn\, Martha Opdahl\, Betty Hahn\, John Garret t\, Richard Diebenkorn\, Sol LeWitt\, Robert Motherwell\, Louise Crow\, Wil l Wilson\, Jennifer Schlesinger Hanson\, Ansel Adams\, Gustave Baumann\, Da vid Taylor\, Fritz Scholder\, John Beech\, Harry Callahan\, Imogen Cunningh am\, Robert Heinecken\, Brett Weston\, Donna Ruff\, and many others.
DTEND:20150329 DTSTAMP:20150228T140646 DTSTART:20141107 GEO:35.687962;-105.939244 LOCATION:New Mexico Museum of Art\,107 West Palace Avenue \nSanta Fe\, NM SEQUENCE:0 SUMMARY:Hunting + Gathering : New Additions to the Museum’s Collection\, Jo yce Neimanas\, Francisco Zuniga\, Woody Gwyn\, Martha Opdahl\, Betty Hahn\, John Garrett\, Richard Diebenkorn\, Sol LeWitt\, Robert Motherwell\, Louis e Crow\, Will Wilson\, Jennifer Schlesinger Hanson\, Ansel Adams\, Gustave Baumann\, David Taylor\, Fritz Scholder\, John Beech\, Harry Callahan\, Imo gen Cunningham\, Robert Heinecken\, Brett Weston\, Donna Ruff UID:374949 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150427 DTSTAMP:20150228T140646 DTSTART:20150327 GEO:35.6869752;-105.937799 LOCATION:Charlotte Jackson Fine Art (Railyard)\,554 S. Guadalupe Railyard A rt District\nSanta Fe\, NM 87501 SEQUENCE:0 SUMMARY:Gratitude\, Elliot Norquist UID:374948 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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Paul-He nri Bourguignon (1906&ndash\;1988) was a talented visual artist\, a prolifi c writer and journalist\, a skillful photographer\, and an avid observer of the human condition.

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Born in Belgium in 1906\, Bourguignon began his arts studies
in Brussels' Acadé \;mie des Beaux Arts and then studied art history at the Université\; Libre de Bruxelles. His first solo exhibition was at the Galé\;rie d 'Egmont in Brussels at age 22.

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Bourgu ignon traveled widely in France\, Spain\, and Italy\, North Africa\, Corsic a\, and Yugoslavia. He lived in both Haiti and Peru. He met his wife\, Erik a\, in Haiti and they settled in Columbus\, Ohio in 1950 after she joined t he faculty of The Ohio State University.

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During his long and prolific life\, he amassed a large and varied group of paintings&mdash\;early gouaches and later acrylics&mdash\;and numerous pencil\, pastel and ink-wash drawings. Many of the gouache paintings from t he 1950s and 1960s depict tranquil landscapes\, rich cultural interpretatio ns and evocative portraits\, figures\, and genre scenes that were derived f rom his travels. In the 1970s\, his landscapes and figural scenes took new directions and became less specifically descriptive. The works were express ionistic\, often with whimsical\, vulnerable\, or tragic figures revealed i n delightfully complex interactions of brushstrokes and texture.

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Viewers have described his work as "timeless\, passionate and visionary."

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DTEND:20150325 DTSTAMP:20150228T140646 DTSTART:20150306 GEO:35.6826859;-105.932557 LOCATION:Ventana Fine Art\,400 Canyon Road \nSanta Fe\, NM 87501 SEQUENCE:0 SUMMARY:Remembers Haiti\, Paul-Henri Bourguignon UID:374946 END:VEVENT BEGIN:VEVENT DTEND:20150306T190000 DTSTAMP:20150228T140646 DTSTART:20150306T170000 GEO:35.6826859;-105.932557 LOCATION:Ventana Fine Art\,400 Canyon Road \nSanta Fe\, NM 87501 SEQUENCE:0 SUMMARY:Remembers Haiti\, Paul-Henri Bourguignon UID:374947 END:VEVENT BEGIN:VEVENT DESCRIPTION:

New work from Santa Fe artist John Barker. \; Described by critic Iris McLister as \; "a fervent creator of images that possess a singularly accessible humanity--and \; as such his works are rife with neuroses and noise." \; A fantanstic b it of prose for a fantastic emerging painter.

DTEND:20150522 DTSTAMP:20150228T140646 DTSTART:20150429 GEO:35.680759;-105.925165 LOCATION:Turner Carroll Gallery\,725 Canyon Road \nSanta Fe\, NM 87501 SEQUENCE:0 SUMMARY:Solo Exhibition\, John Barker UID:374945 END:VEVENT BEGIN:VEVENT DESCRIPTION:

We are collaborating with The Teahouse< /strong> \;for an Art Matters event as part of the \;&ldquo\;Susten ance&rdquo\; event series on how food\, conversation and art nourish the mi nd\, body\, and soul. At Pippin Contemporary we will host \;an art and tea pairing where \;different gourmet teas from the Teahouse will be ma tched with an artist&rsquo\;s body of work based on the tea&rsquo\;s richne ss\, flavor\, boldness\, and energy. Event attendees will then have the opp ortunity to taste a variety of teas while contemplating the defining qualit ies it shares with contemporary paintings.

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Aleta Pippin\, Cody Hooper\, Stephanie Paige\, Tony Griffith\, Michae l Monroe Ethridge\, and Kevin Robb will have their body of work \;paire d with a tea based on painting style\, artistic inspiration\, and emotions evoked from the work. These pairings are as follows:

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Aleta Pippin: \;Imperial Grade Sencha (Japanese) &ndash\; Grown at high elevation under meticulous conditions\; a strong\, full-bodied cup with intense flavor.

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Stephanie Paige: \;Roasted Kukicha (Japanese ) &ndash\; Roasted tea twigs and stems that make it smooth and nutty\, this tea is light in caffeine and very relaxing.

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Cody Hooper: \;Yuzu Kukicha (Japanese) &ndash\ ; this rare blend of Kukicha\, Matcha\, and Yuzu is bold yet beautifully ba lanced.

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Michael Monroe Ethridge:  \;Guava Citrus (Chinese) &ndash\; Unique\, sweet\, tropica l flavor of guava &\; fresh citrus.

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Tony Griffith: \;Freak of Nature Oolong (Chinese) &n dash\; This rare and extraordinary tea is grown at very high elevation with large daily temperature fluctuation creating a tea with a truly unique aro ma and flavor.

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Kevin Robb: \;Himalayan Snowflake (Indian) &ndash\; For a remarkable person and artist\, one of the world&rsquo\;s remarkable teas. Made just from the hand-picked tips of organic leaves.

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Join us to be &ldquo\;Steeped in Art&rdquo\; and decide which te as and artists are most complimentary to your taste and style!

DTEND:20150321T160000 DTSTAMP:20150228T140646 DTSTART:20150321T140000 GEO:35.6835909;-105.9338379 LOCATION:Pippin Contemporary\,200 Canyon Road \nSanta Fe\, NM 87501 SEQUENCE:0 SUMMARY:Steeped in Art\, an Art Matters Event\, Aleta Pippin\, Cody Hooper\ , Stephanie Paige\, Tony Griffith\, Michael Monroe Ethridge\, Kevin Robb UID:374944 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Greg Reiche uses stone\, glass \, and metal to create dynamic sculpture ranging from monumental site-speci fic work to small studio pieces. Stone and metal contribute a sense of time lessness\, strength and solidity to his work\, while reflective glass eleme nts breathe life and energy into the static materials. Reiche&rsquo\;s resp onsive glass tiles make invisible aspects of the environment visible to the viewer\, reflecting air movements as well as subtle changes in light and s hadows. These basic sculptural elements transcend time and culture\, and to gether create enduring and powerful works of art.

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For &ldquo\;Into the Wind\,&rdquo\; Reiche has created a power ful new body of kinetic sculpture. These dynamic and poetic works draw upon two basic energetic forces of nature that are prevalent in our natural sou thwestern environment: solar and wind power. \;For this one-man show at Pippin Contemporary\, Reiche integrates these elemental forces into iconic \, evocative forms that have been crafted from traditional sculptural mater ials of stone\, metal and glass.

DTEND:20150602 DTSTAMP:20150228T140646 DTSTART:20150520 GEO:35.6835909;-105.9338379 LOCATION:Pippin Contemporary\,200 Canyon Road \nSanta Fe\, NM 87501 SEQUENCE:0 SUMMARY:Into The Wind\, Greg Reiche UID:374942 END:VEVENT BEGIN:VEVENT DTEND:20150522T190000 DTSTAMP:20150228T140646 DTSTART:20150522T170000 GEO:35.6835909;-105.9338379 LOCATION:Pippin Contemporary\,200 Canyon Road \nSanta Fe\, NM 87501 SEQUENCE:0 SUMMARY:Into The Wind\, Greg Reiche UID:374943 END:VEVENT BEGIN:VEVENT DESCRIPTION:

photo-eye Gallery is excited t o announce a new group exhibition showcasing the stylistic diversity of pho to-eye Gallery artists. Featured work will include striking East African an imal portraits by Nick Brandt\, the atmospheric and sunburned landscapes of Chris McCaw\, Pentti Sammallahti&rsquo\;s impeccably composed colloquial s cenes\, the midland tempests of Mitch Dobrowner\, Steve Fitch&rsquo\;s urba nized American West\, and the vivid planetary abstractions of Ernie Button& rsquo\;s Vanishing Spirits series &mdash\; among others. The Group Show is also the first full scale multi-artist exhibition launched by phot o-eye Gallery in its new venue located within Santa Fe&rsquo\;s Railyard Ar ts District\, and the gallery is proud to feature a full complement of arti sts in this dynamic space.

DTEND:20150314 DTSTAMP:20150228T140646 DTSTART:20150130 GEO:35.6826972;-105.9473956 LOCATION:photo-eye Gallery\,541 S. Guadalupe St. \nSanta Fe\, New Mexico 8 7501 SEQUENCE:0 SUMMARY:Selected Works by Gallery Artists\, Nick Brandt\, Chris McCaw\, Pen tti Sammallahti\, Mitch Dobrowner\, Steve Fitch\, Ernie Button UID:374941 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Monroe Gallery of Photography is pleased to announce an exhibition of photographs by by Andreas Feininger . The exhibition opens Friday\, February 13 and continues through April 5.< /p>\n

Feininger&rsquo\;s pictures of New Yo rk in the 1940s and &rsquo\;50s helped define\, for all time\, not merely h ow a great 20th century city looked\, but how it imagined itself and its pl ace in the world. With its traffic-jammed streets\, gritty waterfronts\, ic onic bridges and inimitable skyline\, the city assumed the character of a v ast\, vibrant landscape. Featured in the exhibition are many of Feininger's most iconic New York cityscapes\, as well as many other.

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Andreas Feininger was born in Paris\, educated in the Bauhaus\, and trained as an architect and structural engineer. He began usi ng the camera in the early 1920&rsquo\;s as a &ldquo\;mechanical sketchbook &rdquo\; for building designs. Son of the acclaimed artist Lyonel Feininger \, Andreas Feininger turned to photography full-time in 1932. Andreas Feini nger devoted his life to a full exploration of both the science and art of photography. His creative vision is rooted in the conviction that the camer a is superior to the eye\, and that the photograph can\, and ideally should \, portray the world more graphic than reality itself. From his earliest ph otographs\, through two decades as a LIFE magazine photographer\, to recent images taken in the 1980&rsquo\;s\, few photographers in the 20th century have displayed the range of Andreas Feininger. His work is characterized by an unusual sensitivity to form and an extraordinary sense of composition. His photographs reveal hidden structure and beauty in panoramic urban and i ndustrial landscapes.

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Andreas Feining er died in Manhattan in February 1999. He was 92.

DTEND:20150405 DTSTAMP:20150228T140646 DTSTART:20150213 GEO:35.686895;-105.9396637 LOCATION:Monroe Gallery of Photography\,112 Don Gaspar \nSanta Fe\, 87501 SEQUENCE:0 SUMMARY:Solo Exhibition\, Andreas Feininger UID:374940 END:VEVENT BEGIN:VEVENT DESCRIPTION:

As spring approaches\, a parti cularly vibrant period of New Mexico art history has returned to the spotli ght in Santa Fe. Georgia O&rsquo\;Keeffe Museum&rsquo\;s Modernism Made in New Mexico exhibition\, New Mexico Museum of Art&rsquo\;s renewed emphasis on Southwestern modernists and an array of modernism-themed gallery shows h ave turned visitors&rsquo\; attention to the first half of the 20th century in the Land of Enchantment. It&rsquo\;s enough to declare a full-fledged t rend\, and Matthews Gallery has stepped in to raise the banner. SPR ING OF MODERNISM:

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Se minal New Mexico Modernists\, opening at Matthews Gallery on March 6\, will tell the stories of artists who put a Southwestern twist on the m odernist movement and caught the eye of the world.

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&ldquo\;Many New Mexico artists of this period studied under the great European and American modernists. They took this incredible techn ical skill and turned to a new font of inspiration\,&rdquo\; says gallery o wner Lawrence Matthews. &ldquo\;The result was a branch of modernism satura ted with the color\, culture and spirituality of the Southwest.&rdquo\;

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The 1913 Armory Show in New York City br ought the European modernist movement to the United States. Early American adopters such as Randall Davey and John Sloan participated in the show\, an d later ventured to the New Mexico. Over the next half century\, a variety of East Coast artists would reshape the Taos and Santa Fe art colonies into Western outposts for bold aesthetic innovation. The Taos Moderns\, the Tra nscendental Painting Group (TPG) and other collectives engaged with new dev elopments in the movement\, gaining an influential presence on the internat ional art stage.

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SPRING OF MODERNISM will follow every twist and turn of New Mexico&rsquo\;s modernist movement through significant artworks by Sloane\, Davey\, TPG mavericks Raymond Jons on\, Emil Bisttram and William Lumpkins\, Taos Moderns such as Louis Ribak and Beatrice Mandelman and other modernists including Alfred Morang\, Willi am Vincent Kirkpatrick\, Gene Kloss and Janet Lippincott.

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&ldquo\;The scope of the show is as ambitious as its t itle suggests\,&rdquo\; says Matthews. &ldquo\;We&rsquo\;re retelling 50 el ectrifying years of New Mexico modernist history. This exhibition will show you how New Mexico's art community became one of the biggest in the nation .&rdquo\;

DTEND:20150331 DTSTAMP:20150228T140646 DTSTART:20150306 GEO:35.681119;-105.92636 LOCATION:Matthews Gallery\,669 Canyon Road \nSanta Fe\, New Mexico 87501 SEQUENCE:0 SUMMARY:Spring of Modernism: Seminal New Mexico Modernists \, Emil Bisttram \, William Lumpkins\, Raymond Jonson\, Alfred Morang\, Randall Davey UID:374938 END:VEVENT BEGIN:VEVENT DTEND:20150306T190000 DTSTAMP:20150228T140646 DTSTART:20150306T170000 GEO:35.681119;-105.92636 LOCATION:Matthews Gallery\,669 Canyon Road \nSanta Fe\, New Mexico 87501 SEQUENCE:0 SUMMARY:Spring of Modernism: Seminal New Mexico Modernists \, Emil Bisttram \, Randall Davey\, Raymond Jonson\, William Lumpkins\, Alfred Morang UID:374939 END:VEVENT END:VCALENDAR