Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]
What does vanitas look like today? by Jesi Khadivi Paweł Althamer, Mona Hatoum, Jeppe Hein, James Hopkins, Alicja Kwade, Dieter Roth, Tomas Saraceno, Thomas Schütte, Roman Signer, Daniel Spoerri, Katja Strunz, KEI TAKEMURA, Luca Trevisani, Reijiro Wada at Georg Kolbe Museum
June 15th - August 31st
A human skull rests atop a modest wooden table flanked by a chronometer, books, musical instruments, an earthenware pot, and swathes of silk. Harmen Steenwyck’s Still Life: An Allegory of the Vanities of Human Life (1612-1656) is emblematic of the vanitas genre, most commonly known for its intimate tabletop tableaux alluding to the transient nature of all worldly goods and pursuits. Upon entering Vanitas – Nothing is Forever Anyway at Berlin’s Georg Kolbe Museum, one immediate... [more]
Happy to share my new Amazon page.
Click to learn more!
Amazon's David Perea Page
Urban Dimensions San Francisco by David Perea (2013)
Formats Price NewUsed
Lightscapes by David Perea Kihien (2010)
Formats Price NewUsed
Other Formats: Hardcover
Maidens of London by David Perea (2014)
Formats Pr... [more]
Published in http://www.artindiamag.com/quarter_04_03_14/index.html
Acts of drawing are sometimes summed up as dirtying the paper delicately,1 but Ayesha Sultana’s drawings in Outside the field of view, her first solo at Experimenter, Kolkata, mounted from the 9th of May to the 26th of June, are anything but delicate. Sultana ‘dirties’ the paper vigorously and obsessively, while reining in her mark-marking within perfectly geometric shapes. Nine graphite drawings of various si... [more]
Installation view of “Depression” at Francois Ghebaly Gallery. All images by the author for Hyperallergic.
LOS ANGELES — It was 4:20pm when I walked into Depression and encountered Andrea Ursuta’s piece “Stoner” (2013). A batting-cage ball-throwing machine creaked on, spun once, and died before it could eject anything from its quarantined-off belly. It is located inside a larger batting cage. There is no entrance. There is no bat to play with. Stones are... [more]
At the heart of the works in No Can Handle is the ethos of endurance. Entering the exhibition is not unlike entering an interpretation of a physical training facility. Equipment-like inventions dangle from the ceiling and perch amidst the gallery space; there is even a painted panel squatting in the crease of a gym mat on the floor. Many of the works, like Bow 4 (2014) have a suggestive tenacity. Bow 4 is a delicately curved wooden pole bending like a “C” around an entire wall, held in plac... [more]
Come see me (Shalla) on September 27, 2014 ....12 to 6 pm... at the first ever Tivoli Art Walk...
I will be drawing caricatures, maybe you'd like one of you :)
What? Shalla is drawing caricatures
Where? at Tivoli Village in Las Vegas
When? September 27 from 12-6pm
How? For more info: http://www.tivolivillagelv.com/
And here's my latest painting of Marilyn Monroe in acrylic 18'x24' sold at Annie Cream Cheese (a high class vintage store at Market LV in Summerlin)... http://www.anniec... [more]
Toronto, Aug. 2014: “The daydream transports the dreamer outside the immediate world to a world that bears the mark of infinity.” –Gaston Bachelard
The tipping point between the limitless and the limited is well traversed. A common steadiness has been found in speaking of the two types of spaces at once, though they are indeed opposed to one another with regards to the dream: the two exist synonymously for the dreamer. But in using the metaphor of immense space to describe int... [more]
For eons of time mass consciousness has been under the illusion that politics is the control center for world affairs, that presidents define the destinies of both countries and people and we the public are subject to its wavering discourse. We have been led to believe that media sets the trend for cultural standards of how we should feel and think and that the answer to true happiness lies in upholding the values embodied by the majority and the most popular in our circle of influence.
This new page is under construction for a while as I add very old works scanned from slides. I'm also choosing a few for sale and print here at this site, and am minded for catalogues and a new book page deadlines. I'm Trying to get the photography done without too much slowing down.
Two peices are going to show early next year in the Bienale Di Palermo in Palermo, Sicily and Florence Italy. I think artists who've been admitted all get an award and there's a competition for a prize. ... [more]
New York, Aug. 2014: Sahra Motalebi’s multimedia performance operetta, Intangible Heritages, Belief's Demise, staged at New York’s Sculpture Center in February, told the stories of neglected archetypical characters. Among the characters that Motalebi conjured from an ancient Eastern literary heritage were a prostitute, a warrior-prisoner, and an elderly recluse. She lyrically presented their interlaced narratives while they moved through a projected shadow play praised by curator Ka... [more]
"Yes!" Art Competition
Submission Deadline is August 25th, 11:45 pm
There are things in our lives to which we spontaneously respond - "Yes!". However, we also have to learn to say - "Yes" to things that first do not resonate well with us. Maybe there is a purpose for which they come into our lives? Instead of fighting, isn't it better to say "yes!" and embrace the unknown which will help us to reach new heights?
We want to see the best "Yes" artworks that you have created, either recently o... [more]
What first reads like an astral constellation is in fact a photograph whose blackness is broken only by the erratic swarm of dead insect bodies. Greg Stimac’s Santa Fe to Billings (2009) documents the choreography of the countless lives his windshield intersected on a drive between locales. The momentum of each smash is evident—guts smear and spray across the surface, recording innumerable tiny accidents. To create this piece, Stimac placed an 8 x 10 inch sheet of Plexiglass on the h... [more]