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Exhibition Detail
Invisible Ingredient
2278 Telegraph Ave.
Oakland, CA 94612


July 3rd - July 25th
Opening: 
July 3rd 6:00 PM - 9:00 PM
 
Feminist Craft Corner,Miki Yamada FosterMiki Yamada Foster, Feminist Craft Corner
© Miki Yamada Foster
Experimental Archives / Collaborative Media Studies,Elizabeth TravelslightElizabeth Travelslight,
Experimental Archives / Collaborative Media Studies

© Elizabeth Travelslight
Starvation Seeds,Lindsay KelleyLindsay Kelley, Starvation Seeds
© Lindsay Kelley
Untitled,Nick LallyNick Lally, Untitled
© Nick Lally
(Re)Sounding Light,Rupa DhillonRupa Dhillon, (Re)Sounding Light
© Rupa Dhillon
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> QUICK FACTS
WEBSITE:  
http://rpscollective.com/
NEIGHBORHOOD:  
East Bay
EMAIL:  
gallery@rpscollective.com
PHONE:  
510.238.9171
OPEN HOURS:  
12 - 7pm, Tuesday - Sunday. Closed Monday.
TAGS:  
sculpture, modern, figurative, abstract, surrealism, painting, drawing, realism, conceptual, performance, graffiti/street-art, video-art, installation, digital, photography, mixed-media
COST:  
Free!
> DESCRIPTION
Invisible Ingredient brings together five up-and-coming digital artists from the Bay Area whose works uncover the hidden politics and histories of everyday phenomena. Each artist merges art, technology, and craft to make invisible ingredients visible. Miki Yamada Foster's Feminist Craft Corner explores the hidden politics of gender and sexuality by interweaving technology and craft, while Lindsay Kelley examines the borders of food and nonfood through video and text in Starvation Seeds. Nick Lally, Elizabeth Travelslight, and Rupa Dhillon expose everyday invisible phenomena ranging from the relationships between sound and light to the notion of memory and personal reflection. Through the use of electronic sensors and computer programming, Nick Lally uncovers the beauty and complexity behind seemingly mundane data in his untitled series of digital prints, photographs, and accompanying mural. Elizabeth Travelslight explores the notion of personal identity, memory, and reflection in her assemblage series containing found furniture, textiles, and glass. Rupa Dhillon exposes the visibility of sound in (Re)Sounding Light through the use of electronics, beads, and deconstructed musical instruments.

Read more on our website - http://rpscollective.com/?p=592
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