STREET now open! Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
San Francisco

Anthony Meier Fine Arts

Exhibition Detail
Loud Object
1969 California Street
San Francisco, CA 94109


July 12th, 2013 - August 16th, 2013
Opening: 
July 11th, 2013 6:00 PM - 8:00 PM
 
,
© Courtesy of the Artist and Anthony Meier Fine Arts
  lady bug   , Sarah CainSarah Cain, lady bug ,
2013, Necklace, glitter, acrylic and plastic bags on canvas, 66 x 45.7 x 8.9 cm
© Courtesy of the Artist and Anthony Meier Fine Arts
  synchronized dreaming , Sarah CainSarah Cain, synchronized dreaming ,
2013 , Cardboard, plastic, acrylic, gold leaf, prisms, screws and staples on canvas, 203.2 x 198.1 x 10.2 cm
© Courtesy of the Artist and Anthony Meier Fine Arts
< || >
> QUICK FACTS
WEBSITE:  
http://www.anthonymeierfinearts.com
NEIGHBORHOOD:  
Western Addition
EMAIL:  
gallery@anthonymeierfinearts.com
PHONE:  
415-351-1400
OPEN HOURS:  
Tue-Fri 10-5
> DESCRIPTION

Anthony Meier Fine Arts is pleased to present an exhibition of new paintings by artist Sarah Cain.  Exhibiting at the gallery for the third time, Cain debuts a series of works on canvas highlighting her unique blending of formal geometric principles with layered dimension and collaged materials. 

The ability to merge opposing elements without diminishing their individual attributes is a cornerstone of Sarah Cain’s practice.  In ‘synchronized dreaming’ Cain places multiple imperfectly horizontal cardboard panels across the canvas surface to create a look of ramshackle hardwood flooring.  The cardboard panels are then painted into square sections and covered loosely in a mix of spattered paint, gold leaf, prisms and screws.  The step-by-step movement from layer to layer holds reign on the piece,  keeping a balance between the chaotic and the controlled. 

This balance between chaotic and controlled is also seen in the duality between Sarah Cain’s work and her personal experience.  The objects embedded in Cain’s canvases are sourced from her own daily movements, directly or indirectly.  Title word associations, always extant, span from transparent to opaque. The life of the painter and the life of the painting are inherently intertwined. 


Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.