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San Francisco

The Art Gallery at the Cesar Chavez Student Center, SFSU

Exhibition Detail
Fluorescent Virgins
1650 Holloway Ave
San Francisco, CA 94132


October 25th, 2012 - November 8th, 2012
Opening: 
November 1st, 2012 5:00 PM - 8:00 PM
 
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> QUICK FACTS
WEBSITE:  
http://www.sfsustudentcenter.com/artgall...
NEIGHBORHOOD:  
Sunset/Richmond
EMAIL:  
ccscartgallery@gmail.com
PHONE:  
415-338-2580
OPEN HOURS:  
M-F 10a-6p or by appointment
SCHOOL ASSOCIATION:  
SFSU (San Francisco State University)
TAGS:  
Dia de los meurtos Day of the Dead Contemporary Altars
COST:  
FREE
> DESCRIPTION

Fluorescent Virgins: Contemporary Alters and Offerings for the Dead
Reception: Thursday, November 1st, 2012, 5-8pm
Exhibition: Thursday, October 25th - Thursday, November 8th

The image of Guadalupe glows in a rainbow of blinking fluorescent lights, her hands in prayer above a rubber snake and a potted plant. "Fluorescent Virgins" displays a variety of altars that combine the traditional with the contemporary.  Rooted in Latino folklore, these altars have been created for thousands of years to honor the dead.  Commonly associated with the Mexican derived Days of the Dead (Dias de los Muertos), many other Latin-American cultures have similar tributes, such as the pre-Incan Moche culture (from Peru) that display representations of sex, death and human sacrifice.

The components of the altar vary by maker and often reflect the individual who assembled it.  The personal items displayed are trophies and tokens of great emotional value that together speak an intimate narrative.  The artists represented in "Fluorescent Virgins" showcase not only their religious and ceremonial offerings but also collections of everyday domestic items that tend to communicate a whimsy; objects are grouped and placed strategically to communicate loftier themes, other than death. 

The seeming pop-culture of contemporary altars contends with the dark subject matter of death.  Agony is simultaneously mixed with joy, dark is co-mingled with light, bright colors and sacred candles are framed in skulls and rats.  The altars are more than an idolization of the deceased, but the artist's struggle with death itself.  Many altars in "Fluorescent Virgins" are a declaration of the artist’s own struggle with mortality, the memory of past loved ones, and the belief in something greater than oneself.


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