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San Francisco

Traywick Contemporary

Exhibition Detail
Materials + Process
895 Colusa Avenue
Berkeley , CA 94707

October 14th, 2012 - December 22nd, 2012
Oncoming, Samantha FieldsSamantha Fields, Oncoming,
2012, Airbrushed acrylic on canvas, 36 x 36"
© Courtesy of the artist and Traywick Contemporary
Putting Things Back Together (detail), Lynn BeldnerLynn Beldner,
Putting Things Back Together (detail),
2012, Mixed media, Installation dimensions variable
© Courtesy of the artist and Traywick Contemporary
Untitled (3wire-circles_1), David FoughtDavid Fought, Untitled (3wire-circles_1),
2012, Burnt wire, plaster, 15.5 x 15.5 x 4"
© Courtesy of the artist and Traywick Contemporary
Flash, Cynthia Ona InnisCynthia Ona Innis, Flash,
2012, Mixed media on canvas, 30 x 40"
© Courtesy of the artist and Traywick Contemporary
Night Garden: Stars, Amanda MarchandAmanda Marchand, Night Garden: Stars,
2012, Medium format camera, 20 second exposure, 30 x 30"
© Courtesy of the artist and Traywick Contemporary
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East Bay
Thursday- Saturday 10 to 4, by appointment
photography, mixed-media, landscape, abstract, modern, sculpture

Traywick Contemporary is pleased to announce Materials + Process, the fourth in our 15th Anniversary exhibition series that focuses on different aspects of our program, its history, and a glimpse of what lies ahead.

Materials + Process features work by Lynn Beldner (Oakland), Samantha Fields (Los Angeles), David Fought (San Francisco), Amanda Marchand (New York) and Cynthia Ona Innis (Berkeley), and will explore the use of nontraditional materials and unconventional processes, both of which are central to the practices of many of the artists in our program.

Using a vocabulary of shapes and symbols, Lynn Beldner creates tactile objects that hint at intimate moments. Excavating and organizing personal histories, her wall installations are specimen-like collections of biographical ephemera. Simple gestures and modest materials lend these visual journals a quiet fragility as they explore the unexpected intersections of the private and the public.

David Fought's sculptures are formal explorations of negative and positive space. Wire is burned, cooled and bent into various shapes, providing a physical framework that references the elemental lines of a drawing. Plaster fills negative spaces, simultaneously emphasizing mass and planar two-dimensionality.

For her Night Garden series, Amanda Marchand experiments with different tools and methods to respond to the challenge of photographing in darkness. Using a wide variety of lighting conditions, exposure times ranging from a few seconds to several hours, and an array of cameras from digital to pinhole, the artist leaves the project open to intuition as she captures fleeting moments in time.

Samantha Fields' paintings are based on images from the artist's own archive of "failed" photographs, giving new meaning to moments that may have been inadequately captured. By using an airbrush to apply hundreds of thinly misted layers of acrylic paint to canvas, she conceals traces of her hand in the work while also embracing the (in)accuracy of the photographic medium.

Through drawing, painting and collage on fabric, canvas and paper, Cynthia Ona Innis investigates forms -- natural and human -- as they transform and change. Her physical manipulation of materials, combined with images of surging biomorphic abstractions, mirrors the fluid transitions found in nature.

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