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San Francisco

Gallery Wendi Norris

Exhibition Detail
161 Jessie Street
San Francisco, CA 94105

April 2nd, 2011 - May 28th, 2011
April 2nd, 2011 4:00 PM - 7:00 PM
Undocumented Interventions 1, Julio Cesar MoralesJulio Cesar Morales,
Undocumented Interventions 1,
2011, watercolor on paper, 14 x 11 in.
© Courtesy of the Artist and Frey Norris Gallery
(415) 346-7812
Tue-Sat 11-6
video, sculpture

Contrabando is a multi-media exhibition that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes. The adaptive nature of immigrants is seen the world round and throughout time, but Morales focuses on the ingenuity and entrepreneurial spirit of the Latin American immigrant labor force in California. Contrabando is a study of the realities and consequences of exploited labor that simultaneously aims to record the living history of labor. Morales is interested in the way consciousness shifts as it moves between languages, cultures, and political systems.

Included in Contrabando is the on-going series Undocumented Interventions, a project that utilizes hand-colored watercolor on paper paintings to depict human trafficking documented through smuggling themselves into the United States. The images are culled both from the artist’s memory of growing up in the Tijuana/San Diego area and actual photographs from the U.S. Customs website. The paintings are an archive of the multiple adaptations and customizations that have taken place when people alter vehicles, piñatas, washer/dryers, and various equipment as they attempt to cross the border.

Another project called Narquitectos, takes its name from architects in Mexico that are commissioned by drug cartels to create tunnels underneath the Mexico/US border. Inspired by documentation of discovered sites, the resulting pencil drawings read as blueprints that reveal the location and adjacent tunnel. A series of wood architectural models depicting the above and below ground scenes accompanies the renderings.

Additional new works will take the form of video and sculpture.

A 20-page catalogue is available with an essay by Josh Kun. Josh Kun is a professor in the Annenberg School for Communication & Journalism and the Department of American Studies & Ethnicity at USC, where he also directs the Popular Music Project at the Norman Lear Center.

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