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Berkeley Art Museum and Pacific Film Archive

Exhibition Detail
Looking at Whistler: A Conversation / Robert Bechtle and Barclay Simpson
Curated by: Lucinda Barnes
2625 Durant Avenue
Berkeley, CA 94720-2250

March 11th, 2011 5:00 PM - 7:00 PM
Rotherhithe from A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (Thames Series), James A.M. WhistlerJames A.M. Whistler,
Rotherhithe from A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (Thames Series),
1860, etching, 10 ¾ X 7 ¾ in.
© gift of Barclay and Sharon Simpson.
Artist talk
East Bay
Please note that the BAM/PFA Galleries are closed from December 22, 2014 through 2015 as we move to our new building in downtown Berkeley, opening in early 2016.
UC Berkeley (University of California Berkeley)
$10 for adults (18-64), $7 for non-UC Berkeley students, disabled persons, young adults (13-17) and senior citizens (65 & over); Free for BAM/PFA members, children under 12, and UC Berkeley students, faculty and staff

Gallery 4
Included with museum admission

Writing about internationally acclaimed Bay Area artist Robert Bechtle’s recent watercolors and drawings, critic Robert Storr noted an “imposed stillness” and inherent poetry that recall the tonal harmonies of James McNeill Whistler. Bechtle has in fact long acknowledged Whistler’s influence on his own explorations of light and atmosphere, as particular to the Bay Area as his distinctive scenes of middle-class San Francisco neighborhoods.

Bechtle will join Barclay Simpson, a major collector of Whistler’s graphic work, to discuss this nineteenth-century expatriate American artist. The conversation is programmed in conjunction with the exhibition Indeterminate Stillness: Looking at Whistler, which celebrates the gift by longtime BAM/PFA supporters Sharon and Barclay Simpson of sixty-two prints, including those from Whistler’s two most important series, focusing on Venice and on the Thames.

Moderated by Chief Curator and Director of Programs and Collections Lucinda Barnes, who organized the exhibition, the program will explore, freshly and informally, the ways both artist and collector look at Whistler—his design, tonalism, and overall vision.

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