ArtSlant maintains a calendar of exhibits and events in each ArtSlant city.
A rich resource for the artist, the collector, the curator and the art lover.
On December 7, 2006, the sixty-fifth anniversary of the attack on Pearl Harbor, Japanese artist Katsushige Nakahashi
photographed, from sunrise to sunset, a portion of the USS Missouri's
deck. His selection of this specific site on board the ship is charged
with historical significance; during the Pacific battle of World War II
a Kamikaze fighter hit this particular section of the Missouri.
Composed of more than 5,000 photographs, spanning more than 40-feet,
and assembled by a team of volunteers at Japan's Tottori Prefectural
Museum in May 2007, On the Day 7th December, 2006 / Battleship Missouri,Pearl Harbor is layered with temporal depth that physically embodies "sculptural time," or historical time represented with physical form.
Key to Nakahashi's first Bay Area solo exhibition is the newly commissioned: Kaiten—a
World War II Japanese torpedo outfitted to accommodate a lone Kamikaze
pilot. In his studio this autumn, Nakahashi painstakingly photographed
the entire surface of a toy model Kaiten at 1:32 scale producing more
than 20,000 photographs. These images will be assembled, with
Nakahashi's oversight, in Camerawork's gallery during December and
January to create a 50-foot simulacrum of the infamous "suicide
submarine." Nakahashi’s work can be situated within a framework of
relational aesthetics and social pratice. As the photographs of the
miniature are only pieces of the artwork, they are corollary to their
subsequent assembly/interaction of artist and viewer/participant. It is
essential to Nakahashi’s art practice that the construction of this
piece be done in the gallery, during the exhibition, with as
broad-ranging a cross section of volunteers as can be organized.
Images must be in jpg, gif or png format and less than 5 megabytes in size.
After you finish adding or removing images, please click
reload to refresh the slideshow