BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:

&ldquo\;Honey\, I Shrunk The Streets!&rdquo\; opens on Thurs day\, October 16th\, from 6:30-9:30pm at 1AM Gallery. Big things come in sm all packages and our next exhibit proves just that.  \;In this one-of-a -kind exhibition\, our 1AM community of artists will paint miniature versio ns of billboards\, brick walls\, trucks\, and dumpsters provided by TYO toy s.  \;Check out the artist list and more information about the show. ht tp://1amgallery.com

DTEND:20141030 DTSTAMP:20140917T061136 DTSTART:20141016 GEO:37.779704;-122.407597 LOCATION:1AM Gallery\,1000 Howard Street \nSan Francisco\, CA 94103 SEQUENCE:0 SUMMARY:Honey\, I Shrunk The Streets\, Group Show UID:356911 END:VEVENT BEGIN:VEVENT DTEND:20141016T213000 DTSTAMP:20140917T061136 DTSTART:20141016T183000 GEO:37.779704;-122.407597 LOCATION:1AM Gallery\,1000 Howard Street \nSan Francisco\, CA 94103 SEQUENCE:0 SUMMARY:Honey\, I Shrunk The Streets\, Group Show UID:356912 END:VEVENT BEGIN:VEVENT DESCRIPTION:

In 2011\, Arcega built a hand- made\, collapsible Pacific outrigger canoe and named it Baby for h is solo exhibition at San Francisco&rsquo\;s Luggage Store Gallery. Inspire d by the correspondence between Thomas Jefferson and Lewis &\; Clark\, A rcega set forth to paint an updated picture of North American people by sai ling Baby on rivers and waterways across the U.S. The first leg of Baby&rsquo\;s journey occurred on May 21\, 2011 from Richmond\, V A (seat of the Confederacy)\, and concluded near Jamestown\, VA (the first successful British colony). Later\, Arcega and  \;Baby sailed in Chincoteage Bay\, Pokemoke River\, Mississippi River\, Bayou St. John\, Rio Grande/Pecos River and San Francisco Bay.

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This project examines the people of the Nacirema (&ldquo\;American &rdquo\; spelled backwards\, and an anthropological term from Horace Mitche ll Miner&rsquo\;s 1956 essay "Body Ritual among the Nacirema\," that takes satirical aim at anthropological papers attempting to define &ldquo\;others &rdquo\; in U.S. culture.) \; Arcega shares\, &ldquo\;This work explore s contact languages\, Pidgins and Creoles\, often referred to as mediums fo r inter-ethnic communication. Baby takes that medium role and beco mes both a vehicle for geographic navigation as well as a metaphor for inte rcultural navigation.&rdquo\;

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With th is Grove Street installation\, Baby will be suspended in the space \, becoming more of a thought-object\, rather than a vessel. \; Passers by will encounter a view of Baby through the windows\; it will ca rry their own reflection as well as the constant reflection of City Hall. & nbsp\;This dynamic positioning serves to provide new context for Baby&rsquo\;s role as a medium and metaphor for communication.

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Baby will also be featured in the group e xhibition\, Everyone&rsquo\;s Ocean at the Santa Cruz Museum of Ar t and History from December 19\, 2014 &ndash\; April 19\, 2015.

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PUBLIC PROGRAM: Sidewalk Chat with Micha el Arcega

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EVENT DATE : \;Thursday\, September 25\, 2014\, \;6 - 7:30 p.m.

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COST:&n bsp\;Free and open to the public

DTEND:20141130 DTSTAMP:20140917T061136 DTSTART:20140918 GEO:37.778073;-122.419067 LOCATION:San Francisco Arts Commission Gallery (Window Site)\,155 Grove St. \nSan Francisco\, CA 94102 SEQUENCE:0 SUMMARY:Artist Paddles into the Civic Center\, Michael Arcega UID:356827 END:VEVENT BEGIN:VEVENT DTEND:20140925T193000 DTSTAMP:20140917T061136 DTSTART:20140925T180000 GEO:37.778073;-122.419067 LOCATION:San Francisco Arts Commission Gallery (Window Site)\,155 Grove St. \nSan Francisco\, CA 94102 SEQUENCE:0 SUMMARY:Artist Paddles into the Civic Center\, Michael Arcega UID:356828 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141029 DTSTAMP:20140917T061136 DTSTART:20140921 GEO:37.750492;-122.42357 LOCATION:2nd Floor Projects\,3740 25th St. #205\nSan Francisco\, CA 94110 SEQUENCE:0 SUMMARY:No.1-10 (limited edition chapbooks)\, Johnny Ray Huston UID:356825 END:VEVENT BEGIN:VEVENT DTEND:20140920T220000 DTSTAMP:20140917T061136 DTSTART:20140920T190000 GEO:37.750492;-122.42357 LOCATION:2nd Floor Projects\,3740 25th St. #205\nSan Francisco\, CA 94110 SEQUENCE:0 SUMMARY:No.1-10 (limited edition chapbooks)\, Johnny Ray Huston UID:356826 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141029 DTSTAMP:20140917T061136 DTSTART:20140921 GEO:37.750492;-122.42357 LOCATION:2nd Floor Projects\,3740 25th St. #205\nSan Francisco\, CA 94110 SEQUENCE:0 SUMMARY:The Coldest Winter\, bodega vendetta & prvtdncr UID:356823 END:VEVENT BEGIN:VEVENT DTEND:20140920T220000 DTSTAMP:20140917T061136 DTSTART:20140920T190000 GEO:37.750492;-122.42357 LOCATION:2nd Floor Projects\,3740 25th St. #205\nSan Francisco\, CA 94110 SEQUENCE:0 SUMMARY:The Coldest Winter\, bodega vendetta & prvtdncr UID:356824 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141031 DTSTAMP:20140917T061136 DTSTART:20141001 GEO:37.7885251;-122.4060508 LOCATION:Hespe Gallery\,251 Post Street\, Suite 210\nSan Francisco\, CA 941 08 SEQUENCE:0 SUMMARY:Solo Exhibition\, Eric Zener UID:356822 END:VEVENT BEGIN:VEVENT DESCRIPTION:

FOR IMMEDIATE RELEASE

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Contact: Jenn ifer Draughon

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Andrea Schwartz Gallery

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545 4th Street\, San Francisco\, CA 94107

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415.495.2090 &ndash\; Phone

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415.495.20 94 &ndash\; Fax

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jennifer@asgallery.com

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www.asgallery.com

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 \; \; \; \; \; \; \; \; \; \ ; \; \; \; \; \; \; \; \; \; \;&nbs p\; \; \; \; \; \; \; \; \; \; \;&n bsp\; \; \; \; \; \; \; \; \; \; \;  \; \; \; \; \;  \; \; \; \; \;&nbs p\; \; \; \; \; \; \; \; \; \; \;&n bsp\; \; \; \; \; \; \; \; \; \; \;  \; \; \; \; \; \; \; \; \; \;  \; \; \; \; \; \; \; \; \; \;

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< strong>Philip Buller

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Used Paintings

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October 8 &ndash\; November 7\, 2014

Opening Reception: Wednesday\, October 8\, 5:30 - 7:30 PM

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 \;&ldq uo\;I try not to think about painting\; instead I try to make choices intui tively.&rdquo\; \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \; &n bsp\;  \;  \;  \;  \;  \;  \;  \;  \;   \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \;  \; &nb sp\;  \;  \;  \;  \;  \;  \;  \;  \;  \ ;  \;  \;  \;  \;  \;  \;  \;  \;

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- - Philip Buller

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Andrea Schwartz Gallery is pleased to announce a solo exhibition featuring new paintings by Philip Buller\, wi th an opening reception held on Wednesday\, October 8th from 5:30 &ndash\; 7:30 pm.

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In this new body of work\, Used Paintings\, Phili p Buller questions the use of a painting for both the painter and the viewe r. \; While the viewers can determine the use of a painting for themsel ves\, for Buller the paintings are a vehicle of creative and personal growt h. \; Guided by his subconscious and intuition\, Buller first focuses o n composition\, allowing meaning to evolve from shape and shadow. \;

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Philip Buller has exhibited at the Elliott Louis Gallery\, Vancouver\ , BC\, California Museum of Art\, Santa Rosa\, CA\, Susan Street Fine Art\, Solana Beach\, CA\, and Alpha Gallery\, Boston\, MA. \; Buller receive d his MFA from the California College of Arts and Crafts in 1994. \; Th is is his ninth exhibition at Andrea Schwartz Gallery.

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Andrea Schwa rtz Gallery was established in 1982 and is located in the South of Market d istrict of San Francisco in our new gallery space located at 545 &ndash\; 4 th Street. ASG exhibits contemporary work of mid-career artists from the Bay Area and across the country. \; ASG is a member of SFADA.& nbsp\; Gallery Hours are Monday - Friday 9 - 5\, Saturday by appointment. F or further information and materials please contact Jennifer Draughon at 41 5-495-2090 or jennifer@asgallery.com. \; Additional information may als o be found on our website\, www.asgallery.com. Thank you!

DTEND:20141107 DTSTAMP:20140917T061136 DTSTART:20141008 GEO:37.7790823;-122.397524 LOCATION:Andrea Schwartz Gallery\,545 4th Street \nSan Francisco\, CA 94107 SEQUENCE:0 SUMMARY:Used Paintings\, Philip Buller UID:356770 END:VEVENT BEGIN:VEVENT DTEND:20141008T193000 DTSTAMP:20140917T061136 DTSTART:20141008T173000 GEO:37.7790823;-122.397524 LOCATION:Andrea Schwartz Gallery\,545 4th Street \nSan Francisco\, CA 94107 SEQUENCE:0 SUMMARY:Used Paintings\, Philip Buller UID:356771 END:VEVENT BEGIN:VEVENT DESCRIPTION:

A presentation by New York&ndash\;based composer and media t heorist \;Mike Rugnetta\, \;with contemporary dancer Arletta Anders on and writer-theorist \;Emily Eifler.

Organized by Ken Beck er.

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ABOUT THE WATTIS INSTITUTE :

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CCA Wattis Institute for Contemporary Arts \;is a nonprofit exhibition venue and researc h institute dedicated to contemporary art. \;It was founded in 1998\,&n bsp\;at the \;California C ollege of the Arts \;in San Francisco.

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The Wattis Institute is a place for showing art and for t hinking about art. \;We spend time with artists and pay close attention to their ideas.

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 \;

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We like to w ork with one artist at a time&mdash\;one artist presents an exhibition in t he gallery\, \;one artist stays in the apartment on a residency\, \ ;and one artist is the subject of a year-long research initiative. \;\n

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The Wattis Institute is a head quarters for contemporary art for everyone in the Bay Area\, \;and runs an active event space \;(featuring an artist-designed bar) \;for d iscussions\, \;performances\, \;screenings\, \;artworks\,and dr inks.

DTEND:20141010T210000 DTSTAMP:20140917T061136 DTSTART:20141010T120000 GEO:37.7647373;-122.4035493 LOCATION:CCA Wattis Institute\,Kent and Vicki Logan Galleries 360 Kansas St reet (between 16th and 17th streets)\nSan Francisco\, CA 94103 SEQUENCE:0 SUMMARY:Mike Rugnetta\, Arletta Anderson and Emily Eifler\, Mike Rugnetta\, Arletta Anderson and Emily Eifler UID:356769 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Joan Jonas will give a lecture about poetry and politics.

Joan Jonas \;(b. \;1939 in New York)is a pioneer of video and performance art\; \;her early work from the 1960s and 1970s anticip ated the following forty years of multimedia. \;

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 \;

\n< p>ABOUT THE WATTIS INSTITUTE :

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CCA Wattis Institute for Contemporary Arts \;is a nonprofit exhibition venue and research institute dedicated to contemporary art. \;It was founded in 1998\, \;at the \;California College of the Arts \;in San F rancisco.

The Wattis Institute is a place for showing art and fo r thinking about art. \;We spend time with artists and pay close attent ion to their ideas.

We like to work with one artist at a time&md ash\;one artist presents an exhibition in the gallery\, \;one artist st ays in the apartment on a residency\, \;and one artist is the subject o f a year-long research initiative. \;

The Wattis Institute i s a headquarters for contemporary art for everyone in the Bay Area\, \; and runs an active event space \;(featuring an artist-designed bar)&nbs p\;for discussions\, \;performances\, \;screenings\, \;artworks \,and drinks.

DTEND:20141009T210000 DTSTAMP:20140917T061136 DTSTART:20141009T183000 GEO:37.7647373;-122.4035493 LOCATION:CCA Wattis Institute\,Kent and Vicki Logan Galleries 360 Kansas St reet (between 16th and 17th streets)\nSan Francisco\, CA 94103 SEQUENCE:0 SUMMARY:Joan Jonas Talk\, Joan Jonas UID:356768 END:VEVENT BEGIN:VEVENT DESCRIPTION:

An event to launch \;Yes\, \;But Is It Edible?\, \;a new publication about composer Robert Ashley \;(1930-2014 ). \;The book's author\, \;Alex Waterman\, \;and editor\, \ ;Will Holder\, \;will give a public reading using Ashley's notations.\n

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ABOUT THE WATTIS :

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CCA Wattis Institute for Contemporary Arts& nbsp\;is a nonprofit exhibition venue and research institute dedicated to c ontemporary art. \;It was founded in 1998\, \;at the \;California College of the Arts&nbs p\;in San Francisco.

The Wattis Institute is a place for showing art and for thinking about art. \;We spend time with artists and pay c lose attention to their ideas.

We like to work with one artist a t a time&mdash\;one artist presents an exhibition in the gallery\, \;on e artist stays in the apartment on a residency\, \;and one artist is th e subject of a year-long research initiative. \;

The Wattis Institute is a headquarters for contemporary art for everyone in the Bay Ar ea\, \;and runs an active event space \;(featuring an artist-design ed bar) \;for discussions\, \;performances\, \;screenings\,&nbs p\;artworks\,and drinks.

DTEND:20141001T210000 DTSTAMP:20140917T061136 DTSTART:20141001T184500 GEO:37.7647373;-122.4035493 LOCATION:CCA Wattis Institute\,Kent and Vicki Logan Galleries 360 Kansas St reet (between 16th and 17th streets)\nSan Francisco\, CA 94103 SEQUENCE:0 SUMMARY:Yes\, But Is It Edible?\, Kyle Gann's obituary piece on Ashley. UID:356767 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Come play a drawing-ma king piano! Experience the \;Drawing Machine #1 \;by Evan Holm.  \;All visitors receive $5 off general admission to \;Col lect! BAC&rsquo\;s annual exhibition and auction!

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 \;Berkeley Art Center invites you to create a unique work of art with Evan Holm&rsquo\;s Drawing Machine #1. This parti cipatory artwork involves a modified grand piano whose keys activate ink br ushes to create a drawing when &ldquo\;played&rdquo\; on a continuous strea m of paper. Stop by to see this incredible piece and collaborate on a drawi ng. Drawings will be for sale for $5 a foot  \;Suitable for all ages.&n bsp\;Free and open to the public. \;

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 \;All visitors will receive $5 off genera l admission to Collect! BAC&rsquo\;s annual exhibition and auction.

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Collect! \;is our larg est annual event featuring a stunning exhibition and silent auction with wo rk from some of the most exciting Bay Area artists. Raise a glass\, enjoy d elicious food and celebrate the exciting Berkeley Art Center by taking home some art of your own.

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Ticket s for Collect! are $40 in advance\, but for all \;Drawing Machine # 1 \;visitors\, admission into this party for all ages is only $35.

DTEND:20141012T150000 DTSTAMP:20140917T061136 DTSTART:20141012T130000 GEO:37.8847982;-122.2686797 LOCATION:Berkeley Art Center\,1275 Walnut Street \nBerkeley\, CA 94709 SEQUENCE:0 SUMMARY:Evan Holm's Drawing Machine\, Evan Holm UID:356609 END:VEVENT BEGIN:VEVENT DESCRIPTION:

This group exhibiti on of contemporary portraiture explores the aesthetic\, psychological\, and emotional implications of the gaze in photography today. Here\, the tradit ional view of a portrait is subverted: instead\, a dynamic and ambiguous re lationship between object and subject develops. The power of the gaze is bl urred the moment the sitter becomes a partner in the art-making process. In cluded in the exhibition are works by Nicholas Albrecht\, Caitlin Atkinson\ , Richard Avedon\, Charles Berger\, Jim Campbell\, Kelli Connell\, Gohar Da shti\, Beth Yarnelle Edwards\, Katy Grannan\, Elizabeth Heyert\, r.r. jones \, Henrik Kerstens\, Miguel Angelo Libarnes\, Lesley Louden\, Jana Marcus\, Shirin Neshat\, Catherine Opie\, Aline Smithson\, and Larry Sultan. \;  \;

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Presented as a cou nterpoint to Robert Henri&rsquo\;s California Portraits\, the exhi bition is a critical look at the creative&mdash\;and ever expansive&mdash\; practice of portraiture some 100 years after Henri.

DTEND:20150118 DTSTAMP:20140917T061136 DTSTART:20141009 GEO:37.3332706;-121.890218 LOCATION:San Jose Museum of Art\,110 South Market St. \nSan Jose\, CA 95113 SEQUENCE:0 SUMMARY:Post-Portrait\, Nicholas Albrecht\, Caitlin Atkinson\, Charles Berg er\, Jim Campbell\, Kelli Connell\, Gohar Dashti\, Beth Yarnelle Edwards\, Katy Grannan\, Elizabeth Heyert\, r.r. jones\, Henrik Kerstens\, Miguel Ang elo Libarnes\, Lesley Louden\, Jana Marcus\, Shirin Neshat\, Catherine Opie \, Aline Smithson\, Larry Sultan\, Richard Avedon UID:356344 END:VEVENT BEGIN:VEVENT DTEND:20141009T170000 DTSTAMP:20140917T061136 DTSTART:20141009T110000 GEO:37.3332706;-121.890218 LOCATION:San Jose Museum of Art\,110 South Market St. \nSan Jose\, CA 95113 SEQUENCE:0 SUMMARY:Post-Portrait\, Nicholas Albrecht\, Caitlin Atkinson\, Richard Aved on\, Charles Berger\, Jim Campbell\, Kelli Connell\, Gohar Dashti\, Beth Ya rnelle Edwards\, Katy Grannan\, Elizabeth Heyert\, r.r. jones\, Henrik Kers tens\, Miguel Angelo Libarnes\, Lesley Louden\, Jana Marcus\, Shirin Neshat \, Catherine Opie\, Aline Smithson\, Larry Sultan UID:356345 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Amber Cowan&rsquo\;s pieces ar e made by re-working discarded\, up-cycled or unwanted pressed glassware pr oduced by some of the best known\, but now-defunct glass factories in Ameri ca. \; Simultaneously subversive and patriotic the objects explore the texture of material seduction and recount the history of US glass manufactu ring\; tracing its rise\, glory\, demise and its influence on society.  \;

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Cowan &ldquo\;reincarnates&rdquo\; objects currently relegated to the aesthetic dustbin of history through th e process of assembled and flame worked glass. Porcelain\, wood\, marble an d even human flesh are subtly roused in the material. Seen as animate struc ture the forms become somewhat menacing in scale and texture. Using repetit ion and viral accrual\, the work is viscerally sensual\, teetering between beautiful and sinister. Although the pieces in their original state will no longer be looked at as objects of desire\, their reincarnated life tells a n honest story about their past glory and forlorn future. \;

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Organized by Museum of Craft and Design
Exhibit Design: Ted Cohen

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Funde d in part by the Glass Alliance of Northern California and the Clay and Gla ss Arts Foundation.

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Exhibiti ons and programs generously supported by the Windgate Charitable Foundation and Grants for the Arts/San Francisco Hotel Tax Fund.

DTEND:20150104 DTSTAMP:20140917T061136 DTSTART:20141018 GEO:37.7569612;-122.3880794 LOCATION:San Francisco Museum of Craft and Design\,2569 Third Street \nSan Francisco\, CA 94107 SEQUENCE:0 SUMMARY:Second-Life Glass\, Amber Cowan UID:356342 END:VEVENT BEGIN:VEVENT DTEND:20141018T180000 DTSTAMP:20140917T061136 DTSTART:20141018T110000 GEO:37.7569612;-122.3880794 LOCATION:San Francisco Museum of Craft and Design\,2569 Third Street \nSan Francisco\, CA 94107 SEQUENCE:0 SUMMARY:Second-Life Glass\, Amber Cowan UID:356343 END:VEVENT BEGIN:VEVENT DESCRIPTION:

To celebrate the AIGA Centenni al in 2014\, designers from across the United States were asked to select o ne year from 10 decades of AIGA's history and make a social\, political or cultural statement about that year. This collection of designs by AIGA Meda lists\, Fellows and national and chapter presidents provides a remarkable o verview of the history of the 20th and early 21st century.

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Project concept and management: Mark Randall\, Worldstudio

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Projec t Coordination: David Gibson\, Two Twelve

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This collection is presented by the Museum of Craft and Desig n in collaboration with the AIGA during its centennial anniversary.

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Special thanks goes to AIGASF chapter for th eir encouragement and support in making this exhibit possible.

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Exhibit design: Ted Cohen

DTEND:20150601 DTSTAMP:20140917T061136 DTSTART:20140629 GEO:37.7569612;-122.3880794 LOCATION:San Francisco Museum of Craft and Design\,2569 Third Street \nSan Francisco\, CA 94107 SEQUENCE:0 SUMMARY:Celebrating AIGA 1914-2014 UID:356341 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Join us as OMCA marks two deca des of the annual Days of the Dead Community Celebration. Craft activities\ , tasty food\, dance and music groups\, colorful ofrendas\, and ceremonia bring the community together for this healing tradition.&n bsp\;Watch demonstrations of traditional Mesoamerican arts and cooking\, an d browse Days of the Dead merchandise by local artisans for your home altar from our mercado. Visit the special exhibition Songs and Sorrows: Dí\;as de los Muertos 20th Anniversary\, and revisit highlights from the past two decades the OMCA exhibition\, as well as new w orks by local artists\, on view in the Gallery of California Art.

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Included with Museum admission. Admis sion for Members is always free.

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The 2014 Days of the Dead Celebration is made possible in part by generous support from Kaiser Permanente and the Oakland Museum Women&rsquo\;s Board.

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OMCA Family is made possibl e in part by the Institute of Museum and Library Services.

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Oakland Museum Women's Board \;  \; \ ; Kaiser Permane
 nte

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DTEND:20141026T163000 DTSTAMP:20140917T061136 DTSTART:20141026T120000 GEO:37.797984;-122.261606 LOCATION:Oakland Museum of California\,1000 Oak Street \nOakland\, CA 94607 SEQUENCE:0 SUMMARY:20th Anniversary Days of the Dead Community Celebration UID:356340 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Kick off this year&rsquo\;s Dí\;as de los Muertos festivities by joining participating art ists from the past two decades of the Days of the Dead exhibition at OMCA\, as well as new artists represented for the first time in 2014\, for this i nformal ceremony in Oak Street Plaza. Participate in a traditional blessing of this year&rsquo\;s exhibition Songs and Sorrows: Dí\;as de los Muertos 20t h Anniversary. Before and after\, check out Friday Nights @ OMCA\, with food trucks\, live music\, and more.

DTEND:20141010T200000 DTSTAMP:20140917T061136 DTSTART:20141010T190000 GEO:37.797984;-122.261606 LOCATION:Oakland Museum of California\,1000 Oak Street \nOakland\, CA 94607 SEQUENCE:0 SUMMARY:Opening Artist Ritual for Songs and Sorrows: Días de los Muertos 20 th Anniversary \, Carmen Lomas Garza\, Jesse Hernandez\, Jose Guadalupe Pos ada\, Patssi Valdez UID:356339 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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Experience an innovative perfo rmance combining cutting-edge dance with poetry and sound\, but what yo u want is far away\, that explores California as a site and symbol of abundance and freedom. The performance includes the world premiere of g od sees everything\, a new dance-driven piece directed and choreograph ed by Phoebe Osborne and contributions from painter and sculptor Lisa Jonas Taylor\, as well as an original musical score and poetry. The resulting pe rformance provides glimpses of a community enamored with possibility\, in l ove with the landscape\, and invested in political change.

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The performance is inspired by the exhibition Fertile Ground: Art and Community in California\, which highlights communities of artists in Califor nia who have created especially fruitful conditions for making art. As a co llaborative effort between OMCA and SFMOMA\, but what you want is far a way illuminates the ways in which community influences creativity\, fo cusing on transformation as a key element of the California experience.

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This event takes place during Friday Nig hts @ OMCA\, featuring Off the Grid food trucks\, live music\, and more.

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Tickets: $10 General\, $5 OMCA and SFMOMA Members
(Available online here and at the Museum soon.)

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Tickets include admission to t he OMCA Galleries and to all activities during Friday Nights @ OMCA. OMCA M embers will receive a special code to use when purchasing tickets online in an email. For additional information on Member tickets\, or to become an O MCA Member\, please visit museumca.org/membership\, or contact the Membersh ip office at membership@museumca.o rg or by calling 510-318-8520.

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Ticket Policy

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Last-min ute tickets&mdash\;rush tickets&mdash\;may become available just before sho w time when advance tickets have sold out. A rush line will form at will ca ll. Approximately ten minutes prior to show time\, empty seats are counted and will be sold on a first-come\, first-serve basis to those in line. Rush tickets will only be sold to those actually waiting in line.

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All ticket sales are final. No refunds\, exchanges \, or reprints on any purchases. Ticket holder must arrive at least 15 minu tes before show time to guarantee entry. Ticket holders who are not in thei r seats at least 15 minutes before show time forfeit their ticket. We are n ot responsible for lost\, stolen\, or misplaced tickets. We will be unable to admit visitors without tickets. All seating is at management&rsquo\;s di scretion.

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but what you want is far aw ay is jointly presented by the Oakland Museum of California and the San Francisco Museum of Modern Art.

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DTEND:20140920T201500 DTSTAMP:20140917T061136 DTSTART:20140920T193000 GEO:37.797984;-122.261606 LOCATION:Oakland Museum of California\,1000 Oak Street \nOakland\, CA 94607 SEQUENCE:0 SUMMARY:but what you want is far away UID:356338 END:VEVENT END:VCALENDAR