ArtSlant - Closing soon http://www.artslant.com/sf/Events/show en-us 40 Patti Oji, Patrcia Leeds - art works downtown - April 12th, 2013 - May 7th, 2013 <p style="text-align: justify;"><span style="font-size: small;">This exhibit features the two artists <strong>Patti Oji </strong>and<strong> Patrcia Leeds</strong>.</span></p> <p style="text-align: justify;"><span style="font-size: small;">Patti Oji creates intimate portraits in her Still Lives.  A teacup, a bowl of cherries, or a cluster of marbles tells the story of the people outside the frame.  She uses darker palates and deep shadows to create a somber or reflective mood, capturing private, personal moments.</span></p> <p style="text-align: justify;"><span style="font-size: small;">Patricia Leeds is an abstract artist who entices the viewer’s senses through her use of imagery, color and texture.</span></p> Sat, 13 Apr 2013 07:43:04 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list - art works downtown - April 10th, 2013 - May 7th, 2013 Sat, 13 Apr 2013 07:44:20 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Bessma Khalaf, Carrie Hott, Elizabeth Mooney, George Pfau, Mayumi Hamanaka, Sarah Fontaine - Berkeley Central Arts Passage - February 15th, 2013 - May 10th, 2013 <div style="text-align: justify;"><span style="font-size: small;">Kala Art Institute and Berkeley Central Arts Passage present <em><strong>Supra Natural</strong></em>. Please join us for the Opening Reception on Wednesday, February 20, 6-8pm.</span></div> <div style="text-align: justify;"></div> <div style="text-align: justify;"><span style="font-size: small;"><em>Supra Natural</em> presents the work of five visual artists and one writer as it relates to the immeasurable character of nature: big, beyond, fast, mystical, and utterly overwhelming. <em>Supra Natural </em>is the second exhibition in this new exhibition series featuring artworks from Berkeley-based artists and the Kala community. With three exhibitions yearly, Berkeley Central Arts Passage looks forward to being a part of the vibrant downtown Berkeley Arts District and forging new connections between artists and audience.</span></div> <div style="text-align: justify;"><span style="font-size: small;"> </span></div> <div style="text-align: justify;"><span style="font-size: small;"><span style="font-size: small;"></span></span> <p style="margin-bottom: 0in;"><strong>Bessma Khalaf</strong> presents two large-scale photographs that dwarf the viewer and one that creates a mystical tableau. <strong>Carrie Hott</strong> installs a compilation of research in various mediums making her subject familiar but peculiar. <strong>Elizabeth Mooney</strong>’s paintings capture a contemporary take on landscape painting – she is concerned with the speed with which we perceive nature today. Three prints by <strong>George Pfau</strong> focus on the permeable and transitional nature of skin and of the human body itself. <strong>Mayumi Hamanaka</strong>’s work investigates human stories as they relate to the landscapes – socio-historical and psychological both – that we inhabit and traverse. <strong>Sarah Fontaine</strong> presents a language-based work that speaks to the immensity of responsibility.</p> </div> <div style="text-align: justify;"><span style="font-size: small;"> </span></div> <div style="text-align: justify;"><span style="font-size: small;"><strong>Viewing hours: Monday - Saturday 9am-6pm, Sunday 10am-5pm</strong></span></div> Wed, 13 Feb 2013 08:26:01 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Andrew Chapman, Aaron Finnis, Dana Hemenway, Christopher Fülleman, Ginger Wolfe-Suarez, Primitivo Suarez-Wolfe - Important Projects - April 6th, 2013 - May 10th, 2013 <p>"Schrödinger's Cats"<br /><br />New works by Andrew Chapman, Aaron Finnis, Dana Hemenway, Christopher Fülleman, and Ginger Wolfe-Suarez &amp; Primitivo Wolfe-Suarez.<br /><br />"Schrödinger's Cats" is a two-part exhibition organized by Aaron Harbour and Jackie Im. Artists have been invited to contribute a work not entirely present in a final, physical manifestation; instead, something hovering in an intermediary state waiting to be substantiated. <br /><br />Schrödinger’s Cat: a cat that might be alive or dead, depending on an earlier random event. Erwin Schrödinger described how one could, in principle, transpose the superposition of an atom to large-scale systems. He proposed a scenario with a cat in a sealed box, wherein the cat's life or death depended on the state of a subatomic particle. According to Schrödinger, the Copenhagen interpretation implies that the cat remains both alive and dead (to the universe outside the box) until the box is opened.<br /><br />The show will be repeated at the Popular Workshop (SF) in June of this year. Works will change in scale, content, and arrangement.<br /><br />Aaron Harbour and Jackie Im live and work in Oakland, CA. This is the first exhibition they have organized at the gallery.</p> Tue, 02 Apr 2013 17:31:45 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Mike Egan - Anno Domini - April 5th, 2013 - May 11th, 2013 <div class="byline"> <p style="text-align: justify;" align="left">Death can find us in many forms through our lives. Whether it's the death of a friendship, a marriage, a relationship or the physical death of someone close to us. Death can come to us as a skeleton, a devil or even a blood thirsty wolf. In his newest body of work, Egan shares his story about these characters who may be heart broken, filled with rage, spitting out lies or happy to have friends nearby for support. He has seen the many faces of death and has found the strength to come back to life.<br /><br />Mike Egan received his BFA from Edinboro University of Pennsylvania. Shortly after he went on to receive a diploma in funeral directing and embalming from the Pittsburgh Institute of Mortuary Science. While working in funeral homes for five years, Egan developed his own style of painting. Although he is no longer working in funeral homes, his time spent working as a funeral director/embalmer still greatly influence his paintings today.<br /><br /><strong>Artist's Reception:</strong> Friday, April 5, 2013 from 7–11pm <a href="http://galleryad.us1.list-manage.com/track/click?u=8741fea0a900e51469c92b9da&amp;id=30569bd54b&amp;e=bebc62c4ef" title="Mike Egan's Opening Reception" target="_blank">RSVP</a><br /><strong>Music:</strong> <a href="http://galleryad.us1.list-manage.com/track/click?u=8741fea0a900e51469c92b9da&amp;id=67fb227451&amp;e=bebc62c4ef" title="Comfort Slacks" target="_blank">Comfort Slacks</a></p> </div> <p style="text-align: justify;"><span style="color: black; font-family: arial,helvetica,sans-serif; font-size: small;" color="black" face="Trebuchet MS, Geneva, Arial, Helvetica, SunSans-Regular, sans-serif" size="2"><b>Opening Reception is part of the South FIRST FRIDAYS monthly art walk, April 5, 2013. </b></span></p> Thu, 04 Apr 2013 08:01:29 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Marcus Payzant - fouladi projects - March 15th, 2013 - May 11th, 2013 <p>Fouladi Projects is pleased to present a new body of work by American painter Marcus Payzant. His work is composed of an artfully choreographed mix of abstract shapes, painterly brush strokes, and sensitively rendered imagery. The disparate styles co-mingle curiously, prompting a shift in perception and provoke commentary about what might otherwise be overlooked. Payzant's work also explores his intrigue with animism, the belief that a spiritual essence emanates from all things, both inanimate and living. Detritus, carcasses, rocks, plants, etc. become "relics" worthy of contemplation, and through his process of re-contextualizing these objects upon the canvas, they take on new meaning. By blurring the lines between what is familiar and what is unexpected, his paintings resonate a transcendent quality, inviting us on a visual journey connecting the past, the present and the future. </p> <p>Payzant recently received his masters in Fine Art from UT Austin where he currently lives and works. </p> Sat, 23 Feb 2013 21:54:09 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Marcus Payzant - fouladi projects - March 15th, 2013 - May 11th, 2013 <p>Fouladi Projects is pleased to present a new body of work by American painter Marcus Payzant. His work is composed of an artfully choreographed mix of abstract shapes, painterly brush strokes and sensitively rendered imagery. The disparate styles co-mingle curiously, prompting a shift in perception, and provoke commentary about what might be otherwise overlooked. Payzants work also explores his intrigue with animism, the belief that a spiritual essence emanates from all things, both inanimate and living. Detritus, carcasses, rocks, etc. become "relics" worthy of contemplation, and through his process of recontextualizing these objects upon the canvas, they take on new meaning. His depiction of entropy within nature reminds the viewer of both the beauty and inevitability of decay. By blurring the lines between what is familiar and what is unexpected, his paintings resonate a transcendent quality, inviting us on a visual journey connecting the past, the present and the future.&nbsp;<br /><br />Payzant recently received his masters in fine art from UT Austin, where he currently lives and works.</p> <p>&nbsp;</p> Tue, 13 Aug 2013 23:59:32 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Christopher Badger - Jessica Silverman Gallery - March 22nd, 2013 - May 11th, 2013 <div style="text-align: justify;"><span style="font-size: small;"><strong>Jessica Silverman Gallery</strong> is pleased to present “<em><strong>Lunar Mirror</strong></em>,” a show of new work by <strong>Christopher Badger</strong>, on view from March 22 to May 4, 2013, extended through May 11.</span><br /><br /><span style="font-size: small;">The exhibition will debut a series of sculptures made of polished cast aluminum called "Lunar <span style="text-decoration: underline;"></span>Mi</span><wbr><span style="font-size: small;">rrors," and a 7x7 foot chalk-and-oil painting, <span style="text-decoration: underline;"></span>t</span><wbr><span style="font-size: small;">itled "Shadow Phase."</span></wbr></wbr></div> <div style="text-align: justify;"></div> <div style="text-align: justify;"><span style="font-size: small;">Inspired by artists such as Robert Smithson, Sol LeWitt and Heinz Mack along with ancient Greek geometers and NASA photographers, Badger continues his exploration of abstraction and earthworks. Using the moon as his touchstone, this body of work also advances Badger’s interest in objective maps with subjective associations as well as the ambiguous relationship between reflections and projections.</span></div> <div style="text-align: justify;"><span style="font-size: small;"> </span></div> <div style="text-align: justify;"><span style="font-size: small;">In making the “Lunar Mirror” reliefs, Badger starts with aerial photographs of the moon produced by the Apollo 15 crew in 1974. He traces the topographical lines of the photos, makes a vector map, and uses a 3-D modeling program to create digital files from which the works are cast. The resulting aluminum sculptures are then polished to a fine mirror finish so that the viewer can see his/her own reflection, rippled and distorted, in its surface. The resulting reflections, like the moon itself, appear and disappear; they are constant but changing, unattainable but common to all.</span></div> <div style="text-align: justify;"><span style="font-size: small;"> </span></div> <div style="text-align: justify;"><span style="font-size: small;">“Shadow Phase” is an elegant abstract painting on black gesso ground. On top of the smooth surface are white lines made of chalk and oil that hark back to classical Greek mathematical equations from 300 BC and Minimalist ideals of beauty from the 1960s and 70s.</span></div> <div style="text-align: justify;"><span style="font-size: small;"> </span></div> <div style="text-align: justify;"><span style="font-size: small;">The exhibition will also feature eight new 4x4 foot paintings, also oil and chalk on black gesso, from Badger’s “Construction 3-15” series.</span></div> <div style="text-align: justify;"><span style="font-size: small;"> </span></div> <div style="text-align: justify;"><span style="font-size: small;">As Leonard Cohen memorably put it, “They’ll never ever reach the moon, at least not the one that we’re after.”</span></div> Fri, 03 May 2013 09:31:01 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Group Show - John Berggruen Gallery - April 4th, 2013 - May 11th, 2013 <p style="text-align: justify;"><span style="font-size: small;"><strong>John Berggruen Gallery</strong> is pleased to present <strong><em>The Time is Now</em></strong>, a group exhibition featuring Doug Aitken, Darren Almond, Diane Arbus, Richard Artschwager, Michael Craig-Martin, Hans Peter-Feldmann, Lee Friedlander, Philip Guston, Jasper Johns, Karen Kilimnik, Vera Lutter, Christian Marclay, Tom McKinley, Tin Ojeda, Richard Prince, Robert Rauschenberg, Linda Ridgway, Ugo Rondinone, James Rosenquist, Ed Ruscha, Stephen Shore, Taryn Simon and Lawrence Weiner.</span><br /><br /><span style="font-size: small;"><em>The Time is Now</em> brings together a group of works that acknowledge and contend with the representation of time (past, present and future), and how it is reinterpreted and revealed across diverse media. Through drawing, sculpture, installation, sound and light this exhibition illustrates the continuing human fascination with exploring the concept of time, both in the metaphysical and physical sense. This exhibition evades easy classification, with each artist bringing their own experience to one of the oldest topics that defies the typical social, cultural and political context.</span><br /><br /><span style="font-size: small;">In its most literal sense, the clock serves as a common allegorical image to convey how we calculate the presence of time within our lives. Philip Guston’s colorful, almost whimsical portrait of a timepiece shows the city below, dwarfed and eventually crushed by the presence of a large clock. For a more abstract representation, there is Doug Aitken’s lightbox depicting a beautiful island vista glimpsed simply through the ominous word “END.” Both of these images speak directly to the fear underlying every artist’s curiosity and obsession with the progression of time.</span><br /><br /><span style="font-size: small;">Another interesting element is the effect of the passage of time on the work itself. In 1967, Lee Friedlander was documenting everyday American life, while today his snapshot of a television in “Aloha, Washington,” is an artifact, depicting obsolete technology rendering his image to a specific period within our history. This overarching theme is segmented even further as the work featured stretches from the early 1960’s to present day, created by artists both living and dead born between 1913 and 1982.</span><br /><br /><span style="font-size: small;">Grouped together, all of these images display the impulse to transcend our inevitable circumstances and capture or define the ultimate progression of time, an unstoppable force. The result is a group show that circumnavigates the expectations of typical group shows, turning the viewer into part of the experience, by reminding us all of the importance of each passing minute. </span><br /><br /><span style="font-size: small;">The exhibition will be on view April 4-May 4, 2013 on two floors of exhibition space. John Berggruen Gallery will host a reception on Thursday, April 4th between 5:30 and 7:30 p.m. </span></p> <p style="text-align: justify;"><span style="font-size: small;">The exhibit will coincide with Christain Marclay’s film “The Clock” being shown at SFMOMA from April 6th-June 2nd.</span></p> Mon, 22 Apr 2013 15:00:22 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Christopher Williams, Mitzi Pederson, Geof Oppenheimer, Takeshi Murata, Ryan McGinley, Roni Horn, Sigurdur Gudmundsson, Buck Ellison, Birgir Andrésson - Ratio 3 - March 29th, 2013 - May 11th, 2013 <p style="text-align: center;">*<em>"In our hearts, we hope we never discover everything."</em> <br />– E. O. Wilson</p> <p style="text-align: center;"></p> <p style="text-align: left;"></p> Wed, 27 Mar 2013 04:47:05 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Erik Scollon - Romer Young Gallery - April 5th, 2013 - May 11th, 2013 <p style="text-align: justify;"><span style="font-size: small;"><strong>Romer Young Gallery</strong> is pleased to present its second solo exhibition with artist <strong>ERIK SCOLLON<a href="http://cts.vresp.com/c/?RomerYoungGallery/a8dd7aa0b1/6f800abbe4/cf6a911eea" target="_blank"></a></strong>. <em><strong>A Moment Lasts Forever Until It’s Gone</strong> </em>presents a new series of ceramic objects that explores our desire for the continual renewal of <em>presentness </em>and our very human attempts to hold on to that state.</span><br /><span style="font-size: small;"> </span><br /><span style="font-size: small;"><em>This present, so fleeting and elusive, this present and this place, like no other place, impossible to be like any other place... We should remember how, once, we were in the present of this wonderful place. To more intensively lived present, to an overwhelming place. </em>– Felix Gonzalez-Torres</span><br /><span style="font-size: small;"> </span><br /><span style="font-size: small;">Scollon’s first exhibition with the gallery, <em>The Urge</em>, playfully satirized a quote from Adolf Loos’ essay <em>Ornament and Crime</em>. The essay became the conceptual underpinning for the show, inspiring a series of pieces that questioned and re-contextualized our relationship to vessels and anti-vessels. For this new exhibition, <em>A Moment Lasts Forever Until It’s Gone</em><em>,</em>Scollon approaches the work from a much more personal perspective and presents us with a series of objects that are a physical manifestation of himself and his mid-life look at the body, hope, love, beauty, heartbreak and their insistent impermanence.</span><br /><br /><span style="font-size: small;">At the heart of this exploration is the idea of time as an instrument and arbiter. We all share in this universal presence and impermanence, but through the art of creation Scollon finds for himself, as well as for others, the possibility of transcendence. The artist uses a series of porcelain photographs, ceramic flowers, and other things creatively borrowed from vanitas painting to use as an engine of renewal.  "The works give permanence, through ceramic, to our bodies, to the things that are here, now, but not forever… Our bodies are insistently here, sometimes, and then at other times, so easy to ignore. Ceramics can carry on a permanent unchanging life if cared for. Or can be shattered beyond repair just as easily." In this exhibition fleeting objects are built in a way that puts a premium upon physical presence. The porcelain photograph and flowers series - strong, beautiful, hopeful representations of things that ultimately will change - are invested with meaning and memories about people, places, events that are at once personal and collective.</span><br /><br /><span style="font-size: small;"><a href="http://cts.vresp.com/c/?RomerYoungGallery/a8dd7aa0b1/6f800abbe4/7ec5e390fe" target="_blank">ERIK SCOLLON</a> is an artist and educator based in Oakland, California. Scollon was recently the artist in residence at Albion College, MI and Watershed Center for the Ceramic Arts in Maine. In 2008 Scollon was selected to participate in Yerba Buena Center for the Arts’ <em>Bay Area Now 5</em> show. His work has been exhibited and seen in venues as diverse as galleries, craft fairs, museum shows, and gay biker bars.  He teaches at California College of the Arts.</span></p> Sat, 30 Mar 2013 18:55:23 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list YOUNG-HAE CHANG HEAVY INDUSTRIES (YHCHI) - Kadist Art Foundation - April 6th, 2013 - May 12th, 2013 <p style="text-align: justify;"><strong>Opening event: Artists in conversation with Hou Hanru at 7pm</strong></p> <p style="text-align: justify;"><span style="font-size: small;">Produced during their two month residency in San Francisco, Young-Hae Chang Heavy Industries present <i>Pacific Limn,</i> a three-part narrative, mixing thier signature rhythmic approach with the cultural climax of San Francisco. According to the artists, the word "Limn" calls upon both its literal meaning to "depict or describe in painting or words," but also self-consciously substitutes the word Rim, pointing to the slippage between "L" and "R" in some Asian languages.</span></p> <p style="text-align: justify;"><span style="font-size: small;">Alternating between a seductive and acerbic use of language, <em>Pacific Limn </em>combines erotic fantasy with sardonic wit. The project continues YHCHI's exploration of "digital literature", a combination of up-tempo music, the Monaco typeface, and Adobe Flash text animation. Superimposed over static or moving images, the texts appear at a pace just within the threshold of cognition. In this way, YHCHI creates an immersive experience that fluctuates between reading and watching.</span></p> <p style="text-align: justify;"></p> <p>Young-Hae Chang Heavy Industries (YHCHI) presents <em>Pacific Limn </em>(2013)<em><br /></em></p> <p style="text-align: justify;"></p> <p>Three-channel HD QuickTime video, 25 minutes 13 seconds each, entitled:<br />- WHY AM I AFRAID OF THE U.S.A.?<br />- I TRIED TO DISCUSS COMMUNISM WITH THE CHINESE <br />  BUT NO ONE WANTED TO TALK TO ME<br />- THE SECRET LIFE OF HARUMI<br /><br />Original texts and music soundtracks<br />Flexible dimensions</p> <p>Formed in 1999, Young-Hae Chang Heavy Industries consists of Young-hae Chang and Marc Voge.</p> <p style="text-align: justify;"><span style="font-size: small;"> <span color="red" style="color: red;">Extended</span> through Sunday, May 12</span></p> Fri, 19 Apr 2013 09:08:47 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Eric Fischl - San Jose Museum of Art - October 27th, 2012 - May 12th, 2013 <p style="text-align: justify;"><span style="font-size: small;">What is it like to look at the world with the sharpened powers of observation and insight of a masterful painter?</span></p> <p style="text-align: justify;"><span style="font-size: small;"></span></p> <p style="text-align: justify;"><span style="font-size: small;">This fall, SJMA offers visitors the rare opportunity to look in depth at the practice of painting through the work of one of the most influential American painters of our time. Eric Fischl’s art is grounded in<b> </b>his keen understanding of the historical language and the craft of painting. For him, tradition serves as an infrastructure for innovation: he uses age-old academic preparatory practices side by side with digital photography and Photoshop. <i>Dive Deep</i> invites you to track Fischl’s ever-adapting technical practice and his path from concept to completed work.  </span></p> <p style="text-align: justify;"><span style="font-size: small;"></span></p> <p style="text-align: justify;"><span style="font-size: small;">Drawn from major public and private collections in the United States, the paintings are accompanied by more than one hundred beautifully fluid studies in various media: drawings, oil sketches, sculptures, digital composites, photographs, and prints<b>—</b>many never previously<b> </b>seen by the public. They illustrate how the expressive power of Fischl’s subjects evolves as he juggles compositional components, figures, props, and narrative tension. Schooled as an abstract painter and self-taught as a representational artist, Fischl mines historical painting and photography for source material. His approach to the human figure is rooted in esteemed figurative traditions, yet given a distinctly radical 21st-century twist of content. To illustrate this aspect of his art, the exhibition includes a group of original photographs by the artist<b> </b>Thomas Eakins (1844–1914) and his circle, which Fischl has referenced, and at times quoted, in his work. </span></p> <p style="text-align: justify;"><span style="font-size: small;"></span></p> <p style="text-align: justify;"><span style="font-size: small;">This exhibition explores the making of painting as well as the conceptual underpinnings of the artist’s narrative. It offers visitors a profound, insider’s understanding of the process of painting and of the careful act of looking.  </span></p> <p style="text-align: justify;"><span style="font-size: small;"></span></p> <p style="text-align: justify;"><span style="font-size: small;"><i>Dive Deep: Eric Fischl and the Process of Painting </i>is organized by the San Jose Museum of Art and the Pennsylvania Academy of the Fine Arts, Philadelphia.</span></p> <p style="text-align: justify;"><span style="font-size: small;"> </span></p> Tue, 12 Mar 2013 06:16:31 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Robert Arneson, Louise Bourgeois, Alexander Calder, Ellsworth Kelly, Mario Merz, Barnett Newman, Ranjani Shettar, Kiki Smith - SFMOMA - San Francisco Museum of Modern Art - May 10th, 2009 - May 12th, 2013 <p style="text-align: justify;"><span style="font-size: small;">SFMOMA's skyward sculpture garden showcases well-known and recently acquired works from the museum's collection. Sculptures spanning the last five decades by artists such as Robert Arneson, Louise Bourgeois, Alexander Calder, Ellsworth Kelly, Mario Merz, Barnett Newman, Ranjani Shettar, and Kiki Smith are featured in both open-air and enclosed spaces.</span></p> Fri, 19 Apr 2013 11:07:30 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Ben Kinmont - SFMOMA - San Francisco Museum of Modern Art - September 1st, 2012 - May 12th, 2013 <p style="text-align: justify;"><span style="font-size: small;">Existing somewhere between Conceptual art and "social sculpture," Ben Kinmont's artwork takes the form of gesture, conversation, and promise, as well as the things that support and document such acts: contracts, transcripts, prints, shared meals. This exhibition in the Koret Visitor Education Center presents ephemeral and archival material related to three of Kinmont's projects — the interview-based <em>Moveable Type No Documenta</em> and <em>On Becoming Something Else</em>, as well the exhibition <em>Promised Relations; or, thoughts on a few artists' contracts</em>— that weigh the boundaries between art and the practice of everyday life.</span></p> <div style="overflow: hidden; color: #000000; background-color: #ffffff; text-decoration: none; text-align: justify;"><br /><span style="font-size: small;">Source: <a style="color: #003399;" href="http://www.sfmoma.org/exhib_events/exhibitions/465#ixzz22mQjI2Fw">http://www.sfmoma.org/exhib_events/exhibitions/465#ixzz22mQjI2Fw</a> </span><br /><span style="font-size: small;"> <a style="color: #003399;" href="http://www.sfmoma.org" target="_blank">San Francisco Museum of Modern Art</a></span></div> Tue, 02 Apr 2013 18:41:50 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list Christian Marclay - SFMOMA - San Francisco Museum of Modern Art - May 11th, 2013 - May 12th, 2013 <div class="ap-whitebox-body description"> <p style="text-align: justify;"><span style="font-size: small;">Saturday, May 11, 11:00 a.m. - Sunday, May 12, 5:45 p.m.</span></p> <p style="text-align: justify;"><span style="font-size: small;">Six continuous screenings offer the opportunity to view the 24-hour piece in full.</span></p> <p style="text-align: justify;"><span style="font-size: small;">Please note: Seating capacity is limited to only 81 visitors at a time. Admission to the installation is on a first-come, first-served basis, with no time limits for viewers, and demand is expected to be high; queues may be expected. Follow @TheClockSFMOMA on Twitter for estimated wait times.</span></p> <div style="overflow: hidden; color: #000000; background-color: #ffffff; text-decoration: none; text-align: justify;"><br /><span style="font-size: small;">Source: <a href="http://www.sfmoma.org/exhib_events/events/2286#ixzz2NWUnCOLE" rel="nofollow" style="color: #003399;">http://www.sfmoma.org/exhib_events/events/2286#ixzz2NWUnCOLE</a> </span><br /><span style="font-size: small;"> <a href="http://www.sfmoma.org" rel="nofollow" target="_blank" style="color: #003399;">San Francisco Museum of Modern Art</a></span></div> </div> Thu, 14 Mar 2013 14:15:27 +0000 http://www.artslant.com/sf/Events/list http://www.artslant.com/sf/Events/list