Visitors enter a dark gallery. As their eyes adjust they find themselves faced with a wooden frame structure occupying almost the entire space. They can walk inside of it or around it. Projected on one wall of the structure is a video of a white, humble room furnished with simple white stools, tables, and shelves. Every fifteen minutes a small origami crane mobile appears near a doorway, then disappears. There is something off-kilter with the objects on screen; they are life-size, yet they seem to... [more]
If I were to ask you to tell me about an artist who worked within the architecture of rundown lodgings in Los Angeles in the 1970s, you might come back to me with a famous man who has spoken about his time working in the Mendota Hotel: James Turrell. If I were to ask you to guess again, you might shrug your shoulders and tell me how bored of my game you are. “Oh,” I would say with a lilt in my voice and a spark in my eye, fueled by your disinterest, “oh what you don’t yet... [more]
Ivan Iannoli uses photography as a catalyst. He uses its unique scientific, artistic, and mechanical histories: as the standardization of the width of a film negative begat photographic paper sizes; as precut acrylic sheets fit perfectly into manufactured frames; as the industrial revolution set into motion the uniformity of items that were previously made to order. He taps into the ways in which artists before him have advanced photography beyond its material constraints—in the way that, sa... [more]
San Francisco is rapidly heading toward becoming a significant global destination for contemporary art. This year alone sees a sizable list of important events and openings: the Berkeley Art Museum and Pacific Film Archive has reopened at its new location; SFMOMA will be reopening in May; the Asian Art Museum is expanding with a new addition; Pace gallery will be opening a second location in Palo Alto (aside from the one in nearby Menlo Park) and Gagosian just announced that they will open a new location di... [more]
The Object of Guns and the Subject of Violence: The American Gun (Art) Show by Leora Lutz Unicode 6.0, Morehshin Allahyari, David Bowen, Micha Cárdenas, Caroline Covington, Joseph DeLappe, Christopher Elliman, Nancy Floyd, Philip Bronson Gann, Vadim Gershman, Tal & Omer Golan, Christopher Head, Charles Krafft, Linda Lighton, Julie Meridian, Joe Miller, Nick Montfort, Lydia Moyer, OMTA, Barbosa Prince, Asa Scheibe, Marnika Shelton, brett stalbaum, Annie Wan, Daniel Wechsler, Cody Wilson, Henry Witecki, Nine Yamamoto-Masson, minoosh zomorodinia at Works/San Jose
October 2nd, 2015 - November 15th, 2015
A report published in September 2015 on 247 Wall Street stated that Oakland is the third most dangerous city in the United States, following Memphis and Detroit. The Bay Area in general, from the East Bay to the South Bay, is plagued with violence, though the entire nation could use an attitude adjustment—particularly when it comes to gun violence. I live in Oakland, and as can be expected when someone’s town or city is wracked with hostile incidents, there is a tendency to localize fe... [more]
A Bay Area artist was shot and killed yesterday, Tuesday, September 29 as he worked on a community mural in West Oakland. The mural depicted a view of the Oakland landscape–now a tragic reminder of the events that took place Tuesday morning at the 3500 block of West Street under Interstate 580. The victim’s family, friends, and the community are now working to digest and overcome this caustic act of violence.
27-year-old Antonio Ramos of Emeryville was one volunteer of a team of 60 w... [more]
Like other industries, the art world should come under the scrutiny of fair and equitable business practices. With so much privatization in the gallery and museum world, it's as good a time as any for consumers of culture to question where funds come from—and where profits are going. This summer, we're seeking out the best not-for-profit and community conscious art spaces in the most commercial cities on the global art circuit. As part of our mission to give art a social slant, the third stop... [more]
There have been a lot of articles about the rise of education debt accrued by students in the United States, especially where arts-focused degrees are concerned. Few degrees these days can guarantee employment, regardless of the field, and it is becoming increasingly hard to justify the value of an art degree that has the least hope of creating jobs for its future graduates. Yet grad school admissions skyrocketed shortly after the 2007/08 economic crash, when the stakes for getting a new job shifted from... [more]
Sabine Reckewell and Samantha Bittman are two artists that are each working with textiles in the contemporary moment. Using rigorous systems that require a tremendous amount of planning before making and building can begin, both artists have an acute respect for order that enables their work to conjure awe bordering on the inconceivable.
Each studied textiles in undergrad, though several generations apart; Reckewell received a BS at UC Davis in 1976, and Bittman a BFA from RISD in 2004. Reckewell... [more]
Aside from artMRKT, two other art fairs happened in San Francisco this past weekend: StARTup Art Fair and Parking Lot Art Fair. Each attempted to unfold controversial aspects of what it means to gather en masse, and to expose the public to a variety of artists in one place for a concentrated amount of time. The venues missed and seized opportunities, respectively, and each presented their own set of risks surrounding the art fair model.
Parking Lot Art Fair installation view, held at the artMRKT parking lot, Saturday May 2,... [more]
Collecting art as a narcissist hobby is the most virulent kind of collecting, whereas collecting as a means of humble support seems to be the approved model—at least in San Francisco. A recent art panel in the city attempted to discern a difference between San Francisco and Los Angeles collectors. Moderated by LA gallerist Mieke Marple (Night Gallery), the panelists were Sofya Polyakov of Noun Project (LA), Sabrina Buell of Zlot Buell art advisors (SF), Jessica Silverman of Jessica Silverman Gallery (S... [more]
Do artists need MFAs? Must one obtain a higher degree to make it as an artist? Or are there too many MFAs in the art world already? What if you could get an MFA for free, and all in under an hour?
Bay Area artist Jeremiah Jenkins, the dean, MFA department chair, and sole instructor of the newly minted Tenderloin Institute of Art, will be giving out bona fide non-accredited MFA degrees to anyone who wants one over two weekends starting April 17.
The new institute (whose logo may be rather recogn... [more]
From the Gold Rush to the Psychedelic era, through the tech boom and bust of the 1990s, San Francisco has been a mecca for prospectors, freaks and geeks, and mainstream challengers. But the city's hold on such monikers has been challenged lately, with populations touted as the “best and brightest” flooding in to work for major tech corporations and affecting the cultural landscape. San Francisco is currently in a heightened state of what the Situationists, particularly Guy Debord, referre... [more]
Arriving at the magic hour before dusk, light poured in from the skylights, casting rectangular shapes with shadow lines on the back wall of the gallery, near an assortment of three stoic yet surprisingly dynamic sculptures on pedestals. The sculpture series—titled Mutual—is an exciting new direction for Miriam Böhm, whose work has always incorporated multiple planes or three dimensional elements; until now the end result has always been a photograph. There are a total of five... [more]
At the heart of the works in No Can Handle is the ethos of endurance. Entering the exhibition is not unlike entering an interpretation of a physical training facility. Equipment-like inventions dangle from the ceiling and perch amidst the gallery space; there is even a painted panel squatting in the crease of a gym mat on the floor. Many of the works, like Bow 4 (2014) have a suggestive tenacity. Bow 4 is a delicately curved wooden pole bending like a “C” around an entire wall, held in plac... [more]
Here, the process and patterning of quiltmaking multifariously inspires. The repetitive tattoo of the sewing machine, the lush and rough textures of fabrics, and the echoing generational symbols of the tradition thread their way through varied works. Each artist concentrates upon, refines, or abstracts individual facets of the rich history of the quilt-as-medium, using it as a launching point for experimental explorations in the present.
At its simplest, the mathematical construction of the qu... [more]