December is a perfect time to stop in at Green Chalk and see the exhibition!
Anne Marchand: Vision of Myth & Holiday Group Show.
Green Chalk Contemporary invites you!
RECEPTION: SATURDAY, DECEMBER 13, 5- 8 pm
616 Lighthouse Ave, New Monterey, CA!
The exhibition runs through December 27, 2014
Holiday Group Show includes: Sharron Antholt, Rob Barnard, Dave Higgins, Susan Hyde Greene, Francie Hester, Tom Nakashima, Ma... [more]
EXHIBITION ESPOIR of the artist BRUCE (Bruce de Jaham) on the CHAMPS ELYSEES - PARIS
November 14, 2014 to January 5, 2014
ESPOIR - 2014 - Stainless steel, rusty stainless steel, Bronze and Bohemian Glass (materials recovery and recycling)
1000 hours of work were needed to create this work - 4,6 x 1,6 m
Characters inspired by the mythological imagination created from recycled materials. The shield comes from a distillation of an ancient tropical rum. The plinth is rusted steel in a bath of water in which the artist to secrecy. The symbolism of metal inlay is a reminder of the impor... [more]
ANGE de l'Espérance de Saint Symphorien
By BRUCE (Bruce de Jaham)
1,000 Year of the CHURCH of SAINT GERMAIN des PRES in PARIS
ANGEL of Hope St Symphorien - 2014 - Compression Stainless, Bronze and Glass (Bull Ice - Royal Blue) - More than 2,000 hours were necessary for the realization of this work - 5, 80 mx 2 m. Made entirely, worked and shaped his hands full in his studio "Little Granada" in Martinique The work is composed of metal recovery and recycling to whom we gave a s... [more]
Earlier this month, London-based artist Jonty Hurwitz made headlines with his 3D-printed "nano" sculptures. Each sculpture is approximately 80 x 100 x 20 microns—so small that they can only be viewed using an electron microscope.
The sculptures are an impressive, ambitious use of 3D printing technology in fine art. With help from the Weizemann Institute of Technology, Hurwitz used over 200 cameras and a groundbreaking 3D printing technique referred to on his website as “Multiphoton Li... [more]
Sculpture Studio seeking a punctual, neat, hard-working assistant. Applicants must be able to work well under the pressure of deadlines and be able to work competently without supervision. Applicants must also have strong communication skills. Applicants with a 4 year degree in fine arts will find themselves near the front of the line. Those trained in sculpture or painting may be best suited for this studio, but we dare you to surprise us. Responsibilities: Responsibilities include tedious and repetitive work, ma... [more]
I was in a conversation with the curator Lucia Schreyer the other day. We were discussing the latest exhibition at Palais de Tokyo; we have differing opinions about it. I enjoyed the show very much. Once again it seemed as though the PdT had curated an exciting, interactive exhibition, fully using the space they have available and successfully iterating the concept of "Inside." Lucia didn’t like it so much. Her complaint was that it is too spectacular, like "a Luna Parc" for adults, and to b... [more]
ANCIENT WARRIOR TORSO PROJECT - Commentary By Robert Curcio;
“They are direct castings of an actual person which gives it history and a sense of familiarity to the viewer. By placing it at the same height as the person, the viewer has a physical relation to the piece. Also, it’s not idealized or a bland generic mannequin or a freak - it’s me, the viewer. The viewer could be having a conversation with this "person" or knows someone just like that. These are all points that mak... [more]
Our 2013 ArtSlant Prize winner Robin Kang and 2014 ArtSlant Prize winner Edra Soto are currently exhibiting in New York and Chicago.
Opening tonight at CATINCA TABACARU GALLERY in New York, Kang is exhibiting works in her latest show Danger Is In The Neatness Of Identitification with Rwandan artist Duhirwe Rushemeza. The exhibition brings together both artists' unique perspectives on artistic practice and production in the digital age. From the gallery: "Weaving composites of varying time, s... [more]
Representatives of The Cooperation Council for the Arab States of the Gulf (The Gulf Cooperation Council, or GCC in abbreviation) deliberate while seated in red silk chairs around a polished wooden table engraved in gold leaf. GCC, a collective of eight artists largely of Kuwaiti origin have installed Micro Council, a doll-sized replica of the table in the center of an otherwise empty and sterile exhibition space at Sharjah Art Foundation. The table huddles weakly beneath the glare of LED lights str... [more]
By way of introduction, Cameron Crone's first solo-show at Jancar Jones, Reflow the Logic Board, is a testament to just how strange and surprising photography can get. The artist presents color photographs of to-scale beach towels, their terrycloth weaves intervened with kitty litter dripped-sand-castle-y patterns, all laid out on some mysterious concrete ground. Crone has also fabricated a series of urban-aqueduct-cum-skate-ramp sculptures, with terrazzo beveled curves and arcs. The work is very... [more]
Art or Not? One of the pictures described below is a genuine art work: every Friday the ArtSlant team asks our discerning readers to indulge in a game of spot the difference. The answer will be revealed on our social media on Monday: Facebook, Twitter, Tumblr, Instagram.
This week's theme is: mattresses.
"the artist, born in Glasgow, 1982, uses public space in this series of street interventions, where the artwork becomes part of it's background, barely perceived by the hurried commuter. Discarded every day objects and household items appear t... [more]
HYPNOTIST COLLECTORS AND WALKING ANTIQUES: NYLA THOMPSON AND THE DISHONESTY OF OUTSIDER ART
By Jim Linderman
Pioneer folk art collector Herbert Hemphill, Jr. was on a mission in the early 1970s. The first director of the nascent Museum of American Folk Art and compulsive collector of same intended to disprove the commonly understood belief that folk art had died with the emergence of 20th century popular culture. Certainly there were artists working at the time using the same traditiona... [more]
In this recurring series, ArtSlant will introduce a number of international artists making the best in contemporary art.
Picturing the international is no easy task. Mona Hatoum, born in Lebanon 1952, does so with ease—as if manifesting the aesthetics foreign policy out of thin air, using familiar objects to craft sleek, suggestive environments that appear governmental in their use. The UN aesthetic turned sexy. The clinical yet open quality of the work (policy, of course caters to ev... [more]
Last week the Calvert Journal, an online journal produced by the Calvert 22 Foundation, released a 20 Under 40 list of Russian artists to look out for. The Foundation's exhibition space, Calvert 22, is the only not-for-profit gallery in London dedicated to contemporary art from Russia and Eastern Europe. Its program often contextualizes contemporary Russian artists’ output with the country’s rich historical and cultural past. The gallery's current exhibition, Beyond Zero (installed throu... [more]
Amsterdam, Oct. 2014: Some people are called to the arts by way of a detour, but Chaim van Luit’s route is exceptional by any standard. Being a bit too restless for the regular educational system he dropped out of high school at 17 and joined the marines. He traveled the world working ten-hour shifts for months on end. At the end of his four-year tour he decided it was time for a change. After taking a special entry exam he was accepted at the Academy of Fine Arts in Maastricht. He laid dow... [more]
Time is the one thing we can all agree to call supernatural. It is at least neither energy nor matter… and yet it is the beginning and end of the creation of the world.
Joan Jonas concluded her performance at Pirelli HangarBicocca in Milan with these words from Under the Glacier (1968), a little known, visionary novel by the Icelandic writer Halldór Laxness. The acclaimed New York video and performance artist looked like a Lilliputian creature, an aged little fairy; her snow-whit... [more]