This is my new work for “Lacer/actions” project. It’s a collage made on a table using 1.258 waste-paper pieces of torn and decomposed outdoor advertisings. I gathered every single paper pieces along the streets, after the old publicity posters were torn down from the billboards. I titled it : "The Symptomatology Of Instability (Waves On Waves)". It covers a wood table; sizes: cms 108 x 51. I think images speak better than words… So I created a videoclip I posted on Yo... [more]
A few years ago, I was working for a not-for-profit art space in Tel Aviv. One of the most successful shows there was a group exhibition of video works. One afternoon, a woman entered the dark space of the gallery, stopped at the reception desk and asked me: “Are there only video works?”
“Yes,” I replied. She turned her back and walked away.
Since this incident, I often encountered sentences such as “I hate video art,” “all video works are bad,” and &ldqu... [more]
I was in a conversation with the curator Lucia Schreyer the other day. We were discussing the latest exhibition at Palais de Tokyo; we have differing opinions about it. I enjoyed the show very much. Once again it seemed as though the PdT had curated an exciting, interactive exhibition, fully using the space they have available and successfully iterating the concept of "Inside." Lucia didn’t like it so much. Her complaint was that it is too spectacular, like "a Luna Parc" for adults, and to b... [more]
ANCIENT WARRIOR TORSO PROJECT - Commentary By Robert Curcio;
“They are direct castings of an actual person which gives it history and a sense of familiarity to the viewer. By placing it at the same height as the person, the viewer has a physical relation to the piece. Also, it’s not idealized or a bland generic mannequin or a freak - it’s me, the viewer. The viewer could be having a conversation with this "person" or knows someone just like that. These are all points that mak... [more]
Our 2013 ArtSlant Prize winner Robin Kang and 2014 ArtSlant Prize winner Edra Soto are currently exhibiting in New York and Chicago.
Opening tonight at CATINCA TABACARU GALLERY in New York, Kang is exhibiting works in her latest show Danger Is In The Neatness Of Identitification with Rwandan artist Duhirwe Rushemeza. The exhibition brings together both artists' unique perspectives on artistic practice and production in the digital age. From the gallery: "Weaving composites of varying time, s... [more]
Representatives of The Cooperation Council for the Arab States of the Gulf (The Gulf Cooperation Council, or GCC in abbreviation) deliberate while seated in red silk chairs around a polished wooden table engraved in gold leaf. GCC, a collective of eight artists largely of Kuwaiti origin have installed Micro Council, a doll-sized replica of the table in the center of an otherwise empty and sterile exhibition space at Sharjah Art Foundation. The table huddles weakly beneath the glare of LED lights str... [more]
This past Wednesday evening, the arty crowd in Turin paid no heed to Maurizio Cattelan’s “exhortation.” Considering the line outside Palazzo Cavour, Cattelan's command, Shit and Die—the title of the most eagerly-awaited event of this year’s edition of Artissima—has not been taken literally by anyone. Rather than warily getting out of the way, shitting, or dying, a throng of curators, artists, critics, and collectors—myself included—couldn't wait to... [more]
Seventy thousand citizens gathered on the streets of the East German city of Leipzig on October 9th, 1989, after churches opened to accommodate protesters disillusioned with the oppressive East German regime, the Cold War, and the structural and geographical scar the Berlin Wall had represented for the past 28 years. This massive confluence was the culmination of weekly prayer meetings organized by Christian Führer, the pastor of St. Nicholas Church. Some might call it a stretch to conclude... [more]
Guimarães, Portugal, Oct. 2014: When South Korea won the Golden Lion at the 2014 Venice Biennale of Architecture, architect Minsuk Cho said the award could help “trigger the reality of a unified Korea.” While North Korea is making art at the Mansudae Art Studio, South Korea is building the next generation of art stars—in New York. With Korean art increasingly in the spotlight, “The Lineage of Vision: Progress through Persistence,” which opened Wednesday at the... [more]
Con Artist presents ISO 216, a collaboration between artists from New York and London. Named in honor of the world’s most common paper size ratio which, like so many of global standards of weights and measure, is notably rare in the US, ISO 216 celebrates the cultural parallels and unique individuality of the United Kingdom and United States. The two nations are ethnically diverse, share a common language, and are each massive exporters of art and culture, but as their slightly different pa... [more]
When the world thinks of Africa at the moment, the conversation seems to stop on the deadly West African virus, Ebola. For a less alarmist and fear-stoked impression of a massive continent, Meschac Gaba’s Museum of Contemporary African Art (1997-2002), on view at Berlin’s Deutsche Bank Kunsthalle until November 16, is currently offering insights through the eyes of one money-minded artist from Benin.
Funny coincidence this show is hosted by a Deutsche Bank-sponsored gallery, as German... [more]
Last week the Calvert Journal, an online journal produced by the Calvert 22 Foundation, released a 20 Under 40 list of Russian artists to look out for. The Foundation's exhibition space, Calvert 22, is the only not-for-profit gallery in London dedicated to contemporary art from Russia and Eastern Europe. Its program often contextualizes contemporary Russian artists’ output with the country’s rich historical and cultural past. The gallery's current exhibition, Beyond Zero (installed throu... [more]
Amsterdam, Oct. 2014: Some people are called to the arts by way of a detour, but Chaim van Luit’s route is exceptional by any standard. Being a bit too restless for the regular educational system he dropped out of high school at 17 and joined the marines. He traveled the world working ten-hour shifts for months on end. At the end of his four-year tour he decided it was time for a change. After taking a special entry exam he was accepted at the Academy of Fine Arts in Maastricht. He laid dow... [more]
Time is the one thing we can all agree to call supernatural. It is at least neither energy nor matter… and yet it is the beginning and end of the creation of the world.
Joan Jonas concluded her performance at Pirelli HangarBicocca in Milan with these words from Under the Glacier (1968), a little known, visionary novel by the Icelandic writer Halldór Laxness. The acclaimed New York video and performance artist looked like a Lilliputian creature, an aged little fairy; her snow-whit... [more]
Recently, a “Stereotypes of the Netherlands” map made its rounds on the Internet, describing how the Dutch conceptualize their small country’s terrain. Down south, in the middle of Brabant’s “Catholic Carnival Country,” a short distance from “Dumb People, Great Beer” (apologies, Belgium), is the technological oasis of “Philipstown,” so named for the diversified technology mega-corporation. If the city is known for innovation in technology and indu... [more]
There's something new happening at FIAC this year. Not exactly the quickest to catch on to a trend, the Parisian art fair has created its own satellite, with a focus on introducing new art and artists from the international scene through a showcase of 68 galleries from 14 countries. Judged by a selection panel of art historians and curators, the tangential fair's emphasis is on supporting the underdog—not only the up-and-comings, but also "outsiders" and artists who have been overlooked h... [more]