The art fair in Hong Kong, now falling under the Art Basel umbrella, has succeeded for a number of reasons, perhaps chief among them the transparent market infrastructure of the city and the reputation for pragmatic mercantilism it has accumulated as a British entrepot. But as much as the rule of law has encouraged an internationally viable market structure, it has also made Hong Kong a rare hub for scholarship, particularly of the Anglophone variety, for much of Asia. Long before the launch of ArtHK a... [more]
As New York wilts under May’s overripe humidity, Simon Preston Gallery’s latest show carries an appropriately strong whiff of decay. A solo exhibition by Josh Tonsfeldt, the eponymous show is split between Simon Preston and GalerieVidalCuglietta, in Brussels. The two spaces are united by a process of architectural superimposition; Tonsfeldt’s multifaceted installation strews both spaces with structural elements and material ephemera, all of which originated from an abandoned Iowan farm hom... [more]
READY, SET, ART FAIR!
Highlights from artMRKT and ArtPadSF, by Christina Catherine Martinez
This week, San Francisco will be treated to not one, but two contemporary art fairs. ArtMRKT San Francisco and ArtPadSF will both take place May 16 - 19th, and it behooves an art lover to visit both if they want to get a compressed but authentic feel for the art scene in the Bay Area. A good rule of thumb is to take in artMRKT during the day and party down with ArtPadSF at night.
This w... [more]
John Coplans’ essay, “Pasadena’s Collapse and the Simon Takeover: Diary of Disaster” written for Artforum in 1975, unravels the mirages and problems that the Pasadena Art Museum faced before being essentially purchased by ketchup mogul Norton Simon. Architects Lad + Kelsey's plan rode over the balance of architecture and beneficial exhibition space for their own design vision. The new building and location opened in late 1969 with a chaotic flurry of anticipation from the staff and artists,... [more]
Most of you are probably familiar with the Surrealist game “exquisite corpse,” where a composite drawing is created in sequence by a group of artists adhering to some predetermined set of rules (no peeking, for example, and, pick up where the last artist left off).
Local Chicago comics collective Trubble Club recently began an online project entitled Infinite Corpse. Unlike its Surrealist precedent, it harnesses the energy and inexhaustibility of the internet by being limitless in duration.... [more]
Welcome to CANDYLAB. Walk amongst the sculpted molecular derivatives of glucose and color, and find and lose yourself in the plethora of sugared forms.
Having opened on Berlin Gallery Weekend, Thomas Feuerstein’s solo show conflates the unlikely bedfellows of bound literature and boundless glucose. Entering into the gallery space, the viewer is treated to a mock construction of a Viennese apartment, a period setting punctuated with outlandish scientific contraptions and candy-coated canvases.
... [more]
What is tumblr Art? by Joel Kuennen Rachelle Beaudoin, Claire Alexandra Burke, Jon Chambers, Oscar David, Laura Dekker, Jordan Gray, Brian James Griffith, Lucia Grossberger Morales, Wei-Ming Ho, Heejin JANG, Laura Hyunjhee Kim, Lawrence Lek, A. Bill Miller, Jonathan Monaghan, Robert Warren Parker, Katherine Parsons, Patr1ck qu1nn, Fay Ray, Nicholas Sassoon, Chase Starr, Joe Winograd, I-YEH WU, Sarah Zucker at ArtPadSF Art Fair
May 17th 9:06 PM - 10:30 PM
Posted
5/15/13
On Friday, May 17th at ArtPadSF, tumblr is hosting the TUMBLR ARTS SUMMIT. Moderated by Annie Werner, the panel is meant to discuss tumblr as a platform for the arts. Kara Q. Smith of ArtSlant SF, Open Space and Art Practical; Aditya Julka, Co-founder of Paddle8; Jennifer Yin of the Asian Art Museum; Liz Glass of CCA Wattis Institute; Ken Harman of Spoke Art; artist Eric Dyer and I will be present on the panel. The focus seems to be more practical: how does your organization leverage tumblr wi... [more]
This week, San Francisco will be treated to not one, but two contemporary art fairs. ArtMRKT San Francisco and ArtPadSF will both take place May 16 - 19th, and it behooves an art lover to visit both if they want to get a compressed but authentic feel for the art scene in the Bay Area. A good rule of thumb is to take in artMRKT during the day and party down with ArtPadSF at night.
This will be artMRKT’s first year at Fort Mason Center in the Marina, a beautiful but unfortunately less-accessible venue than last year... [more]
READY, SET, ART FAIR!
Highlights from artMRKT and ArtPadSF, by Christina Catherine Martinez
This week, San Francisco will be treated to not one, but two contemporary art fairs. ArtMRKT San Francisco and ArtPadSF will both take place May 16 - 19th, and it behooves an art lover to visit both if they want to get a compressed but authentic feel for the art scene in the Bay Area. A good rule of thumb is to take in artMRKT during the day and party down with ArtPadSF at night.
This w... [more]
The spaces of Kaufmann Repetto gallery in Milan smell of blood, medicine and hospital. The walls are covered with a black shiny varnish and the neon lights on the ceiling spread their cold beams over the mirroring tables. The setting looks like a security room or a refrigerating cell – there’s no life here, no wishes, no hopes. Every hint of humanity is properly frozen in the material traces of someone’s passage – a stool slightly moved by an invisible hand, some pale wooden apples scattere... [more]
I remembered my desire to meditate more often when I visited “Cui Fei: Tracing the Origin” at Chambers Fine Art. The moment I ducked into the gallery I was overcome with a sense of quietude. I muttered aloud to myself: what is the Chinese equivalent to the Japanese concept of wabi-sabi? As I scanned the twisted metal and vine that makes up much of the work of this young Chinese artist, I remembered that the origins of “Wabi” (despondence) and “Sabi” (solitude) are distinctly Chinese.... [more]
THE AUDIENCE, REMIXED
Haroon Mirza at Frieze Sounds, by Ryan Wong
Haroon Mirza has made his reputation as an artist of the remix. He structures the unglamorous beeps and buzzes of antiquated audio technology into beats and melodies. But he also appreciates those machines for their sculptural qualities, synchronizing their sounds with lights and moving pieces – as if Kraftwerk were building a Rube Goldberg machine. Part music, part sculpture, part architectural intervention, Mirza... [more]
Those who say that Los Angeles has no history would do well to drive east. There, the signs of the past ten or twenty years, at least, are unmistakable. Ever newer developments, stamped with KB Homes' trademark homogeneity, impose a geometry on the landscape that feels immediately familiar, as though one had gone back in time to pass the same part twice. In a sense, one hears, these areas are having something of a second life. Investors of the sort who've been doing well lately are accelerating the conv... [more]
ART AND LITERATURE
Lydia Davis at Frieze Talks prompts James Thompson to compare the visual and the literary
The art fair as cultural event is pretty well established now. It makes sense to use the pretext of the weird art supermarket that forms the body of the fair as an excuse for a wider programme; it adds interest and tempers the slightly distasteful frenzy that makes it so difficult to actually see the art everyone's here for.
As part of this year's Frieze New York we have the... [more]
This year’s Frieze New York fair sees the Projects portion of its programming celebrating FOOD, the historic restaurant-artwork hybrid most associated with artist Gordon Matta-Clark. While the Projects’ inaugural theme was turning Randall’s Island into a “fantasy world,” according to curator Cecilia Alemani, its second year focuses on “basic actions such as eating, drinking, speaking and praying… [engaging] the ritualistic dimension of the fair and the unique landscape of the island.”... [more]
Haroon Mirza has made his reputation as an artist of the remix. He structures the unglamorous beeps and buzzes of antiquated audio technology into beats and melodies. But he also appreciates those machines for their sculptural qualities, synchronizing their sounds with lights and moving pieces – as if Kraftwerk were building a Rube Goldberg machine. Part music, part sculpture, part architectural intervention, Mirza remixes not just sounds but the spaces they inhabit.
For his Frieze Sounds commission... [more]
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