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Holly Crawford
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Venue Display
Holly Crawford
547 W. 27th St 6th Floor, # 610 New York, NY 10001
Venue Type:
Alternative Space
Neighborhood:
chelsea
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Holly Crawford, AC[Unlimited] Critical Conversations in a Limo, NY, 2006, mixed, limo © Holly Crawford Call for Participation, AC[Direct]UNEARTHED, 2008, mixed © Holly Crawford China Blue, Under Voices / Les Voix de la Tour Eiffel, Nov 1 CD release party © China Blue Holly Crawford, ed., Artistic Bedfellows, 2008, BOOK
Holly Crawford, The Bone: A Process Poem, Oct 30-Nov 29, 2008
Kenji Kojima, Subway Synesthesia, Nov 6-Dec 13, 2008, mixed-media, photography
China Blue, Aqua Alta, Extended to Nov 1, 2008
Michael Greathouse, “What Is It that Wakes the Sleeper?”, 2008, Video
Richard Kostelanetz, “SCRAM/BLEDS”, 2008, visual poetry, installation
Laura F. Gibellini, “341 West 24th St., New York”, 2008, installation, photograohy
Elizabeth Gower, Amor Infiniti, 2009, mixed-media
Hong-Kai Wang, The Importance of Good Conduct, 2007, sound art, video
John R. Neeson, Northern Light , 2009, mixed-media
John R. Neeson, Fugitive Light, 2009, mixed-media
Jeff Becker, CapaCity Project, 2009, Site-specific Installation, 22' 4" x 5' x 9' © 2009 Jeff Becker Andrew Erdos, Santalope, 2009, mixed-media
Ann Torke, The Residue Series: Everyday Accumulation, 2009, mixed-media
Group Show, Domestic, 2009, video
Bryan Whitney, Myriad: The Ten Thousand Things, 2009, photography
Lemeh42, Study on Human Form and Humanity #01 , 2009, video
Stephen Paul Day and Sibylle Peretti, Suicide Notes, 2009, mixed-media
Nico Vassilakis, 5IVE SEQUENCES, 2009, visual poetry, installation
Holly Crawford
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> QUICK FACTS
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WEBSITE:
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http://www.art-poetry.info
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CONTACT:
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Holly Crawford, Director
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OPEN HOURS:
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Thurs-Sat
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GALLERY TYPE:
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Contemporary
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COST:
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Free
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TAGS:
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performance, experimental, international, contemporary
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> DESCRIPTION
Opening Event: February 4 6-8
Orphans Offered Up is a participation installation evolving in a space that was formerly an art gallery that is now empty. The space is located at 547 W. 27th St. in Chelsea on the 5th floor.
The Orphans that I’m offering up are a series of conceptual paintings that are very small. They are intimate. They are fragments that appear to be abstractions. They are offered up in several different ways.
Offer is defined as: an act of worship or devotion: sacrifice; to present for acceptance or rejection; to propose or suggest; to try or begin to resist; to threaten; to make available; to present in performance or exhibition; to propose as payment; to make an attempt; to present itself; to make a proposal.
What will you offer me? Not all offers will be accepted. Suggestions: stocks, bonds, a house, another painting, a manuscript, or something else? Something much less tangible? What are you willing to sacrifice? If you insist on money, then the price will be determined by random. A number between one and five hundred will be generated randomly by RANDOM.ORG, Trinity College. They provide a “random number service that generates randomness via atmospheric noise.” Numbers will stamped on a poker chip and placed in a black velvet bag that will be hung from the ceiling. Pick one, that’s your price. Use it. Trade it. Sell it. Keep it as a souvenir.
The inspirational sources for the paintings are the invisible engraving marks found in old postage stamps that belonged to my late father. These painting were first started in 2002. They are not studies. They are not miniatures. They are finished paintings. I have completed more than fifty.
What do you do with your art? What’s your relationship to art? Do you hang it on the wall or put it in storage? Relationships with art: Baldessari burnt them; Van Gogh shoved them under Theo’s bed.
Naming
Ask people to suggest a name by writing it on a post-it note and then place that post-it around the painting. The images and suggested names will be documented along with what I was offered. Names maybe also submitted by email. Peter Selz has already done just that.
I would like to thank the Pinetree Group for the offer of the space for this project.
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