Although Sam Feinstein was recognized by the Philadelphia Museum of
Art as an exceptional artist at the age of only 20 and included in
their show American Masters, and his drawings were featured in the
Metropolitan Museum of Art’s retrospective of Hans Hofmann and his
students, Feinstein’s unique contribution to modern abstract painting
has previously been known to a select few. Born in Russia, emigrating
at the age of five, and raised in Philadelphia, Feinstein graduated
with honors from the Pennsylvania Museum School of Industrial Art and
became well known as painter, printmaker and teacher. During WWII, he
served as an artist/illustrator for the U.S. Army, and received
training in filmmaking. Feinstein began working in NYC in 1947, and
from 1949 to 1952, studied with Hans Hofmann, an experience that led to
the creation of a thirty-minute documentary film titled “Hans Hofmann”,
co-written with Hofmann, filmed, edited and produced by Feinstein and
previewed at the Metropolitan Museum of Art. Feinstein worked as
contributing editor for Art Digest magazine from 1952 to 1955, and at
Hofmann’s request, wrote a preface to a Hofmann show, an essay that the
dealer Sam Kootz later referred to as “prophetic.” In 1952 Hofmann
wrote “Mr. Feinstein is a highly gifted and versatile artist with a
pronounced standing of his own…and with a deep understanding of the
plastic problems in painting.”
After exhibiting extensively in New York, Philadelphia and
Provincetown, Feinstein withdrew from the exhibition world at the end
of the 1950s in order “to clarify certain principles” in his work, and
to dedicate himself fully to painting, teaching and writing about art.
During the next forty years, Feinstein painted continually as he
developed a new, more classical approach to gestural abstraction. The
refinement and precision of each color note, inspired by mosaic
tesserae, evolved over years as Feinstein painted, under-painted, and
repainted, mixing subtle, pure hues and juxtaposing each color-form to
create vibrating, radiant and evocative compositions. Elizabeth Ives
Hunter, Executive Director of the Cape Cod Museum of Art, calls Sam
Feinstein “an extraordinary painter/teacher whose impact on American
art has been severely undervalued to this point.” In 2008 the
publication of a monograph and a retrospective at the Cape Museum will
reveal the seventy-year trajectory of Feinstein’s development from
realism through expressionism, cubist-expressionism, Hofmann-influenced
abstraction to Feinstein’s own unique language of color—luminous and
life-enhancing—in his monumental, mature canvases. This exhibition at
The Painting Center will feature Sam Feinstein’s paintings from 1960
through 2003.