Triton Gallery LLC presents Chimera,
a video screening curated by Chris Bors and Ketta Ioannidou on Tuesday,
July 28 from 6 to 8 pm at Envoy Enterprises. Formerly a fake gallery
purportedly located in Nicosia, Cyprus, Triton Gallery LLC teams up
with Envoy Enterprises for its first non-virtual curatorial project.
18 artists from Cyprus, France, Israel, Italy, the Netherlands, Poland
and the United States of America, the two-hour video screening focuses
on the concept of unreal narratives and alternate realities. The title Chimera
stands for a thing that is hoped or wished for but in fact is illusory
or impossible to achieve. In Greek mythology, a Chimera is a fire
breathing female monster with a lion's head, a goat's body and a
artists featured are: Fanny Allié (France), Michael Bell-Smith (USA),
Janet Biggs (USA), Christine Catsifas (USA), Georgia Della (Cyprus),
Nadia Hironaka and Matthew Suib (USA), Timothy Hutchings (USA), Lisa
Kirk (USA), Katarzyna Kozyra (Poland), Lemeh42 (Italy), LoVid (USA),
Tricia McLaughlin (USA), Sharon Paz (Israel), Demetris Roditis
(Cyprus), Elina Roditou (Cyprus), Roland Schimmel (the Netherlands),
Allison Schulnik (USA) and James Walsh (USA).
In Fanny Allié's Animals, people behave like animals in public spaces after having roles assigned for them to play. Michael Bell-Smith's Up and Away
is a beguiling video of landscapes and cityscapes rolling down past
each other at different speeds, creating an alluring fantasy of travel,
place and nature. Janet Biggs's Vanishing Point pairs a
motorcycle racer speeding across the otherworldly landscape of Utah's
Salt Flats with a gospel choir belting out a song in a visually and
aurally transporting ride. Christine Catsifas's Eclogues
series are composed of public videos posted on YouTube featuring
landscapes from all over the world. When layered together these
elements depict a new, fictional location where ground and sky shift
and the world is in motion.
Shot and created entirely in camera, Georgia Della's aquatic Centrifuge
combines human and machine to create an environment that is both part
of and not entirely of this world. Nadia Hironaka and Matthew Suib's The Soft Epic
takes the form of a moving panorama to imagine the end of History -
where Hollywood splendor usurps mythological and historical narrative
in service of political authority and social order. In Timothy
Hutchings's The Celestial Spheres, scored by David T. Little, rectangles and circles bob gently off one another with suggestive organic movements. Lisa Kirk's Revolution commercial,
a mock advertisement for her Revolution perfume stored in a pipe bomb
container, features masked male and female terrorists in a sinister
Katarzyna Kozyra's summertale,
a vibrant, 20 minute long video that veers between bucolic bliss and
blood-splattered grotesque, is a theatrically staged fairy tale
fantasy. Lemeh42's The righteous killing of a beautiful fly takes inspiration from the ancient Greek myth of Icarus re-considered as a magnified metaphor. LoVid's Mystery Solved
- created with their handmade A/V synthesizer Sync Armonica - blends a
romantic and aggressive approach to the preservation of data, signals,
and memory. How Long Can You Stay Without Water? by Sharon
Paz examines water as a mean of control, while the performers' gestures
move between domination and playfulness. Moai sculptures disguised as
stone biker apes draw lines on the earth with their motorcycles giving
birth to a grass creature in Tricia McLaughlin's History of the World.
using techniques such as pointing out mishaps, explicatory voiceover
and canned laughter, technology comes as close as it ever has in
understanding and reproducing humor in Demetris Roditis's You've been 404ed. By defacing a sixties' commercial Elina Roditou's video Beautiful explores the imposed concept of beauty and the way in which this concept is formed. Roland Schimmel's animation Blind Spot III
depicts optical structures or fields, in which the soft contours of
shimmering haloes and hard edges of black holes pop up and meet.
Allison Schulnik's Hobo Clown is an abstract, psychedelic
claymation that lyrically follows its forlorn misfit subjects into
otherworldly activity. James Walsh's lowlight swirl is an unedited abstract panorama of the city at night, made on the Brooklyn waterfront looking across to Manhattan.
the curators: Chris Bors is a New York-based artist and writer whose
work has been exhibited at P.S.1 MoMA, White Columns and Envoy
Enterprises in New York and Casino Luxembourg in Luxembourg. He has
written for Artnet, ArtReview and Artinfo. Ketta Ioannidou is
a Cypriot artist based in New York who represented Cyprus at both the
Alexandria Biennale and the Cairo Biennale and has shown her work at
Sixtyseven, Heist Gallery and the Bronx Museum in New York.
more information please contact Triton Gallery LLC
or Envoy Enterprises.