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Paul Kasmin Shop - W. 27th St
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Exhibition
Detail
NAKED!
511 W.27th St. New York, NY
July 9th, 2009 - September 19th, 2009
Opening:
July 9th, 2009 6:00 PM - 8:00 PM
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Kenny Scharf, Space Orgy , 2009, oil and glitter on linen , 48 x 60 inches © Paul Kasmin Gallery- W. 27th St Theodoor van Thulden, Time Revealing Truth, circa 1650, oil on canvas, 58 3/4 x 42 1/2 inches © Paul Kasmin Gallery- W. 27th St
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> QUICK FACTS
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EMAIL:
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shop@paulkasmingallery.com
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OPEN HOURS:
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Tuesday - Saturday, 10am - 6pm | Sunday, 12pm-5pm
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TAGS:
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modern, figurative, painting
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> DESCRIPTION
Paul Kasmin Gallery is pleased to announce its upcoming summer
exhibition of sundry flesh from July 9-September 19, with an opening
reception on July 9th, 6-8PM. Naked is not nude nor “naturalist” -
it is altogether more intriguing, predicating perhaps a state of
desire, whether narcissistic or voyeuristic, that sense of being naked
as an active, self-conscious sense of heightened awareness if not
arousal. While nudity is continuously represented in the history of
art, the classical nude often pretends to itself that it is not just
plain naked. Of course, anyone can tell the difference, can feel it on
their own skin indeed. While udity, in its mythological and even
mystic beauty is to be appreciated, this exhibition will present the
naked – traditionally arousing, interpreted by myriad artists.
With
no further beating around the bush, this is a show of males and females
without clothing, surely not inherently contentious at this stage of
the game – we suppose. As magazine publishers have long established,
women love to look at images of women, and so do men. Women like to
look at themselves, and they like to be looked at; they like to be
looked at looking at themselves. And often they are beautiful in all
this. An exhibition of art works celebrating physically attractive
naked females clearly cannot be called misogynistic, maybe just plain
ole sexist, or “Post-Sexist” or “New Sexist.” Alas, male flesh shall
sully the haremic purity of this exhibition, but appropriately enough
in Paul Kasmin’s backroom. Hung separately, this concurrent exhibition
is entirely devoted to just one outstanding part of the masculine
anatomy, a jamboree entitled in spirit “Size Matters.”
Masterworks,
as it were, abound, from the likes of David LaChapelle, Jack Pierson,
and Mark Ryden, or Baroque maestro Nicolaes Berchem. There will surely
be fine things from such impeccable pre-post-feminists such as Pablo
Picasso, and popstars Mel Ramos, Andy Warhol, and Tom Wesselmann. Also
expect the guilt-ridden inclusion of such female luminaries as
Cecily Brown, Louise Bourgeois, Lee Miller, and Kate Millett. This is
the one of many exhibitions curated by the ridiculously sublime Adrian
Dannatt.
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