STREET now open! Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
New York

International Studio & Curatorial Program (ISCP)

Exhibition Detail
NORTHSIDE FESTIVAL at ISCP 'Hear myself in it': live music & performances
1040 Metropolitan Avenue
Brooklyn, NY 11211


June 12th, 2009 7:00 PM - 10:00 PM
 
,
© L Magazine/WGA
> ARTISTS
> QUICK FACTS
EVENT TYPE:  
Performance
WEBSITE:  
http://www.iscp-nyc.org
NEIGHBORHOOD:  
williamsburg/greenpoint
EMAIL:  
info@iscp-nyc.org
PHONE:  
(718) 387-2900
TAGS:  
concerts, video-art, performance
COST:  
FREE
> DESCRIPTION

iscp | international studio & curatorial program

FOR IMMEDIATE RELEASE


Friday, June 12, 2009 - 7 to 10PM

NORTHSIDE FESTIVAL at ISCP
'Hear myself in it': live music & performances


ISCP is pleased to announce its participation to the Northside Festival taking place June 11-14, 2009 (full program at www.northsidefestival.com).  This  watershed  event  is  the  first  of  its  kind,  exposing  all  the  simmering hotbed of artistic and musical talent that Williamsburg has to offer.
On June 12, as part of the Northside Festival program, ISCP will present ‘Hear Myself In It’, an evening of live music and performances from 7 to 10PM. ‘Hear Myself In It’ explores the many ways in which visual artists incorporate music into their practices.


PARTICIPATING ARTISTS:

Feather and Folly
Two pleasantly cheerful young women singing harmonies and playing guitar, ukulele, glockenspiel, washboard, cans and a drum is the visual experience that is Feather and Folly. Their music and friendship began at art school, through a swift collaborative connection in song writing and performing. Their songs are melodic yet quirky, endearing yet eerie.                                                              
www.myspace.com/featherandfolly


Lilibeth Cuenca (ISCP resident)
Sampling is a common practice in contemporary culture.  Lilibeth Cuenca questions the originality and authenticity of an art piece, while creating an explicit discourse about referential art. Cuenca uses art history as a point of departure to create new and innovative performances.                                                     
www.kirkhoff.dk/art/artists/lilibeth_cuenca


Amelia Saul
Amelia Saul was born and raised in Seattle, Washington.  She works in a variety of media, and has exhibited  her  work  and/or performed in New York,  Taiwan,  Berlin,  Lisbon and  Hiroshima; she has also published writings with artists John Russell and the duo Elmgreen + Dragset.
www.ameliasaul.net


Amelia Winger-Bearskin
Amelia Winger-Bearskin works primarily in the area of time-based art (sound, video, live performance and digital media). There is an immediacy inherent in live performance and time-based works that she finds compelling. This proximity creates a distinctive reciprocal connection with the viewer.  
www.studioamelia.com


Private Time
Private Time is Annie Pearlman's progressive R+B compositions and Brian Belott's sound clowning.  Formed in 2006 in Brooklyn, Private Time makes music to expose the private self through physical response, entering from the bottom not the top.
www.myspace.com/privatetimemusic

International Studio & Curatorial Program (ISCP)
1040 Metropolitan Avenue, Brooklyn, NY 11211
T: (718) 387 2900 | F: (718) 387 2966
info@iscp-nyc.org | www.iscp-nyc.org
Subway: Grand St stop on the L train


Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.