Art events, galleries museums, and artist profiles for New York
the #1 contemporary art network
Mckinley_art_banner_ad

P.S.1 Contemporary Art Center

EVENT
Exhibition Detail
Gino De Dominicis
22-25 Jackson Ave
Long Island City, NY 11101


October 19th, 2008 - February 9th
 
No Title,Gino de DominicisGino de Dominicis, No Title,
1992-93, Mixed media on crystal and plywood, 3 panels – (2) 281 x 280 cm, (1) 281 x 191 cm
© P.S.1 Contemporary Art Center
> QUICK FACTS
WEBSITE:  
http://www.ps1.org
NEIGHBORHOOD:  
long island city
PHONE:  
718-784-2084
OPEN HOURS:  
Thu-Mon 12-6
TAGS:  
painting, figurative
> DESCRIPTION

P.S.1 Contemporary Art Center is proud to announce the first major American museum exhibition of the Italian artist Gino De Dominicis, presented in P.S.1's first floor Main Gallery and basement Vault, with additional works concurrently on view in Here is Every. Four Decades of Contemporary Art in the Contemporary Galleries of The Museum of Modern Art.

An Italian artist who purposely shrouded himself in mystery and stood apart from popular artistic trends, De Dominicis exhibited very little in North America. He worked in a variety of mediums including sculpture, painting, film, and installation. This exhibition focuses primarily on the paintings the artist made in the 1980s and '90s, as he considered this art form the pinnacle of visual expression. Important historical works such as Palla, 1970, will be included, as well as D'IO, 1971, an audio recording of an actor's laugh. The exhibition also features drawing, as well as sculptural works on wood, paper, and in a few cases, canvas.

De Dominicis' paintings are figurative and often produced using materials as basic as tempera and pencil on board. Concentrating on the human figure, De Dominicis often referenced mythical and epic leaders like Gilgamesh, the Sumerian king who sought immortality, and Urvashi, the Hindu Veda goddess of beauty. De Dominicis' paintings convey notions of immortality, beauty, and esotericism. A mysterious element pervades these works as the figures undergo various facial and bodily compressions: noses, eyes, mouths, and eyebrows are elongated and occasionally become fine fissures, while surreal imagery such as tiny fork-like hands and beak-like crania are paired with out-of-proportion arms, torsos, and legs. For Gino De Dominicis, painting performed a primary and extraordinary function, reaffirming the legacy of the artist as a powerful and creative force.

 


Copyright © 2006-2009 by ArtSlant, Inc. All images and content remain the © of their rightful owners.