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New York

Koenig & Clinton

Exhibition Detail
Fixing a Hole
459 West 19th St
New York, NY 10011


June 12th - August 2nd
Opening: 
June 12th 6:00 PM - 8:00 PM
 
Psychic Grotto VII, Anna Sew HoyAnna Sew Hoy, Psychic Grotto VII,
2014, raku-fired stoneware, 13 1/2 x 14 1/2 x 15 in (34.3 x 36.8 x 38.1 cm)
© Courtesy the artist and Various Small Fires, Los Angeles
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WEBSITE:  
http://koenigandclinton.com
NEIGHBORHOOD:  
chelsea
EMAIL:  
info@koenigandclinton.com
PHONE:  
212.334.9255
OPEN HOURS:  
Tuesday through Saturday, 11am to 6pm
TAGS:  
installation, mixed-media, sculpture, drawing, realism, modern, painting
> DESCRIPTION

Koenig & Clinton is pleased to announce Fixing a Hole, a group exhibition that is fixated on fixing in two senses: fixing as a means of mending, and fixing as a means of securing. Seizing the contranym potential for divergent interpretations, we have gathered a selection of works in various media. Whether by accident or design, the participants in this exhibition capture or address voids, el isions, reliefs, and absence. In all instances, the senses turn to the pre-lingual whole that is now missing.

From a distance, Yoshiaki Mochizuki’s slim panels might initial ly be mistaken for a dark breach receding back through the surface of the wal l ; in contrast, A.K. Burns physically stops a hole in the wall with a penny, managing to suspend a canvas in between. Tamar Halpern resists digital seamlessness by cutting up and collaging inkjet compositions as Cameron Martin tones down an image of nature for the purpose of heightening our attention to mediation. Alexandre da Cunha constructs a multi-partite photographic installation of coastal landscapes that are skillfully pared to the point that they resemble graphic flags.

At five separate listening stations, one can hear Vito Acconci read Acconci Studio’s elaborate proposals for phantom buildings while Anna Sew Hoy’s ceramic sculptures present models for future spaces of contemplation. Paul Ramírez Jonas applies brushstrokes to censor the sheet music of popular protest songs, altering the score and limiting the notes that can be played or heard.

Daniel Turner’s used PVC cover recollects the contents that have long since faded away, while Nancy Holt’s four perspectives on industrial building materials engender timelessness. Ken Price’s mangled mass bulges in anticipation of the daring freeform shapes that he would later mould, and Carolyn Salas’ wall reliefs form an illusion of space with materials that are not what they seem. In an acrobatic finale, Roman Signer takes down a fan to spin the bottle, tracing a circle in air.

For further information please contact info@koenigandclinton.com or call (212) 334-9255. Between June 12 and July 2, hours of operation through are Tuesday–Saturday, 11AM–6PM. We are closed July 3–4. Beginning July 7, our hours of operation are Monday–Friday 11AM–6PM and by appointment. We will remain open on Saturday, August 2. Please join us for the closing reception.


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