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New York

(Art) AMALGAMATED

Exhibition Detail
in-formal abstraction
317 10th avenue
Ground Floor
New York, NY 10001


March 14th, 2013 - May 4th, 2013
 
Untitled, Simone LeighSimone Leigh, Untitled,
2013, Terracotta, platinum &18k gold luster, graphite and wire, variable
Not that yellow, Vincent V	, Paulo QuintasPaulo Quintas, Not that yellow, Vincent V ,
2010, Oil on canvas, 28.5 x 41.3 in
Untitled (Head on the Subway), Robert JanitzRobert Janitz, Untitled (Head on the Subway),
2012, Oil, encaustic on linen, 14 x 12 inches
The Blue Bird, Xiaowei ChenXiaowei Chen, The Blue Bird,
2012, Oil painting on wood engraving, 12 x 12 x 3 inches
Astro Bright #4, Mads LynnerupMads Lynnerup, Astro Bright #4,
2012, Cut, acid-free paper, 23.5 x 17.5 inches
Mir - Plate 45, AfrikaAfrika, Mir - Plate 45,
1999, Enamel on steel, 6.5 x 9 inches
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TAGS:  
sculpture, abstract, mixed-media
> DESCRIPTION

In the contemporary era of large and expanding museums, biennales, collector residences and corporate headquarters, we have noticed the physical growth of art, in size and proportions, which is unprecedented. The formal experiments that underpinned abstract art, from the post-war years forward became intertwined with scale. The artists in in-formal abstraction all believe that their art is not diminished on a more intimate scale. While large artworks encourage a distance, a step or two back, the works included in this exhibition ask for an intimate examination, an attention to the inherent details. Subverting the notion that bigger is better comes naturally, as the intensity of each artwork speaks for itself.

Robert Janitz layers his paintings with oil, encaustic, and other materials bringing the painting's dense surface to the fore of the visual interaction while Paolo Quintas' paintings involve layers of paint, sanding, sculptural elements and digging into the surfaces, resulting in gritty and industrial compositions.  The ubiquitous BIC pen is Xiaowei Chen's preferred tool in a process that combines paint, drawing and physical gouging, the densely layered surfaces open up as a glimmer of her inner psyche.  Afrika's handmade enamel and steel tiles were initially displayed at the Russian Pavilion of Venice Biennale in 1999, all 3000 of them in a variety of motifs, while in-formal abstraction focuses on a key selection of the abstract works.  Abstract collages by Mads Lynnerup are designed to encourage the viewer to pick up the work and remake it in their own way. Simone Leigh's amorphous sculptural forms will evoke new historical and subliminal associations.   

Even for viewers familiar with the artists' oeuvre in this exhibition, the complete focus on the intimate scale will shed new light on the nuances and tactile properties of the works.      

Afrika (real name Sergei Bugaev) was born in Novorossiysk, in the former USSR and lives in St. Petersburg. He has had solo exhibitions at the Museum Kuppersmuhle Für Moderne Kunst, Duisberg, Germany (2008), State Tratyakov Gallery, The National Russian Museum of Fine Art, Moscow (2005) and the Russian Federation Pavilion, 48th Venice Biennale (1999). His work has been included in group exhibitions at the Garage Center for Contemporary Culture, Moscow (2010), Museum of Contemporary Art, Taipei, Taiwan (2006) and The Solomon R. Guggenheim Museum, New York (2005).

Xiaowei Chen was born in Beijing, China and currently lives in Boston, Massachusetts. A solo exhibition of new works by the artist is on view March 15 - April 5, 2013 at the Research House for Asian Art, Chicago. Other solo shows include TLGUTS Gallery, Lynn, MA (2010), group exhibitions include Tufts University Art Gallery, Medford, MA (2010) and Catsup Gallery, Beijing, China (2004).

Robert Janitz was born in Germany and currently lives in Brooklyn, New York. His recent solo exhibitions have been at Shoot the Lobster, New York City (2012) and CLEARING Brussels (2012). Notable group exhibitions include Canada, New York City (2010), Galerie Bernard Ceysson, Luxembourg (2009) and Centre Régional d'Art Contemporain, Montbéliard (2006).

Simone Leigh was born in Chicago and lives in Brooklyn, NY.  Her recent solo exhibitions include The Kitchen, New York City (2012), Sculpture Center, Queens, NY (2009). The recent group shows include The Whitney Museum of American Art, New York City (2012), The Studio Museum in Harlem, New York City (2011) and  The Andy Warhol Museum, Pittsburg, PA, (2010).  Her grants and residencies include Joan Mitchell Foundation Grant for Painters and Sculptors (2011), The Studio Museum in Harlem Artist-in-Residence Program (2010-11) and Artist In Residence, Henry Street Settlement, New York City (2006).

Mads Lynnerup was born in Copenhagen, Denmark. He received a MFA from Columbia University, New York, and currently lives between San Francisco and NY. His recent solo shows include Laura Reynolds Gallery (2011) and John Michael Kohler Art Center, Sheboygan, Wisconsin (2010).  Recent group exhibition include Kunsthallen NIKOLAJ, Copenhagen (2013) and ART BREAKS, with MTV and MOMA PS1, Creative Time, New York (2012)

Paulo Quintas was born Ericeira and lives in Lisbon, Portugal.  His solo exhibitions include Galeria Pedro Cera, Lisbon (2011), Galeria Graça Brandão, Porto, Portugal (2009), Centro Difusor de Arte, Lisbon (2003).  His group shows include Museu da Presidência da República, Lisbon (2009), Salon Européen des Jeunes Créateurs, Montrouge, France (2003) and Museu de Arte Contemporânea de Serralves, Porto, Portugal (2002).


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