Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
New York

James Cohan Gallery

Exhibition Detail
Figment
Curated by: Tom Morton
533 West 26th St
New York, NY 10001


March 21st, 2013 - April 27th, 2013
Opening: 
March 21st, 2013 6:00 PM - 8:00 PM
 
 Lineament (still), Hiraki SawaHiraki Sawa, Lineament (still),
2012, Dual channel HD video with audio , Duration 18:47
© Courtesy of the artist & James Cohan Gallery
> QUICK FACTS
WEBSITE:  
http://www.jamescohan.com
NEIGHBORHOOD:  
chelsea
EMAIL:  
info@jamescohan.com
PHONE:  
212-714-9500
OPEN HOURS:  
Tue-Sat 10am -6pm
TAGS:  
installation, video-art
> DESCRIPTION

James Cohan Gallery is pleased to present Figment, the gallery’s third solo exhibition of works by Japaneseborn, London-based artist Hiraki Sawa, running from March 21 through April 27, 2013. A reception for the artist will take place on Thursday, March 21, from 6 – 8 PM.

Lineament (2012), the central installation, is an immersive video and sound piece originally commissioned by  the Shiseido Gallery, Tokyo. This work is a continuation of Figment, a larger project initiated in 2009, from  which this exhibition takes its name. Figment so far comprises three ambitious and increasingly surreal  videos about the phenomenon of amnesia. The series takes its inspiration from, and is an ongoing means of  processing, the sudden-onset and complete memory loss of one of the artist’s friends. 

Lineament is a two-channel video installation in which a male protagonist navigates a white apartment. Like  the intricate clock-like mechanisms that appear before and around him, his memories unravel and snap  back together. The grooves of an LP record uncoil to become a line, then travel around in this liberated but  perhaps indecipherable form. The audio— performed by Dale Berning & Ute Kanngiesser— is a  palindrome, with a modified turntable in the gallery space playing a record forward and then backwards.

In his catalogue essay “The Line Describes a Circle,” Tom Morton writes that “in common usage, the  English word ‘lineament’ refers to a line that describes an object, often a human face or body. In its more  specific geological usage, however, it refers to a topographical feature on the surface of the earth that  indicates an underlying fault. Lineament is a film about what happens to an individual when his internal  narrative is erased. At first glance, the boy appears unchanged by his sudden bout of amnesia, but surely,  his outer contours betray a subcutaneous breach.”

With each new work, Sawa telegraphs more refined themes to his practice. Among them are the trickery  and gifts of memory, the way time can pass at different speeds, and the tightly woven relationship between  objects and emotional cues. Whether zooming in to microscopic details in a work or zooming out to the  monolithic effort of a career, Sawa’s overall enterprise coheres both formally and thematically. Looping,  meditative acts of repetition, patience and close observation are essential tools in understanding the way  that memory works.

Hiraki Sawa was born in Ishikawa, Japan. His recent solo exhibitions include Lineament, Shiseido Gallery,  Tokyo, Japan (2012); Other Dwellings, Kresge Art Museum, Michigan State University, East Lansing, MI  (2011); Carrousel, Musée des Beaux-Artset d'Archéologie and the Musée du Temps in Besançon, France (2010); Hiraki Sawa, Colby College Museum of Art, Waterville, ME (2008); and Hako, Chisenhale Gallery,  London, UK (2007). His works are included in important museum collections such as the UCLA Hammer  Museum of Art, Los Angeles, CA; the Modern Art Museum of Fort Worth, TX; the Detroit Institute of Art,  MI; The Israel Museum, Jerusalem; Museo de Arte Contemporaneo de Castilla y Leon, Spain; and the  Museum of Contemporary Art, San Diego, CA. Since 2002, Sawa has been included in major international  exhibitions such as The Dissolve, SITE Santa Fe Eighth International Biennial (2010); The 17th Biennale of  Sydney, Sydney, Australia (2010); The 6th Asia Pacific Triennial of Contemporary Art (APT6), Brisbane, Australia  (2009); the Sea Art Festival, Busan Biennale, South Korea (2008); and the 7thBiennale de Lyon, Lyon, France  (2003). Upcoming solo exhibitions of his work are being planned at Dundee Contemporary Arts (opening  October 2013) and Opera City Art Gallery, Tokyo (opening January 2013). He lives and works in London,  United Kingdom. 


Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.