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New York

Demisch Danant Gallery

Exhibition Detail
The Art of Living
542 west 22nd St
New York, NY 10011


November 8th, 2012 - February 9th, 2013
 
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© Courtesy of Demisch Danant Gallery
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furniture
> DESCRIPTION

Demisch Danant is pleased to present Joseph André Motte: The Art of Living, the first American exhibition devoted exclusively to the work of one of the most influential and innovative figures of post-war French design. Featuring rare examples presented in historical living environments, the exhibition encompasses thirty unique pieces– many of which have never before been shown publicly– bringing to light the remarkable works of an oft-overlooked Modernist.

Born in France in 1925, Motte was part of a younger generation of post-war designers dedicated to an optimistic vision of industrialization and modern design’s ability to improve the lives of the masses. Following the reconstruction period, this group of designers embraced mass production as well as newer, affordable industrial materials as a means of realizing radically inventive forms.

A stolid devotion to contemporary forms, expressed using both traditional and newly invented industrial materials, established Joseph André Motte as one of the most visionary figures of his generation. Joseph André Motte: The Art of Living highlights the diverse breadth of materials that characterize Motte’s oeuvre and presents many of his most significant innovations in modern style. Featuring rare examples of Motte’s early work in rattan of 1954 to his transition to production furniture with Charron in 1958-60, the show is divided into two spaces that each focus on a distinctive period of this illustrious designer’s oeuvre.

Based on a 1954 Charron presentation, the first space will focus on Motte’s early work in plywood and rattan, and will feature a pair of the iconic 1949 Tripod Chairs and the 1954 rattan Sabre Chair, placed within a living room interior. These iconic designs exemplify Motte’s distinctive use of traditional techniques used to craft innovative modernist forms.

Motte’s designs for mass production and his experimentation with new affordable materials such as plastic, foam, and Formica will be represented in the second space, which will focus on Motte’s designs of the 1960s. This environment presents a 1960s chambre and includes a rare vinyl bed, the 1959 Light Table and a pair of nightstands made in luminous white opaline glass.


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