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New York

Denise Bibro Fine Art

Exhibition Detail
a fractal sublime
529 West 20th Street
4W
New York, NY 10011


March 1st, 2007 - April 1st, 2007
Opening: 
March 1st, 2007 6:00 PM - 8:00 PM
 
Event-slideshow-placeholder-7598836db0df8fd38455e9b6cb02802f
> QUICK FACTS
WEBSITE:  
http://www.denisebibrofineart.com
NEIGHBORHOOD:  
chelsea
EMAIL:  
info@denisebibrofineart.com
PHONE:  
212-647-7030
OPEN HOURS:  
Tuesday-Saturday 11AM-6PM Open only by appointment August 13 - September 4, 2013
TAGS:  
landscape
COST:  
Free
> DESCRIPTION
Denise Bibro Fine Art, 529 West 20th Street, 4th Floor, Chelsea New York is pleased to announce its first solo exhibition of New York artist Roy Kinzer.

Roy Kinzer’s aerial landscape paintings are derived from altered topographical maps and digitally manipulated satellite images. He uses color, bleached-out light and fractal patterns to simulate atmospheric disturbances from the perspective of a satellite. Kinzer’s interests lie in the self-similarity that occurs when fractal patterns are magnified; like when a grain of sand appears to have a similar contour as a coastline of a continent. He combines these ambiguous scales with digital effects and enhanced color manipulated on the computer. This magnified view of nature creates a sense of isolation; the computer turns satellite images into a world of fantasy and exaggeration. He hides the normal thickness and texture of paint and collaged roads under layers of mediums and varnish, resulting in a smooth finish that further separates the viewer from the painting’s surface.

Kinzer’s paintings draw from the tradition of American nineteenth century Luminist landscape painters who explored the sublime, the feeling of rapture and awe caused by the beauty and terror of nature. He employs Luminist techniques such as magnified scale, dramatic lighting, deep space, and precarious perspective to heighten the emotional key of his work. But while the Luminists sought out the sublime in nature, Kinzer locates the sublime in technology. He interprets the simulated atmospheric disturbances as technology gone awry, a world where catastrophe and beauty meet, where environmental changes are visualized, where technology has tragically isolated, subjugated and compromised nature, creating a fractal sublime.

Roy Kinzer received his Master’s in Fine Arts from Vermont College. He is a recent recipient of a Pollock-Krasner Foundation grant. He has shown widely throughout the United States, including solo exhibitions at The Sculpture Center, Long Island City, NY, the Montclair Art Museum, Montclair, NJ, and the J. Rosenthal Gallery in Chicago. His group exhibitions include Breathing Space, at Metaphor Contemporary Art in Brooklyn, What is the Connection? at Trans Hudson Gallery in New Jersey City, and Works On/Of Paper at Rutgers University. His work has been reviewed The New York Times, The Sunday Star Ledger, and the Village Voice.


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