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New York

Americas Society Gallery

Exhibition Detail
For Rent
680 Park Avenue (@ 68th St)
New York, NY 10065


May 15th, 2012 - July 28th, 2012
Opening: 
May 15th, 2012 7:00 PM - 9:00 PM
 
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© Courtesy of Americas Society Gallery
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WEBSITE:  
http://www.as-coa.org/visual-arts/exhibi...
NEIGHBORHOOD:  
upper east side
PHONE:  
212-249-8950
OPEN HOURS:  
Wednesday - Saturday 12-6 p.m.
TAGS:  
installation
> DESCRIPTION

Americas Society is proud to present the second installment in the For Rent series featuring artist Marc Latamie (b.1952) on view from May 15 to July 28, 2012. Devoted to midcareer artists from the Caribbean and Canada, For Rent is based on the concept of transferring the use and symbolic value of Americas Society’s art gallery to the artist for the development of an in-situ installation.
In his first solo exhibition in the United States, Marc Latamie reflects on the colonial trade and cultural exchange between Martinique and France. The artist explores the history of the >Caribbean through absinthe, a spirit that embodied the zeitgeist of French modern art from Henri Toulouse-Lautrec to Paul Cézanne and Pablo Picasso. For more than a century the spirit was a symbol of Parisian bohemia representing abandonment and decadence. First introduced in the late eighteenth century in Switzerland, absinthe later found great popularity in France and across Europe. It was believed to carry powerful addictive properties that effected one’s perception and behavior. France introduced Martinique to absinthe, an alcohol the island continued to produce despite France’s prohibition by 1915. As a result, Latamie grew up with absinthe regularly brewed in homes throughout Martinique, and recalls that as a child he would sniff the absinthe perfume kept in his grandmother’s cabinet.
Latamie divides the gallery into three spaces, with the centerpiece of the exhibition based on allegorical representation of an absinthe distillery. The artist departs from Marcel Duchamp’s The Bride Stripped Bare by her Bachelors, Even (1915-1923), also known as The Large Glass, as inspiration for the nine life-size “malic molds” that make-up his distillery. Duchamp coined the term “malic molds” to describe the abstract, mechanical shapes that depict the “bachelors” in his work. A strong absinthe aroma also emanates from Latamie’s installation, making the visitor’s senses an integral part of the experience. As the artist states, “the installation is a poetic >version of the versatile green essence…volatile and decadent of an unrealistic proposition.”
“Le Salon (de) Surprise” is dedicated to Lumina Sophie, also known as Surprise, Martinique’s forgotten national heroine who in 1870 helped lead a revolt against wealthy white plantation owners. For her role in the insurgence, Surprise was convicted of blasphemy and attempting to dominate men, dying in jail eight years later at the age of 31. The salon will present a selection of artworks by prominent French avant-garde artists such as Henri Matisse, Raoul Dufy and Man Ray who portrayed women from Martinique and Guadeloupe in their works, as well as Martinican landscapes by Andre Masson and Paul Gauguin.
In the final gallery space, inspired by the French bars, cafés, and cabarets where the indulgence of absinthe was rampant, Latamie created a lounge area using nineteenth and early twentieth century French furniture. Throughout the exhibition’s duration the lounge will be open for public interaction and leisure, as well absinthe tastings by invitation only. The installation will also feature a short film by Myrtha Richards-Marie-Joseph, who is 2012 made “L'Absinthe de Monsieur Gentil” (Mr. Gentil's Absinthe), which follows a man in Martinique as he distills absinthe in his home.

ABOUT THE ARTIST
New York-based artist Marc Latamie was born in 1952 in Martinique. He obtained his degree in Fine Art and Art History from University of Paris VIII and was Lecturer at the National Museum of Modern Art, Paris. He has exhibited his work in Europe, Africa, the United States, and the Caribbean. Latamie has participated in the biennales of São Paulo (1996), Johannesburg (1997), Havana (1997), Dakar (2000), Uppsala (2000), and Spoleto-USA (2002). Group exhibitions include Tempo at the Museum of Modern Art (2002), Island Thresholds, Contemporary Art from the Caribbean at the Peabody Essex Museum (2005), and Legacies: Contemporary Artists reflect on slavery at The New York Historical Society (2006), among many others.


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