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New York

Brooklyn Museum of Art

Exhibition Detail
1978–1982
200 Eastern Parkway
Brooklyn, NY 11238-6052


March 16th, 2012 - July 8th, 2012
Opening: 
March 16th, 2012 10:00 AM - 5:00 PM
 
Untitled, Keith HaringKeith Haring, Untitled,
1980, ink on orange paper, 36 x 35 1/2 in.
© Courtesy of Brooklyn Museum of Art
 Untitled, Keith HaringKeith Haring, Untitled,
1980, Sumi ink on Bristol board, 20 x 26 in. (50.8 x 66.0 cm)
© Courtesy of Brooklyn Museum of Art
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> QUICK FACTS
WEBSITE:  
http://www.brooklynmuseum.org
NEIGHBORHOOD:  
brooklyn
EMAIL:  
information@brooklynmuseum.org
PHONE:  
718-638-5000
OPEN HOURS:  
Wed - Fri 10-5; Sat & Sun 11-6; First Sat each month 11-11
TAGS:  
works on paper, video-art, objects
> DESCRIPTION

Keith Haring: 1978–1982 is the first large-scale exhibition to explore the early career of one of the best-known American artists of the twentieth century. Tracing the development of Haring’s extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.

The exhibition chronicles the period in Haring’s career from his arrival in New York City through the years when he started his studio practice and began making public and political art on the city streets. Immersing himself in New York’s downtown culture, he quickly became a fixture on the artistic scene, befriending other artists such as Jean-Michel Basquiat and Kenny Scharf, as well as many of the most innovative cultural figures of the period. The critical role that these relationships played in Haring’s development as a public artist and facilitator of group exhibitions and performances will also be explored. Pieces on view will include a number of very early works never before seen in public; seven video pieces, including Haring Paints Himself into a Corner (his first video piece) and Tribute to Gloria Vanderbilt; and collages created from cut-up fragments of his own writing, history textbooks, and newspapers.


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