We are thrilled to announce Katy Moran's first solo exhibition at
Andrea Rosen Gallery, and to welcome such a dedicated painter to the
gallery's program. For her exhibition, Moran will present new,
characteristically small yet riveting paintings.
Disarmingly eloquent in mood and evasive in subject, Moran's paintings
hover between abstraction and representation. While they appear to be
clearly abstract, they also have a powerful effect on the viewer to
seek out an image within the paint, whether that image is a reference
to an art historical moment or another source. They have a personal
quality that is evoked but never spelled out for us. Part of the
phenomena of Moran's work is that it sends us on a daunting search and often there is a deliberate tension between the work's
materiality and its subject. In truth, there is a core reason and that
is because Moran used images culled from; the internet, design
magazines and snapshots she has taken on the street as source
inspiration. Moran begins with an image and weaves it together with
other references to create an entirely new image/non-image. Content is
embedded within the layers of paint, disguising the subject and
releasing the paint from any attachment to the figurative. The end
result is neither planned nor is it forced. Even more fascinating is
that a work is finished only when Moran can herself identify a
figurative element in the paint: the shapes, composition, colors
together form a completed work. The paintings carry with them the aura of art history
as well the intensity of Moran's physical process of painting, a
process of reduction and abstraction that results in a state,
experience or sensation.
What liberates Moran and rivals the need for the figurative is her deep
dedication to the material itself: her commitment to the paint. She
works on canvases upside down, relying on the paint and on her
brushstroke to guide her through the process even allowing for
accidents to occur. Appearing almost as fragmented images as clues to some unknowable source, she seduces and at times frustrates the
viewer. Her paintings are constellations of personal references-titles
such as "Heathcliffe" and "Wasabi without Tears" simultaneously allude
to experiences and leave us with an intense desire to form a narrative.
So the paintings offer themselves up at the same time as resisting the
viewer. Ultimately, we are left to grapple with and thoroughly relish
in the formal construction of Moran's work.
Katy Moran was born in 1975 in Great Britain. She studied at the Royal College of Art, where she was part of the highly regarded
painting MA program. Her work is currently featured in "Strange
Solution" at Tate Britain, a group exhibition that will remain on view
through April 13th.