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New York

SVA Chelsea Gallery

Exhibition Detail
Between Picture and Viewer: The Image in Contemporary Painting
Curated by: Tom Huhn, Isabel Taube
601 West 26th Street
15th floor
New York, NY 10001


November 23rd, 2010 - December 22nd, 2010
Opening: 
December 2nd, 2010 6:00 PM - 8:00 PM
 
Alexander the Great, Max GimblettMax Gimblett, Alexander the Great,
2008-2009, Gesso, acrylic and vinyl polymers, epoxy, aqua size, palladium leaf on canvas, 80 x 80 inches
© Courtesy of the artist. Photograph by Tom Warren
Snowman, Lisa YuskavageLisa Yuskavage, Snowman,
2008, Oil on linen, 72 x 57 1/2 x 1 1/2 inches
© Courtesy of the artist and David Zwirner
Green Goddess I, Inka EssenhighInka Essenhigh, Green Goddess I,
2009, Oil on canvas, 60 x 78 inches
© Courtesy of 303 Gallery, New York
Untitled (Amalienburg #2) , Tiffany CalvertTiffany Calvert, Untitled (Amalienburg #2) ,
2010, Acrylic and oil on canvas, 60 x 48 inches
© Courtesy of the artist
Untitled, 3 Part Variation , Joanna Pousette-DartJoanna Pousette-Dart,
Untitled, 3 Part Variation ,
2010, Acrylic on canvas and wood panels, 68 1/2 x 125 inches
© Courtesy of the artist. Photograph by Kevin Noble.
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WEBSITE:  
http://www.sva.edu/about-sva/galleries/c...
NEIGHBORHOOD:  
chelsea
EMAIL:  
gallery@sva.edu
PHONE:  
212.592.2145
OPEN HOURS:  
Monday - Saturday 10am - 6pm
SCHOOL ASSOCIATION:  
SVA (School of Visual Arts New York)
TAGS:  
modern, figurative, abstract, conceptual, mixed-media
COST:  
Free and open to the public
> DESCRIPTION

School of Visual Arts (SVA) presents “Between Picture and Viewer: The Image in Contemporary Painting,” an exhibition of recent work by 19 established and emerging New York artists examining the relationship between contemporary painting and the notion of “the image” in today’s increasingly hyper-visual culture. Curated by Tom Huhn, chair of the BFA Visual and Critical Studies Department at SVA, and faculty member Isabel Taube, the exhibition is the result of a collaboration between Huhn, a philosopher, and Taube, an art historian. Rejecting the claim that the traditional image is now obsolete, Huhn and Taube point to a renewed interest and relevance in painting, one that makes a compelling argument for the materiality of art at the current moment, despite a preponderance of ephemeral and performance-based works in contemporary art practice.  Click here for more information.


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