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New York

Jason McCoy Gallery

Exhibition Detail
Black & White
41 East 57th Street
11th Floor
New York, NY 10022


July 27th, 2010 - October 1st, 2010
 
Number 99, Christopher DeetonChristopher Deeton, Number 99,
2006, Acrylic on canvas, 79 x 59 inches
© Courtesy of the artist and Jason McCoy Gallery, NY
Wounded Head, Grégoire MüllerGrégoire Müller, Wounded Head,
1993, Oil on canvas, 11 3/4 x 9 1/2 inches
© Courtesy of the artist and Jason McCoy Gallery, NY
Chapala Drawing 3, Charles PollockCharles Pollock, Chapala Drawing 3,
1956, Ink on Arches paper, 30 1/3 x 22 1/4 inches
© Courtesy of Jason McCoy Gallery, NY
Colors of Shadow C1020, Hiroshi SugimotoHiroshi Sugimoto, Colors of Shadow C1020,
2006, Pigment print, 53 1/8 x 41 3/4 inches
© Courtesy of Jason McCoy Gallery, NY
NYIMA 258, Annelies ŠtrbaAnnelies Štrba, NYIMA 258,
2005, Inkjet print on canvas, 49 1/4 x 73 2/3 inches
© Courtesy of the artist and Jason McCoy Gallery, NY
Semen and Milk, Bo JosephBo Joseph, Semen and Milk,
1997, Ink, gesso, tempera, acrylic, oil pastel and caran d'ache on paper mounted on canvas, 19 x 25 1/2 inches
© Courtesy of the artist and Jason McCoy Gallery, NY
L\'Ecroche, Gypsum, 1901-02, Constantin BrancusiConstantin Brancusi,
L'Ecroche, Gypsum, 1901-02,
1921, Vintage gelatin silver print, 14 1/2 x 10 1/16 inches
© Courtesy of Jason McCoy Gallery, NY
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> DESCRIPTION

Jason McCoy Gallery is pleased to present Black & White an exhibition exploring the concept of stark, formal and emotive contrasts in painting, sculpture and photography.

Often abbreviated as B/W or B&W, black-and-white as a visual description is somewhat of a misnomer as it can entail various shades of white, black and gray. In photography, the early works for example often contained a tint of sepia and in painting, various artists have repeatedly argued that black and white should be viewed as hues in their own right (rather than just as light and the absence of light).

No matter how fine the nuances within the B&W delineation might be from case to case, the works in this exhibition prove that a restricted palette does not make for a lack of expressive or emotional range. The concentration on a black-and-white palette can be formal, as is the case in a Calder black mobile or Sugimoto’s photograph Colors of Shadow C1020, or gestural, demonstrated by works on paper by Jackson Pollock, Franz Kline, David Smith, and Mark Toby for example. It can be employed as a meditation on light, such as in Robert Ryman’s Summary or Richard Pousette-Dart’s Hieroglyph White Garden or its absence, as shown in Maxwell Hendler’s black monochrome Orfeo.

B&W can allude to the clarity of communication, such as black text on white ground, the notion of timeless elegance, nostalgia, serenity, sobriety, the extremity of emotion, the color of skin, good and evil, night and day, past and future, life and death. As a term it implies a broad concept, as the inspiration for a thematic group show, it functions as an umbrella for diversity.

Artists featured in this exhibition include Constantin Brancusi, Alexander Calder, Christopher Deeton, Burgoyne Diller, Adolph Gottlieb, Maxwell Hendler, Rachel Hovnanian, Bo Joseph, Rosy Keyser, Frederick Kiesler, Franz Kline, Gregoire Muller, Masayuki Nagare, Charles Pollock, Jackson Pollock, Richard Pousette-Dart, Robert Ryman, David Smith, Leon Polk Smith, Annelies Strba, Hiroshi Sugimoto, Mark Tobey, Kara Walker, John Zurier.


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