BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:

Three Cups Fragrance is a pan- fired green tea with a dark green to silver-grey sheen. Named for its three unique infusions\, the initial brew is refreshing with a floral\, piney ar oma and melon and chestnut taste. The second brew introduces a honeyed swee tness with banana and soft vegetal notes\, green beans and artichoke. The t hird offers a rounded grassiness\, mushroom\, straw and increased seaweed o n the palette.

DTEND:20141221 DTSTAMP:20141126T214203 DTSTART:20141121 GEO:40.7135097;-73.9859414 LOCATION:Bodega\,167 Rivington St. Lower Level East\nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Three Cups Fragrance\, Elizabeth Atterbury\, Moyra Davey\, Lukas Ge ronimas\, Oto Gillen\, Tom Humphreys\, Kyle Thurman UID:365820 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141214 DTSTAMP:20141126T214203 DTSTART:20141101 GEO:40.7157124;-73.9877915 LOCATION:Ramiken Crucible\,389 Grand Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Solo Exhibition\, Kaari Upson UID:365819 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Regina Rex is very pleased to present a solo show of new paintings by Hannah Barrett. Rustics\, a suite of four large scale paintings\, sets androgynous and hermaphroditic figures in shallow and decoratively patterned landscapes. The title Ru stics conjures images of English landscapes from late 18th Century and early 19th Century paintings\, but Barrett is more interested in invented color and spatial relationships than naturalism. Her figures\, bedecked in resplendent if idiosyncratic attire\, unabashedly seek pleasure and leisure in pastoral settings. In turns ironic and ridiculous\, her abstracted and stylized subjects are engaged in image construction and self-display\, spor ting fur chaps\, breeches\, dirndl dress\, and frock coats\, analogizing th e construction of painting space with contemporary gender expressions. Barr ett&rsquo\;s use of detail arrests the viewer&rsquo\;s attention\, while he r humor provokes questions and laughter.

DTEND:20141221 DTSTAMP:20141126T214203 DTSTART:20141109 GEO:40.712977;-73.988876 LOCATION:Regina Rex\,221 Madison Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Rustics\, hannah barrett UID:365807 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Regina Rex presents Trioce ros\, a group exhibition of photos and video by Sascha Braunig\, Judy Chicago\, and Benny Merris. Using the body as surface and support\, these a rtists alter skin coloring and texture\, presenting images of faces\, hands and full bodies that speak directly to the mutability of the natural world . Judy Chicago and Benny Merris situate the body as an empathetic alien in romantic desert and mountainous landscapes\, while Braunig presents a video that morphs from classical portrait to cyborg. Striated patterned hands cu p frozen lakes\, fuchsia bodies walk amidst hallucinogenic smoke bombs\, sp irals and patterns overtake humanoid forms. Liberated from traditional form s\, this work conjures the magic of shamanistic rituals\, hallucinatory cat harsis\, and chameleonic body shifting.

DTEND:20141221 DTSTAMP:20141126T214203 DTSTART:20141109 GEO:40.712977;-73.988876 LOCATION:Regina Rex\,221 Madison Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Trioceros\, Sascha Braunig\, Judy Chicago\, Benny Merris UID:365806 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Like many other people\, Amy L ien and Enzo Camacho\, who have been collaborating for several years\, are based between two or more distant places\, meaning that whether they like i t or not\, they are separated from where they still think they might belong . This can be seen as the root cause of a productive form of anxiety\, or i t might also be a total waste of time. Either way\, certain emergent phenom ena can easily become magnified by an alienated imagination.

\n

The call centers mushrooming all over the sprawling urban fabric of Metro Manila have unleashed a dazzling chain of analogies. The artists have been perambulating around this industry and its issues si nce 2010\, when the Philippines superseded India as the leading nation in b usiness process outsourcing. The districts in Metro Manila where these comp anies have built their offices have taken on a distinct flavor of banality\ , swarmed by 24-hour eating and drinking establishments that cater to those working zombie shifts on Eastern Standard or some other Time. When enterin g the workplace\, the employees are stripped of their cell phones and enter into a predictable arrangement of fluorescent-lit hallways\, rooms\, \ ; and cubicles. When they dribble out of these buildings\, on a cigarette b reak or to buy a pack of gum or French fries\, they exude a particular teet h-chattery energy\, an upper high. This is what an upgrade in sovereign cre dit rating looks like at ground level. Being amongst thousands of youthful bodies milling around strip malls and back alleyways in the early morning h ours\, leaking nervous cigarette breath into the hot night air and chatteri ng idly before returning to work\, the two artists felt a vicarious buzz\, a fear of missing out.

\n

Did you hear a bout the call center sex tape? Or the notorious Telecommunications company BBQ transvestite beauty pageant talent show? Did they tell you how Filipino s have friendly voices but low critical problem solving abilities due to an over-eagerness to please and subsequently pretending to understand things that they actually don&rsquo\;t? That they gossip way too much? That they p refer being paid in bags of rice? In the Filipino comedy Call Center Gi rl\, a middle aged OFW (Overseas Filipino Worker) returns home from a career on a cruise ship and\, in order to redeem her relationship with her neglected adult daughter\, joins the same call center where she works\, and seduces their mutual team leader in order to pawn him off onto her. Distor tion makes the facts more titillating. Hidden cameras catch leaks at low re s.

\n

Is &ldquo\;internet savvy youth&rd quo\; an international concept? While the so called eighty-nine or digital natives databasing project aggregates consensus\, cheaply institutionalizin g its investments\, the call center phenomenon of the Philippines says this : There is an emergent population of young\, English-fluent\, technology-li terate\, newly solvent\, upbeat laborers who don&rsquo\;t feel the pressure to leave the country to support their families\, but internalize the West to meet its service expectations. The lurkers in the shadows\, Amy and Enzo are turned on by their heat.

\n

Returni ng to NY together for the first time since 2011\, scanning the city by nigh t\, their eyes were drawn\, in a sliding\, lenticular\, double recognition\ , to the most beautiful person they&rsquo\;d ever encountered\, who recipro cated the gaze\, and immediately became a fixation. Fluorescent lighting ma de his complexion luminous. He worked for a vanguard fashion/social media p latform\, but also for himself\, and cultivated an attitude accordingly. He would soon begin monopolizing their nights and seeping into their early mo rning dreams\, with conversations drenched in whiskey and hot pot\, reverbe rating dramatic nights out in Manila but refracted through the patois of ed gy NY youth marketing. This is a love that gets ditched at the Thai restaur ant because he left the proverbial stove on. This is a love that demands to remain an unrequited fantasy\, triangulated to maintain its momentum\, to burn in perpetuity.

\n

This is a show de dicated to those subjects that pour out into the night\, to seek love in wo rk in wasting time in race/class/gender/globalization.

\n

Amy Lien (b. 1987) &\; Enzo Camacho (b. 1985) are collaborating artists. They have staged recent solo exhibitions at Mathew G allery (Berlin\, Germany)\, MoSpace (Taguig\, Philippines)\, Pablo Fort (Ta guig\, Philippines) and Republikha Art Gallery\, (Quezon City\, Philippines ). They will participate in a six month residency as artists/curators at Gl uck 50 (Milan\, Italy) starting in January 2015. This is their second solo exhibition at 47 Canal.

DTEND:20141221 DTSTAMP:20141126T214203 DTSTART:20141108 GEO:40.7174289;-73.9921681 LOCATION:47 Canal\,291 Grand Street 2nd floor\nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Leak Light Time Heat\, Amy Lien\, Enzo Camacho UID:365805 END:VEVENT BEGIN:VEVENT DESCRIPTION:

This exhibition\, Matt Connoll y&rsquo\;s first solo presentation in New York\, comprises two new large fo rmat paintings\, a large ink drawing with collage\, and a spatial intervent ion in the basement gallery at Essex Flowers. The paintings\, Stamps 1< /em> and 3 begin with hand-built\, steel-reinforced MDF panels to which layer after layer of acrylic paint in an array of colors and tones ar e applied with a roller\, and later sanded down. Impressions made with a ha mmer and nail dipped in paint at intervals create an interference pattern\, a manual moiré\;. Spidery disruptions in the works&rsquo\; surfaces are the result of rogue feathers cast off from the feather factory situated directly below the artist&rsquo\;s studio in Westlake\, Los Angeles. The r esult is a dense\, textured palimpsest: haptic and optic\, markedly flat wh ile evocative of depth\, and visually unstable\, varying with any given van tage. Pattern is similarly defined and dissolved in the ink drawing\, S tamps 2\, within its own expanse and the elements of an off-register c ollage. An irregular wall of the gallery has been selected and coated with a textured pale yellow paint for the run of the exhibition. Stamp is of cou rse both a noun and a verb. In this context it is a physical action and a t emporal index\, a tool and its effects\, a mark and its impact\, to impress and an impression.

Did you hear the one about the unstamped letter?
You wouldn&rsquo\;t get it.


Matt Connol ly\, born 1985 and based in Los Angeles\, has had solo exhibitions at Night Gallery\, Los Angeles (2013) and CCA\, San Francisco (2011\, curated by Am anda Hunt). Night Gallery published a collection of his writing\, entitled POLLONY'S in 2013. Connolly opened his first public art commission at Equitable Vitrines\, Los Angeles in September 2014.

Essex Flowers is a full service storefront flower shop located at 365 Grand St at the corner of Essex in New York's Lower East Side. It contains cooperative ly organized spaces for art and other interests for the shop's guests.

DTEND:20150104 DTSTAMP:20141126T214203 DTSTART:20141121 GEO:40.716406;-73.9887986 LOCATION:Essex Flowers\,365 Grand St. \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Stamps\, MATT CONNOLLY UID:365800 END:VEVENT BEGIN:VEVENT DESCRIPTION:

City Museum Unveils Ov er 20 Rarely Seen Personal Letters from Thomas Jefferson to Renowned New Yo rker Robert R. Livingston

\n

New York\, NY (October 30\, 2014): For the first time\, the Museum of the City of New York will put on public view mor e than 20 original letters from Thomas Jefferson to Robert R. Livingston\, who served as Chancellor of the State of New York and whom Jefferson appoin ted resident minister at the court of Napoleon. The personal letters\, whic h span from 1800 &ndash\; 1803 and have been part of the City Museum&rsquo\ ;s collection since 1947\, will be on public display Thursday\, October 30 &ndash\; Friday\, December 5\, 2014.

\n

In these fascinating documents\, Jefferson writes about a number of remarka ble and historically important topics\, including: the Louisiana Purchase\, the Napoleonic Wars\, early debates over the Constitution\, the unearthing of a buried mammoth skeleton in upstate New York\, the technical details o f the first steam engine\, the development of new codes for delivering secr et messages to American diplomats living overseas\, and much more.

\n

&ldquo\;History comes alive in these letters\ , which are written in a conversational\, direct tone &ndash\; and in Jeffe rson&rsquo\;s own elegant hand to one of our most famous New Yorkers\,&rdqu o\; said Susan Henshaw Jones\, Ronay Menschel Director of the Museum of the City of New York. &ldquo\;We are thrilled to showcase these rare letters f or the first time and reveal to the public Jefferson&rsquo\;s wider legacy as inventor\, amateur biologist\, tinkering engineer\, a cryptologist\, and an all-around collector of knowledge.&rdquo\;

\n

Highlights include:

\n

• December 14\, 1801: Jefferson inquires about the unearthing of a buried mammoth skeleton in upstate New York and asks if there&rsquo\;s an y way he can acquire a sample &ndash\; &ldquo\;If they are to be bought\, I will gladly pay for them.&rdquo\;

\n

• September 9\, 1801: Jefferson advises Livingston to do his best to maintain US neutrality as Napoleon and Great Britain head to war.< /p>\n

• April 18\, 1802: J efferson suggests a secret encryption system for the two men to use when tr ansmitting sensitive messages.

\n

• February 3\, 1803: Reacting to France&rsquo\;s closing the por t of New Orleans to American shipping\, which had thrown the entire contine nt into disarray\, Jefferson asks Livingston to consider options for buying New Orleans. Soon after\, Napoleon would offer not just New Orleans but th e entire Louisiana Territory for sale\, thereby doubling the size of the Un ited States.

\n

• November 4\, 1 803: Jefferson reports that Jerome Bonaparte\, Napoleon&rsquo\;s b rother\, has married a charming 18-year-old Baltimore woman. He worries tha t Napoleon might not approve and advises Livingston to tread lightly so lon g as the Louisiana deal remains \; unsettled.

\n

In 1947\, Goodhue Livingston (descendent of Robert R. Livingst on) donated to the City Museum more than 300 documents dating from 1719 to the 1820s that had passed down through his family. While most dealt with th e commercial and real estate dealings of the Livingston family\, more than 20 letters from Thomas Jefferson.

DTEND:20150106 DTSTAMP:20141126T214203 DTSTART:20141030 GEO:40.792495;-73.951905 LOCATION:Museum of the City of New York\,1220 Fifth Avenue \nNew York\, NY 10029 SEQUENCE:0 SUMMARY:The Jefferson Letters UID:365702 END:VEVENT BEGIN:VEVENT DESCRIPTION:
\n
\n

The first color video artworks in Australia were made in 1970. By 1974\, Sony Portap ak video cameras were widely available to artists. Early uses by artists in cluded documenting performances and actions\, as well as emulating the look and feel of television\, narrative cinema\, and more experimental filmmaki ng. Exploration of the specific properties of video itself quickly develope d\, and a true video art scene began to flourish. With the advent of digita l media\, the number of artists who use moving images as their primary medi um has increased rapidly.

\n

The field o f video art in Australia is extensive and heterogeneous. I have selected wo rks that address the broad themes of the Sights and Sounds project: home an d family are important\, as are ideas of place\, though these concepts are in some cases explored from the perspective of those who are displaced or l iving in a kind of exile within Australia. The renewed global interest in p erformance art is also reflected in Australian practice\, and video art&rsq uo\;s intimate links with performance and documentation bring it back to wh ere it began some forty years ago.

\n

Wa yne Tunnicliffe
Curator

\n
\n
DTEND:20141225 DTSTAMP:20141126T214203 DTSTART:20141128 GEO:40.7853715;-73.9575818 LOCATION:The Jewish Museum\,1109 Fifth Avenue (at 92nd Street) \nNew York\, NY 10128 SEQUENCE:0 SUMMARY:Sights and Sounds: Australia\, Daniel Crooks\, Richard Bell\, Angel ica Mesiti\, Susan Norrie UID:365700 END:VEVENT BEGIN:VEVENT DTEND:20141128T174500 DTSTAMP:20141126T214203 DTSTART:20141128T110000 GEO:40.7853715;-73.9575818 LOCATION:The Jewish Museum\,1109 Fifth Avenue (at 92nd Street) \nNew York\, NY 10128 SEQUENCE:0 SUMMARY:Sights and Sounds: Australia\, Richard Bell\, Daniel Crooks\, Angel ica Mesiti\, Susan Norrie UID:365701 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150104 DTSTAMP:20141126T214203 DTSTART:20141123 GEO:40.63651;-74.912151 LOCATION:Hunterdon Art Museum\,7 Lower Center Street \nClinton\, NJ 08809-1 303 SEQUENCE:0 SUMMARY:A Journey to DISREGARD\, Yevette Hendler UID:365698 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Now in its 23rd year\, the Stu dent Arts Festival celebrates the young artists of our region and salutes t heir devoted art instructors\, school administrators\, and families who nur ture their creative pursuits. Each year\, schools from Bridgehampton to Mon tauk participate in our two inspiring student \;exhibitions. The museum features more than 3\,500 works of student art that covers the gallery wal ls floor to ceiling salon-style. Part I of the exhibition features the work s of students in pre-school\, elementary and middle schools\, and Part II f eatures the work of our talented high school students.

DTEND:20150222 DTSTAMP:20141126T214203 DTSTART:20150117 GEO:40.957854;-72.190107 LOCATION:Guild Hall\,158 Main Street \nEast Hampton\, NY 11937 SEQUENCE:0 SUMMARY:Student Arts Festival Part I\, Grades K-8 UID:365696 END:VEVENT BEGIN:VEVENT DTEND:20150117T160000 DTSTAMP:20141126T214203 DTSTART:20150117T140000 GEO:40.957854;-72.190107 LOCATION:Guild Hall\,158 Main Street \nEast Hampton\, NY 11937 SEQUENCE:0 SUMMARY:Student Arts Festival Part I\, Grades K-8 UID:365697 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Regine Basha is a curator and writer. From 2002 to 2007\, Basha was adjunct curator of Arthouse in Austin \, Texas\, and produced projects with artists Daniel Bozhkov and Dario Robl eto. Recently\, she curated the exhibitions Marfa Sessions at Ball room Marfa\, Texas (2008)\; An Exchange with Sol LeWitt at Cabinet \, Brooklyn\, and Mass Moca\, Williamstown\, Massachusetts (2011)\; and Mark of the Feminine at Contemporary Arts Center\, New Orleans (2014) . She is founder of Basha Projects\, which serves as a virtual compendium o f exhibitions\, critical essays\, as well as the web video channel RESIDENT : HOST. She holds a MA in Curatorial Studies from Bard College. She lives i n Brooklyn.

DTEND:20141213T150000 DTSTAMP:20141126T214203 DTSTART:20141213T140000 GEO:41.5075067;-73.9807239 LOCATION:Dia:Beacon\, Riggio Galleries\,3 Beekman Street \nBeacon\, NY 1250 8 SEQUENCE:0 SUMMARY:Regine Basha on Sol LeWitt: Gallery Talks UID:365695 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Artists on Artists Lecture Ser ies

\n

Established in 2001\, this series highlights the work of contemporary artists from the perspective of their colleagues and peers\, and focuses on artists in Dia's collection and exhib ition programs. Lectures take place at Dia's 535 West 22nd Street\, 5th flo or between 10th and 11th Avenues in New York City.

\n

Sam Lewitt was born in Los Angeles\, California\, in 1981. Hi s recent solo exhibitions include International Corrosion Fatigue\ , at Galerie Buchholz\, Cologne (2013)\; Verbrannte Erde: Second Salvag e\, Leopold-Hosch Museum\, Dü\;ren (2014)\; as well as an upcoming solo exhibition at CCA Wattis Institute for Contemporary Art\, San Francis co in 2015. Lewitt was also included in the Whitney Biennial\, at the Whitn ey Museum of American Art\, New York (2012). He lives and works in New York .

DTEND:20141216T193000 DTSTAMP:20141126T214203 DTSTART:20141216T183000 GEO:40.7472381;-74.0051301 LOCATION:Dia Art Foundation\,535 W. 22nd Street \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Sam Lewitt on Hanne Darboven: Artists on Artists Lecture Series\, S am Lewitt UID:365694 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Dia&rsquo\;s monthly Readings in Contemporary Poetry series\, curated by poet and author Vincent Katz\, h ighlights commonalities between poets and puts their diverse voices in conv ersation with one another. Readings take place at Dia:Chelsea\, 535 West 22 nd Street\, 5th Floor\, in New York City.

\n

Paul Auster

\n
Paul Auster&rsquo\;s recent publications include the autobiographical works Report from the Interior (2013) and Winter Journal (2012)\, and the novel Sunset Park (2 010). His books have been translated into more than forty languages.
\ n

\n

Facing the Music\n\n

\n

Siri Hustvedt

\n\n

\n

An Excerpt from Nine Boxes for Joseph Cornell

\n
9. They whisper\,
Like those who see the dead in the same room:
Outlining the un iverse in a coffin.
It is strange to think that infinity has six side s.
Heaven is this cage of the cosmos\,
Reduced to the minute an d the placid\,
Our reticulum visible in January\,
Ten tiny ligh ts on an oak lid\,
Shining like glass where the world sleeps
In a cat's eye.
DTEND:20141202T193000 DTSTAMP:20141126T214203 DTSTART:20141202T183000 GEO:40.7472381;-74.0051301 LOCATION:Dia Art Foundation\,535 W. 22nd Street \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Readings in Contemporary Poetry: Paul Auster and Siri Hustvedt UID:365693 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Presenting a selection of piec es from the The Graphic Canon of Children's Literature\, written by Russ Ki ck and published by Seven Stories Press.  \;

\n
In this follow-up volume to the lauded Graphic Canon series\, master anthologist Russ Kick shows adults everywhere that great children's literature is great literature\, period. And that it's not just for childr en.
\n
 \;
\n
\n

The original three-volume anthology The Graph ic Canon presented the world's classic literature--from ancient times to the late twentieth century--as eye-popping comics\, illustrations\, and other visual forms. In this follow-up volume\, young people's literature th rough the ages is given new life by the best comics artists and illustrator s. Fairy tales\, fables\, fantastical adventures\, young adult novels\, swa shbuckling yarns\, your favorite stories from childhood and your teenage ye ars . . . they're all here\, in all their original complexity and strangene ss\, before they were censored or sanitized.

\n

 \;

\n

On display in the sec ond floor MoCCA Gallery.

\n

 \;

\ n

An Opening Reception and Awards C eremony will take place on Friday\, November 7th\, beginning at 7:00 PM. &n bsp\;Wine and light refreshments will be served.

\n

& nbsp\;

\n

The Push and K ick Awards for Excellence in the World of Graphic Books

\n

honoring the works of Lynda Barry\, R. S ikoryak\, and Hillary Chute

\n

 \;

\n

Sponsored by the Society of Illustrators and Publishers Week ly.

\n
\n

 \;

DTEND:20141220 DTSTAMP:20141126T214203 DTSTART:20141104 GEO:40.764789;-73.966889 LOCATION:Society of Illustrators\,128 East 63rd Street \nNew York\, NY 1002 1 SEQUENCE:0 SUMMARY:The Graphic Canon of Children's Literature UID:365634 END:VEVENT BEGIN:VEVENT DESCRIPTION:

A \;Selection of w ork from the Museum of American Illustration at the Society of Illustrators on display at the Art Directors Club (106 West. 29th Street\, New York\, N Y 10001).

\n

A page\, a poster\ , a billboard\, a screen. They all begin as blanks until content fills them . The meaning of the content and its reach depend on display. On form\, col or and space. All in the service of meaning. How well this is accomplished is due to the skill of art directors and their collaborators. The art direc tor chooses whom to take to the dance&mdash\;if the partners are well match ed\, who leads hardly matters.

By choosing the right partner\, a great art director matches the best talent to the content and the space. T he best image entrapped in a poor layout is diminished. The best layout can rarely overcome a poor image. When working well together\, designer and ar tist make the experience complete.

The best art directors know w hen to leave well enough alone. The best illustrators bring not only craft\ , but also great ideas to the table. The best art directors give artists th e freedom to run\, and can\, if need be\, rethink a solution around an imag e that sparks the imagination.

A great art director knows\, abov e all\, the totality of the space. Knows how all elements interact with the imagery\, not only through appropriate typefaces\, but the way copy blocks \, headlines\, margins and edges are engaged in a dance with the artwork. A great illustrator can weave within the layout\, or can initiate that inter action for the art director. All to entice\, capture and keep an audience&r squo\;s attention.

All these works were created not as standalon e entities\, but to fit within a total dictated by boundaries and intended meaning. All are images made through partnerships with the mutual desire to entice\, capture and keep an audience&rsquo\;s attention.

DTEND:20141219 DTSTAMP:20141126T214203 DTSTART:20141105 GEO:40.764789;-73.966889 LOCATION:Society of Illustrators\,128 East 63rd Street \nNew York\, NY 1002 1 SEQUENCE:0 SUMMARY:A Purposeful Partnership: Art Directors and Illustrators UID:365633 END:VEVENT BEGIN:VEVENT DESCRIPTION:
The first of the two-part an nual exhibition \;Illustrators 57 \;will be held at the Mu seum of American Illustration at the Society of Illustrators January 7 to J anuary 30\, 2015. The exhibit features works by leading contemporary illust rators worldwide\, selected by a prestigious jury of professionals. \;< /div>\n


The first exhibit includes works in the categories of Institutional\, Advertising\, and Uncommissioned.

Institutional illustration includes work appearing o n merchandise\, announcements\, annual reports\, calendars\, corporate proj ects\, government service projects\, greeting cards\, newsletters\, in-hous e publications\, philatelic work and collectibles. \; Gold medals are a warded to Serge Bloch \;for "Posters for the 2014-2015 season" \;(for the \;Thé\;â\;tre Gé\;rar d Philipe\, Paris)\, \;Nicolas Delort \;for It 's the Great Charlie Brown \;(Client: Dark Hall Mansion)\, and Tatsuro Kiuchi \;for Please \;(AD: Katie Bur k\, Client: National Public Radio)\, and Red Nose Studio f or his animation Holding Polluter Accountable (Client: GreenLaw). Silver medals go to Ofra Amit \;for Outside Over T here \;(AD: Kobi Ben Meir\, Client: The Israel Museum\, Jerusalem) and Brian Stauffer \;for Ambition \;(AD: Kit Hinrichs\, Client: Kroll Foundation\, Studio Hinrichs).

Advertising illustration includes work for ad vertisements appearing in newspapers\, magazines or on television\; video a nd CD covers\; brochures\, fashion\, point-of-purchase and packaging illust ration\; movie and theater posters. \; Gold medals are awarded to \ ;Jonathan Bar tlett \;for \;Denim + Supply \;(AD: Amir Mohammady\, Client: Ralph Lauren)\, Bartosz Kosowski \;for Lolita\, and David Plunkert \;for Baltimore Theatre Project& nbsp\;(for Baltimore Theatre Project). \; Silver medals go to \;Susan Farrington  \;for \;Robots \;(AD: Amy Hausmann\, Client: MTA Arts &\; Desi gn)\, Philip Giordano \;for \;Playtime \;(AD: Marie Czapsk a\, Client: Playtime)\, and Leslie Herman \;for \; The Orwells \ ;(AD: The Orwells\, Client: Lincoln Hall). \;

Uncommissioned pieces include all self-generated wo rk. \; Gold medals are awarded to John Cuneo \;for Killed Sex Sketches\, Bill Mayer \;for \ ;Le Nouveau Chape au de Marie\, and Kadir Nelson \;for Morning Post . \; Silver medals are awarded to Steven Darden&n bsp\;for Wizards\, Keith Negley for Hope Chest\, \;&n bsp\;Bill Plympton for his animation Footprints\, and \;Dadu Shin& nbsp\;for \;C an't Sleep. \; \;

The \;Illustr ators 57&nbs p\;will now be exhibited throughout the entire building\, including the 3rd floor Hall of Fame Gallery. \; An \;Opening Reception \;for Instit utional\, Advertising\, and Uncommissioned Categories will be held on Friday\, January 9 th.

DTEND:20150131 DTSTAMP:20141126T214203 DTSTART:20150107 GEO:40.764789;-73.966889 LOCATION:Society of Illustrators\,128 East 63rd Street \nNew York\, NY 1002 1 SEQUENCE:0 SUMMARY:Illustrators 57- Advertising\, Institutional\, Uncommissioned Categ ories\, Serge Bloch\, Nicolas Delort\, Tatsuro Kiuchi\, Red Nose Studio\, O fra Amit\, Brian Stauffer\, Jonathan Bartlett\, Bartosz Kosowski\, David Pl unkert\, Susan Farrington\, Philip Giordano\, Leslie Herman\, John Cuneo\, Bill Mayer\, Steven Darden\, Dadu Shin UID:365631 END:VEVENT BEGIN:VEVENT DTEND:20150109T200000 DTSTAMP:20141126T214203 DTSTART:20150109T180000 GEO:40.764789;-73.966889 LOCATION:Society of Illustrators\,128 East 63rd Street \nNew York\, NY 1002 1 SEQUENCE:0 SUMMARY:Illustrators 57- Advertising\, Institutional\, Uncommissioned Categ ories\, Ofra Amit\, Jonathan Bartlett\, Serge Bloch\, John Cuneo\, Steven D arden\, Nicolas Delort\, Susan Farrington\, Philip Giordano\, Leslie Herman \, Tatsuro Kiuchi\, Bartosz Kosowski\, Bill Mayer\, David Plunkert\, Dadu S hin\, Brian Stauffer\, Red Nose Studio UID:365632 END:VEVENT END:VCALENDAR