BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:

For Immediate Release

Media Contact: \;
Name: Tracy Causey-Jeffery
Title Owner + Director\, Causey Contemporar y
Contact: 917-328 3140
/tracy@causeycontemporary.com

Curious R emnants Opens Fall Season at Causey Contemporary
Impermanence as Focus for York's Second Solo Exhibition With the Gallery \;

Manha ttan\, November\, NY 2014- Causey Contemporary is pleased to announce their spring exhibition season will launch with Curious Remnants. Marking artist \, Zane York's second solo show with the gallery\, the exhibition will open on November 13 2014. An artist's reception will be held on November 13th f rom 6 - 8 pm. The exhibition will run through December 14\, 2014.

Curious Remnants will feature Zane's intricate oil on canvas\, oil sketch es on paper and charcoal drawings. Each strives to capture a fleeting movem ent in time and space\, saving it from impermanence and incompleteness. Yor k believes that painters make precarious records of even less tenable notio ns\; an attempt to organize and account for the experiences that they found so necessary to transcribe: objects\, feelings\, suspenses\, interludes\, and visions. The paintings stand as reminders of what has been gained and w hat would otherwise become lost.

About Zane York

Zane York was born in Fremont\, Nebraska and was raised all over the Midwest. F rom an artistic family\, he began drawing at an early age\; his focus and p assion quickly became evident. He spent hours drawing and learning anatomy in pursuit of illustrating comic books - a goal wisely abandoned. York rece ived his B.F.A. in Drawing\, Painting\, and Sculpture from the University o f Wisconsin Oshkosh and his M.F.A. in Painting from the New York Academy of Art\, graduating with honors from both institutions. He moved out to Brook lyn in 2001 and maintains his studio in the Maspeth neighborhood of Queens. He is represented by Causey Contemporary and AKArt in New York. He has sho wn in New York\, St. Barthelemy\, France\, and throughout the Midwest. He w as asked to lecture in correlation with his recent exhibition Wunderkammer at Ripon College. \;

For more information on York\, his pain tings or the Curious Remnants exhibition opening this March at Causey Conte mporary\, contact Director\, Tracy Causey-Jeffery at 917-328-3140 or via em ail attracy@ca useycontemporary.com. or Amy Kisch founder + CEO of AKArt Advisory at 6 46-580-6626 or via email at \;amy@akart.com \;

DTEND:20141214 DTSTAMP:20141122T003331 DTSTART:20141113 GEO:40.7155483;-73.9917538 LOCATION:Causey Contemporary\,29 Orchard Street Lower East Side\nManhattan\ , NY 10002 SEQUENCE:0 SUMMARY:Curious Remnants\, Zane York UID:365375 END:VEVENT BEGIN:VEVENT DTEND:20141113T200000 DTSTAMP:20141122T003331 DTSTART:20141113T180000 GEO:40.7155483;-73.9917538 LOCATION:Causey Contemporary\,29 Orchard Street Lower East Side\nManhattan\ , NY 10002 SEQUENCE:0 SUMMARY:Curious Remnants\, Zane York UID:365376 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Dates of exhibition: August 22-October18\, 2015

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Dead line for proposals: January 15\, 2015

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More information:&nbs p\; www.edwardhopperhouse.org/exhibiting

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Edward Hopper Hou se is seeking proposals from artists whose work embodies themes relating to &ldquo\;Domesticity.&rdquo\; \; Domesticity is defined as life inside a home and the activities of the family or of the people who share the home . Home is the emotional center of our existence in a somewhat fragmented so ciety. \; Historically\, the events that take place within these spaces have been subject matter for artists\, expressing the social themes that i mpacted their daily lives. Nineteenth Century American artists produced sen timental visions of life portraying the idyllic family. In contrast\, conte mporary artists&rsquo\; depictions of everyday life are complex reflections of house and home. For more information and guidelines\, go to ww. edwardhopperhouse.org/exhibiting.

DTEND:20150115 DTSTAMP:20141122T003331 DTSTART:20141120 GEO:41.093285;-73.918106 LOCATION:Edward Hopper House Art Center\,82 North Broadway \nNyack\, NY 109 60 SEQUENCE:0 SUMMARY:Call for Artists for the upcoming exhibition Behind Doors and Throu gh Windows: Reflections on Contemporary Domestic Life!\, YOU UID:365237 END:VEVENT BEGIN:VEVENT DTEND:20141120T200000 DTSTAMP:20141122T003331 DTSTART:20141120T180000 GEO:41.093285;-73.918106 LOCATION:Edward Hopper House Art Center\,82 North Broadway \nNyack\, NY 109 60 SEQUENCE:0 SUMMARY:Call for Artists for the upcoming exhibition Behind Doors and Throu gh Windows: Reflections on Contemporary Domestic Life!\, YOU UID:365238 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Ongoing in the Sanborn Gallery

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Earl y drawings and paintings\, created while Hopper was living in the Nyack hom e\, together with memorabilia\, including model boats made by Hopper\, pain t boxes\, and an easel\, are presented on an ongoing basis.Also on view are a series of Christmas cards and notes that Edward Hopper illustrated and s ent to family and friends. \; \;

DTEND:20150104 DTSTAMP:20141122T003331 DTSTART:20141120 GEO:41.093285;-73.918106 LOCATION:Edward Hopper House Art Center\,82 North Broadway \nNyack\, NY 109 60 SEQUENCE:0 SUMMARY:Edward Hopper in Nyack - Memorabilia\, Early Works\, & Christmas C ards by Edward Hopper\, Edward Hopper UID:365236 END:VEVENT BEGIN:VEVENT DESCRIPTION:


Magnan Metz Gallery is pleased to present Ariana Page Russell's fourth solo show with the gallery. The exhibition will further ex pand upon her examination of body and language. A transformative dialog exp erienced through photography\, sculpture and performance.

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 \; DTEND:20150117 DTSTAMP:20141122T003331 DTSTART:20141212 GEO:40.7501407;-74.0038067 LOCATION:Magnan Metz Gallery\,521 W 26th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Broad Channels\, Ariana Page Russell UID:365119 END:VEVENT BEGIN:VEVENT DTEND:20141211T200000 DTSTAMP:20141122T003331 DTSTART:20141211T180000 GEO:40.7501407;-74.0038067 LOCATION:Magnan Metz Gallery\,521 W 26th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Broad Channels\, Ariana Page Russell UID:365120 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150110 DTSTAMP:20141122T003331 DTSTART:20141106 GEO:40.7500504;-74.0043122 LOCATION:Rick Wester Fine Art\,526 West 26th Street Suite 417\nNew York\, N Y 10001 SEQUENCE:0 SUMMARY:It's Not You\, Allison L. Wade UID:365032 END:VEVENT BEGIN:VEVENT DTEND:20141106T200000 DTSTAMP:20141122T003331 DTSTART:20141106T180000 GEO:40.7500504;-74.0043122 LOCATION:Rick Wester Fine Art\,526 West 26th Street Suite 417\nNew York\, N Y 10001 SEQUENCE:0 SUMMARY:It's Not You\, Allison L. Wade UID:365033 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Higher Pictures is pleased to announce an exhibition of new work by Letha Wilson. This is the artist&rsqu o\;s second solo exhibition at the gallery.

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Letha Wilson&rsquo\;s composites of photographic prints\, concrete a nd steel explore how the well-worn tradition of landscape photography might take on new\, more urgent meaning. Sculptural interventions onto\, into an d through the picture plane wrench the photographs out of conventional role s as image-artifacts and thrust them into the space and stuff of the here a nd now.

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Here\, Wilson presents her la rgest concrete wall sculptures to date. She cuts\, tears and shapes her pho tographs\, pushing and pulling the prints into place\, and then encases por tions of the composition in cement. The resulting works are dense and impos ing\, standing nearly five feet tall. In one piece\, some fifteen unique c- prints of lush forest ferns in Hawaii alternate with layers of raw concrete and irregular bands of images made through direct emulsion transfer. In an other\, a large-scale\, double-sided print of a Headlands landscape slices through the wall\, piercing the barrier between two rooms. Natural forms an d man-made materials oscillate between figure and ground. Alternately objec t\, representation and copy\, they are physically and forcibly entangled.\n

Letha Wilson was born in 1976 in Honol ulu\, Hawaii and raised in Greeley\, Colorado. She holds a BFA from Syracus e University and an MFA from Hunter College. Wilson&rsquo\;s work has been exhibited widely\, most recently in the institutional group exhibitions Ad Infinitum at the Katzen Art Center in Washington\, DC\, What I s a Photograph? at the International Center of Photography and in the solo presentation Monuments and Landmarks at Art in General in New York. Wilson lives and works in Brooklyn.

DTEND:20141220 DTSTAMP:20141122T003331 DTSTART:20141120 GEO:40.774761;-73.963265 LOCATION:Higher Pictures\,980 Madison Avenue \nNew York\, New York 10075 SEQUENCE:0 SUMMARY:Solo Exhibition\, Letha Wilson UID:364978 END:VEVENT BEGIN:VEVENT DTEND:20141120T200000 DTSTAMP:20141122T003331 DTSTART:20141120T180000 GEO:40.774761;-73.963265 LOCATION:Higher Pictures\,980 Madison Avenue \nNew York\, New York 10075 SEQUENCE:0 SUMMARY:Solo Exhibition\, Letha Wilson UID:364979 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Fredericks &\; Frei ser is pleased to announce an exhibition of new paintings by Steve Gianakos. Since the early 1970s\, Gianakos has been taunt ing and reddening the cheeks of his viewers with perversions that can throw any Freud lover into analytic shock. Dismantling its veracity with a smirk or a shaking of the head\, Gianakos' work grants us a collective purging t hat is curiously humorous. Coupled with crisp lines that evoke minimalism's simplicity\, Gianakos conflates formalist rigor with mind-bending vulgarit y.

Appropriating the iconic style of 1950s children's books\, G ianakos' characters assume a basic innocence that belies their hyperbolic a ctions. Violence and sexual impulse are at once portrayed as inherent as th ey are grossly twisted. Working with only stark black lines\, Gianakos deli vers his punch straight up. His geometric inter-framing both leads the eye into the scene while also disorienting it. Harnessing the grotesque both fo rmally and contextually\, Gianakos finds a way to astonishingly marry the t wo.

About the Artist
Steve Gianakos
was born in New York City in 1938. He has been the subject of numerous one-per son exhibitions. His work is currently included in Disturbing Innocence curated by Eric Fischl at FLAG Art Foundation\, NY\, and 12 Inch curated by Chuck Webster at One River\, Englewood\, NJ. He has also be en included in group exhibitions at Museum of Modern Art\, NY\, Bonnefanten museum\, Maastricht\, Netherlands\, Brooklyn Museum\, NY\; and the Wexner C enter for the Arts\, OH. His work is represented in the collections of the Brooklyn Museum\, NY\; Whitney Museum of American Art\; NY\; The New School for Social Research\, NY\; Solomon R. Guggenheim Museum\, NY\; and The Mus eum of Modern Art\, NY. This will be the artist's seventh solo show with Fr edericks &\; Freiser.

DTEND:20141220 DTSTAMP:20141122T003331 DTSTART:20141113 GEO:40.7490583;-74.0055472 LOCATION:Fredericks & Freiser\,536 W 24th St. \nNew York\, NY SEQUENCE:0 SUMMARY:Accessories and Other Girlie Desires\, Steve Gianakos UID:364977 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141228 DTSTAMP:20141122T003331 DTSTART:20141114 GEO:40.7074358;-73.9326964 LOCATION:C L E A R I N G Brookyln\,396 Johnson Avenue \nBrooklyn\, NY 11237 SEQUENCE:0 SUMMARY:New Works\, Ryan Foerster UID:364976 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Benrubi Gallery is pleased to present\, The Weight of Knowledge\, a solo exhibi tion by Simon Brown.The exhibition will open on Thursday\, November 20 and will be on view through Saturday\, December 20. The Weight of Knowl edge will be Simon Brown's first solo show at the gallery.
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The photographs of books in \;Simon Brown's new show\, The Weight of Knowledge\, lend an unexpected materiality to language\, th at most insubstantial of cultural endeavors. The books in these images are tattered\, misshapen\, spotted with mold. Bindings are frayed\, ink washed away until it's nearly invisible. Everything testifies to the tangible exis tence of language: to the human labor required to create and maintain both books and the words in them. The tactility of Brown's battered volumes remi nds us that the physical world is constantly assaulting and altering langua ge\, but they also\, more subtly\, show us that words change the world as w ell\, a fact Brown acknowledges by binding his books in bricklike units or stacking them up in towers that recall both ancient ziggurats and modern sk yscrapers. Meticulously composed\, richly nuanced in their use of color and what the artist has called the "perfect imperfection" of daylight\, these images give us the book as objet d'art without stripping it of its textual status. \;

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Simon Brown is an inte rnationally recognized interior and lifestyle photographer whose work has a ppeared in Architectural Digest\, World of Interiors\, Saturday Telegraph M agazine\, House &\; Garden\, and among numerous other publications. He h as exhibited in London\, Dublin\, Geneva and has published three books\, 'R omantic Irish Homes'\, 'Romantic French Homes' and 'Romantic English Homes' . He lives and works in London\, U.K.

DTEND:20141220 DTSTAMP:20141122T003331 DTSTART:20141120 GEO:40.7624399;-73.9718024 LOCATION:Bonni Benrubi Gallery\,41 East 57th Street 13th Floor\nNew York\, NY 10022 SEQUENCE:0 SUMMARY:The Weight of Knowledge\, Simon Brown UID:364974 END:VEVENT BEGIN:VEVENT DTEND:20141120T200000 DTSTAMP:20141122T003331 DTSTART:20141120T180000 GEO:40.7624399;-73.9718024 LOCATION:Bonni Benrubi Gallery\,41 East 57th Street 13th Floor\nNew York\, NY 10022 SEQUENCE:0 SUMMARY:The Weight of Knowledge\, Simon Brown UID:364975 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Folklore U.S. \;( 2012 &ndash\; 2014)\, by Seth Price\, brings together fabric sculptures pro duced \;by the garment industry\, \;wall-hung plywood works\, vacuu m-formed sculptures\, and \;a line of \;military-inspired clothing made together with \;New York based fashion designer Tim \;Hamilton . To varying degrees ­\;­\;&ndash\; in employing envelope interior se curity \;patterns &ndash\; these works address the motif of the standar d business envelope\, as both \;container and symbol.

Fo lklore \;U.S. \;initially \;debuted in 2012 at dOCUMENTA(1 3)\, where as part of the exhibition Seth Price presented \;his plywood works and garment sculptures. In conjunction the clothing line was launche d \;by an evening fashion \;show and sold at SinnLeffers\, a depart ment store located next to the Fridericianum\, historically dOCUMENTA&rsquo \;s main venue.

The 2014 \;publication \;Folklore U. S. \;addresses \;the intersection between \;the contempora ry fields of finance\, cultural \;critique\, industry\, labor and aesth etics. \;Folklore U.S. \;includes three \;interviews b etween various contributors \;(Seth \;Price and Christopher Bollen\ , Bosko Blagojevic and Ben Morgan-Cleveland\, \;Bettina Funcke and Ben& nbsp\;Morgan-Cleveland) \;and uses anecdotes and speculation \;to g uide readers through fabrication processes\, materials\, and \;fashion industry \;protocols. Accompanying these conversations are more than 25 0 images that \;immerse the reader \;in the cycle of production and presentation\, tracing the \;work from New York&rsquo\;s Garment Distr ict to factories in \;South Korea and China\, \;art galleries and G erman department stores. The book also includes a new \;text by Seth&nb sp\;Price.

The \;launch of \;Folklore U.S.  \;at Artists Space Books &\; Talks will feature \;a reading by Seth Price and a temporary \;shop\, selling clothing from the \;Folk lore U.S. \;diffusion line\, as designed by \;Price &\; Ham ilton.

DTEND:20141120T200000 DTSTAMP:20141122T003331 DTSTART:20141120T190000 GEO:40.7188763;-74.0033279 LOCATION:Artists Space : Books & Talks\,55 Walker Street \nNew York \, NY 10013 SEQUENCE:0 SUMMARY:Folklore U.S. : Book Launch & Reading\, Seth Price UID:364973 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The Phoenix Gallery is celebra ting its new home at 548 West 28th Street. Suite 528\, New York. NY. Establ ished in 1958\, the Phoenix Gallery continues its tradition of exhibiting t he finest work created by artists of all disciplines. Please join us in our celebration - which ushers in this holiday season\, and the many exciting seasons that lie ahead.

DTEND:20141220 DTSTAMP:20141122T003331 DTSTART:20141126 GEO:40.7515661;-74.0041872 LOCATION:Phoenix Gallery\,548 West 28 Street Suite 528\nNew York\, NY 10001 SEQUENCE:0 SUMMARY:"Here We Are": Phoenix Gallery Artists\, Pamela Bennett Ader\, Elis e Ansel\, Gretl Bauer\, Joseph G. Brown\, Mary Alice Copp\, Sydney Drum\, P amela Flynn\, Harriet Sobie Goldstein\, Jessica Gondek\, John Hampshire\, E llie Kim\, James Mullen\, Winn Rea\, Christa Toole\, Louise Weinberg\, Laur a Westby\, Cecily Barth Firestein UID:364971 END:VEVENT BEGIN:VEVENT DTEND:20141204T200000 DTSTAMP:20141122T003331 DTSTART:20141204T180000 GEO:40.7515661;-74.0041872 LOCATION:Phoenix Gallery\,548 West 28 Street Suite 528\nNew York\, NY 10001 SEQUENCE:0 SUMMARY:"Here We Are": Phoenix Gallery Artists\, Elise Ansel\, Cecily Barth Firestein\, Gretl Bauer\, Pamela Bennett Ader\, Joseph G. Brown\, Mary Ali ce Copp\, Sydney Drum\, Pamela Flynn\, Harriet Sobie Goldstein\, Jessica Go ndek\, John Hampshire\, Ellie Kim\, James Mullen\, Winn Rea\, Christa Toole \, Louise Weinberg\, Laura Westby UID:364972 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150110 DTSTAMP:20141122T003331 DTSTART:20141204 GEO:40.7517031;-74.0040108 LOCATION:Viridian Artists\,548 West 28th St (6th Floor) \nNew York City\, N Y 10001 SEQUENCE:0 SUMMARY:Holiday Group Show UID:364969 END:VEVENT BEGIN:VEVENT DTEND:20141204T200000 DTSTAMP:20141122T003331 DTSTART:20141204T180000 GEO:40.7517031;-74.0040108 LOCATION:Viridian Artists\,548 West 28th St (6th Floor) \nNew York City\, N Y 10001 SEQUENCE:0 SUMMARY:Holiday Group Show UID:364970 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Marlborough Gallery is pleased to announce L.egends\, S.tatements\, S.tars\, a solo exhibition o f new collages and video by Rashaad Newsome. This exhibition is the artist& rsquo\;s second presentation with Marlborough Gallery and premiere in the g allery&rsquo\;s 57th street location.

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After the industrial revolution\, heraldry&mdash\;a key symbol of status and authority for the European aristocracy&mdash\;became heavily incorporated into Baroque Revival and Beaux-arts architecture of the ninet eenth century. It was an architectural emblem that asserted the identity of structures in the manner that logos are associated with brands in contempo rary society.

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In L.S. S.\, Newsome engages this assertion of identity in a series of new col lages that further explore the relationships between ornament\, architectur e and heraldry. The artist employs the aesthetic of Baroque cathedrals and basilicas as a point of departure directly incorporating images of these ar chitectural elements into the work. Additionally through his engagement of architecture\, Newsome activates the human form as a framing device speakin g to the influences of the Roman architect Vitruvius and his concept of geo metry and symmetry.

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Each of the seventeen collages included in L.S.S. contain three-dimensi onal sculptural elements on the frames and the work presented within them. In Rapture\, the seven-by-six foot frame is adorned with carved an thropomorphic figures\, reminiscent of gargoyles and chimera often used in medieval architecture\, which overlook a three-dimensionally arranged colla ge. The collage curves inwards from the frame\, conveying a dome-like struc ture ehanced by the optical illusive nature of the assemblage.

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In Turn Up\, the vaulted cei lings of Roman cathedrals become the focal point of a collage sunken into a leather gold clad frame taking the form of an altarpiece. The work beckons the viewer to peer closely through a multi-layered series of patterns and ornament in a similar way that Wild Magnolia is meant to be viewed through rather than &ldquo\;at&rdquo\; as the work shifts from a wall-base d piece into the appearance of a stained glass window.

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In a new video work titled ICON Newsome continue s his longstanding collaboration with the New York ballrom and vogue scene\ , paying homage to legends and stars that assert their own identities and s tatus with their performance practice. In this video\, he continues to diss ect religious architecture in conversation with the human form through the lens of transgender identities of the performers he captures on film.

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Rashaad Newsome received his B .A. in Art History at Tulane University before studying Film at Film Video Arts NYC as well music production and programming at Harvestworks NYC. He p articipated in the 2010 Whitney Biennial\, at the Whitney Museum of America n Art\, New York\, NY\; Greater NY 2010\, MoMA PS1\, New York\, NY\; Perfor ma 2011\, New York\, NY and the 2011 Venice Biennale\, Venice\, Italy. News ome&rsquo\;s work has been exhibited\, performed and screened nationally an d internationally at such institutions and galleries as: Centre Georges Pom pidou\, Paris\, France\; The Garage Center for Contemporary Culture\, Mosco w\, Russia\; The New Museum of Contemporary Art\, New York\, NY\; Brooklyn Museum\, New York\, NY\; The Kitchen\, New York\, NY\; MUSA\, Vienna\, Aust ria\; The Drawing Center\, New York\, NY\; The Studio Museum in Harlem\, Ne w York\, NY\; ar/ge Kunst Galerie Museum\, Bolzano\, Italy\; Carroll/Fletch er\, London\, England\; Zacheta National Gallery\, Warsaw\, Poland and the New Orleans Museum of Art\, New Orleans\, Louisiana. His work is included t he following public collections: The Brooklyn Museum of Art\; The San Franc iso Museum of Modern Art and The Whitney Museum of American Art.

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He has been the recipient of such a wayrds and residencies as The Louis Comfort Tiffany Foundation Award\, New York\, NY\; The Headlands Center for the Arts\, Sausalito\, California\; an d The Rema Hort Mann Foundation Visual Arts Grant\, New York\, NY. Upcoming projects include: a solo exhibition and performance at The Art Gallery of York University. Rashaad Newsome lives and work in New York\, NY.

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A fully illustrated catalogue with an essay by Dr. Veronica Sekules will be available at the time of the exhibition.

DTEND:20150103 DTSTAMP:20141122T003331 DTSTART:20141209 GEO:40.762951;-73.9739623 LOCATION:Marlborough Gallery New York\,40 West 57th Street \nNew York\, NY 10019 SEQUENCE:0 SUMMARY:L. egends\, S. tatements\, S. tars\, Rashaad Newsome UID:364965 END:VEVENT BEGIN:VEVENT DTEND:20141209T200000 DTSTAMP:20141122T003331 DTSTART:20141209T180000 GEO:40.762951;-73.9739623 LOCATION:Marlborough Gallery New York\,40 West 57th Street \nNew York\, NY 10019 SEQUENCE:0 SUMMARY:L. egends\, S. tatements\, S. tars\, Rashaad Newsome UID:364966 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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*Marlborough Che lsea \;is pleased to announce \;Space Jam\, a solo exhibition by&n bsp\;Devin Troy Strother. \;The show opens on \;Saturday\, December 13th \;at \;6:00 PM&n bsp\;with a reception until \;8:00 PM. The show runs through \;January 17th. To learn more ab out \;Devin T roy Strother\, click \;here. \;

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DTEND:20150117 DTSTAMP:20141122T003331 DTSTART:20141213 GEO:40.7497918;-74.0049713 LOCATION:Marlborough Chelsea\,545 West 25th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Space Jam\, Devin Troy Strother UID:364963 END:VEVENT BEGIN:VEVENT DTEND:20141213T200000 DTSTAMP:20141122T003331 DTSTART:20141213T180000 GEO:40.7497918;-74.0049713 LOCATION:Marlborough Chelsea\,545 West 25th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Space Jam\, Devin Troy Strother UID:364964 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150117 DTSTAMP:20141122T003331 DTSTART:20141201 GEO:40.745952;-73.998009 LOCATION:InterArt Gallery\,225 Tenth Ave between 23rd and 24th streets\nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Life on Paper\, Group Show UID:364962 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150111 DTSTAMP:20141122T003331 DTSTART:20141204 GEO:40.7219666;-73.9903845 LOCATION:Frosch & Portmann Gallery\,53 Stanton Street \nNew York\, NY 1000 2 SEQUENCE:0 SUMMARY:The Wooden Carrot\, Bruce Conkle UID:364957 END:VEVENT BEGIN:VEVENT DTEND:20141218T200000 DTSTAMP:20141122T003331 DTSTART:20141218T180000 GEO:40.7219666;-73.9903845 LOCATION:Frosch & Portmann Gallery\,53 Stanton Street \nNew York\, NY 1000 2 SEQUENCE:0 SUMMARY:The Wooden Carrot\, Bruce Conkle UID:364958 END:VEVENT END:VCALENDAR