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Mark Wiener and Linda DiGusta

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"Duet" was orig inally conceived as a mini-documentary under the working title "Duet in Bla ck and White for Abstract and Figure." When beginning to edit\, they decide d that the simple\, compelling imagery of work in progress best depicted th e rhythm that exists between them as a couple and the art that each of them creates. With the score by Yukari\, the message is that romance and art ar e inextricably linked.  In Wiener’s “Silence Please\,” one action informs t he next. As a vocabulary is built\, each layer of thought re-examines the p revious thought and instructs the next.  Simple marks repeat\, skipping acr oss the surface of the screen\, alluding to figuration. The animation is co nceived in moments of complete silence\, with imagination skipping across c onsciousness.

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Timothy Hutchings

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The “Mandala” series comes from Hutchings interest in aestheticizing his non-art activities.  H e records his slack time in various ways and then feeds that back into proc esses which convert the waste into something resembling art.  The Mandala w orks are records of video viewing which are then ran through video manipula tion software\, creating  quasi-psychedelia from pop culture. The music is just the sound from the video source reprocessed. 

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Jeanne Wilkin son

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 “Wakefield Dream” is an amalgam of the artist’s paintings\ , photography\, animations\, and her projections on rocks\, trees\, and als o on moving figures shrouded with translucent fabric.  She merges this imag ery with footage of her son Andrew Keeley Yonda and his wife Jennifer playi ng music and dancing. The sound track utilizes her son’s music with other e ffects from the filming process.  All of this forms a sequence of layered i magery that unfolds like an uncanny dream.  “Something-Something with Fish” is an animated abstraction derived from the artwork of Kaitlin Martin and footage of wildlife filmed by Wilkinson in Duluth\, Minnesota’s fresh-water aquarium.

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Beth Warshafsky

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"Haiku: Springs Again” is a single channel video weaving multiple layers of content. 

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It’s a dream written on a napkin\, a silhouette of the artist dancing\, with vide o textures and sound merged into a short\, concise whole.  "I am Calling Yo u” is a work in progress\, a combination of textured layers of real time pe rformance with the live camera input of musician Gerry Hemingway. Warshafsk y’s work emerges over time as she finds form between image and sound. This intuitive process connects to her past as a painter - she often feels like she is painting in time. 

DTEND:20121010T210000 DTSTAMP:20140416T134548 DTSTART:20121010T180000 GEO:40.7387292;-73.9809605 LOCATION:CREON\,238 East 24 St 1B\nNew York\, NY 10010 SEQUENCE:0 SUMMARY:Videos by Night\, Timothy Hutchings\, Mark Wiener\, Jean Wilkinson\ , Beth Warshafsky\, Linda DiGusta UID:238592 END:VEVENT BEGIN:VEVENT DTEND:20121010T200000 DTSTAMP:20140416T134548 DTSTART:20121010T180000 GEO:40.7174823;-73.9918727 LOCATION:MARC STRAUS\,299 Grand Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:solo show \, Ulf Puder UID:240508 END:VEVENT BEGIN:VEVENT DTEND:20121010T200000 DTSTAMP:20140416T134548 DTSTART:20121010T180000 GEO:40.7174823;-73.9918727 LOCATION:MARC STRAUS\,299 Grand Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:solo exhibition\, Marcin Cienski UID:240510 END:VEVENT BEGIN:VEVENT DTEND:20121010T170000 DTSTAMP:20140416T134548 DTSTART:20121010T103000 GEO:40.7614029;-73.9776248 LOCATION:MoMA (Museum of Modern Art)\,11 West 53 Street \nNew York\, NY 100 19 SEQUENCE:0 SUMMARY:MoMA Art Labs: People UID:234815 END:VEVENT BEGIN:VEVENT DESCRIPTION:

New York and London have competed for generations for the ti tle of global capital of capital. Join us for a panel discussion to explore the factors that have historically given New York and London their economi c edge\, continuity\, and strength. James Orr\, Assistant Vice Presi dent of the Federal Reserve Bank of New York\, and Felix Salmon\, fi nancial blogger at Reuters will investigate how each city's geography\, dem ographics\, technological adaptability\, and creative capital are shaping t heir economic futures\, and what might be the broader implications in today 's volatile and complex global marketplace. The program will be moderated b y Roy G. Smith\, of the NYU Leonard N. Stern School of Business

DTEND:20121010T210000 DTSTAMP:20140416T134548 DTSTART:20121010T190000 GEO:40.792495;-73.951905 LOCATION:Museum of the City of New York\,1220 Fifth Avenue \nNew York\, NY 10029 SEQUENCE:0 SUMMARY:NEW YORK AND LONDON: FUTURE FORWARD FOR THE CAPITALS OF CAPITAL UID:240464 END:VEVENT BEGIN:VEVENT DTEND:20121010T180000 DTSTAMP:20140416T134548 DTSTART:20121010T120000 GEO:40.722337;-73.992844 LOCATION:New Museum\,235 Bowery \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Your Land/My Land: Election ’12\, Jonathan Horowitz UID:234757 END:VEVENT BEGIN:VEVENT DTEND:20121010T180000 DTSTAMP:20140416T134548 DTSTART:20121010T110000 GEO:40.722337;-73.992844 LOCATION:New Museum\,235 Bowery \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:HARD\, Judith Bernstein UID:234765 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Will Brand is a Brooklyn-based critic\, editor\, and program mer\, and the Editor-in-Chief of Art Fag City\, an influential contemporary art blog that likes to pick fights. He likes writing about internet art be st. He’s also written for The L and CityArts\, and his work has been republ ished in Junk Jet and on The Creators Project.

DTEND:20121010T210000 DTSTAMP:20140416T134548 DTSTART:20121010T190000 GEO:40.7060542;-73.9334513 LOCATION:NURTUREart Gallery\,56 Bogart Street \nBrooklyn \, NY 11206 SEQUENCE:0 SUMMARY:October Muse Fuse\, Will Brand UID:239183 END:VEVENT BEGIN:VEVENT DTEND:20121010T200000 DTSTAMP:20140416T134548 DTSTART:20121010T180000 GEO:40.7139931;-73.9892639 LOCATION:Sargent's Daughters\,179 East Broadway \nNew York\, NY 10002 SEQUENCE:0 SUMMARY: Fiend in the Void \, Casey Jex Smith UID:239906 END:VEVENT BEGIN:VEVENT DTEND:20121010T200000 DTSTAMP:20140416T134548 DTSTART:20121010T180000 GEO:40.7139931;-73.9892639 LOCATION:Sargent's Daughters\,179 East Broadway \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Ready For Their Stones \, Juan Hinojosa UID:239908 END:VEVENT BEGIN:VEVENT DTEND:20121010T210000 DTSTAMP:20140416T134548 DTSTART:20121010T190000 GEO:40.7263499;-73.991106 LOCATION:The Goethe-Institut (Wyoming Building)\,5 East 3rd Street \nNew Yo rk\, NY 10003 SEQUENCE:0 SUMMARY:EGOMANIA—About Schlingensief UID:239959 END:VEVENT BEGIN:VEVENT DTEND:20121010T230000 DTSTAMP:20140416T134548 DTSTART:20121010T170000 GEO:40.7190592;-73.9939197 LOCATION:Whitebox Art Center\,329 Broome Street \nNew York\, New York 10002 SEQUENCE:0 SUMMARY: DISTRICT SIX\, CLOETE BREYTENBACH UID:239963 END:VEVENT BEGIN:VEVENT DTEND:20121011T200000 DTSTAMP:20140416T134548 DTSTART:20121011T180000 GEO:40.749403;-74.004838 LOCATION:532 Gallery Thomas Jaeckel\,532 W. 25th Street \nNew York\, NY 100 01 SEQUENCE:0 SUMMARY:The Waste Land\, Armando Marino UID:236064 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Performance and Exhibit

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Jed Miner was born in Manhattan in 1975 and is based in Boston where he co-directs a Artists’ Retreat with Performance Artist Laurel Kirtz at Fort 92 in Roxbury . Jed works with home-brew audio feedback circuits and sound poetry to crea te interactive performances using the audience as performers. Graphical mus ic scores are used based on the mathematical relationships between language and various invented measurement systems. The audience and gallery space b ecome one instrument\, a giant speech apparatus interpreting fluid motion an d wave mechanics into fragments and parts of speech.

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“A Mouth of th e Mind” is an investigation into the the materials which comprise language and give it form. Force\, Vibrations and Space are superimposed from the hu man body onto the space of the Gallery to create a sound environment. Each room is a reflection of how we view ourselves through the act of being a voc al instrument in our daily lives. From the timeless passage of air through our lungs\, to the restrictions and hesitations of our vocal cords and onwa rds to the cultural jamming and massaging of the tongue\, teeth and lips. S peech itself becomes a metaphor for how we process basic information into a dvanced code systems.

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DTEND:20121011T220000 DTSTAMP:20140416T134548 DTSTART:20121011T180000 GEO:40.721592;-73.979827 LOCATION:A Gathering of the TRIBES\,285 East 3rd Street\, 2nd floor. (betwe en Avenues C and D)\nNew York\, NY 10009 SEQUENCE:0 SUMMARY:A Mouth of the Mind\, Jed Miner\, Viola Mondello UID:239904 END:VEVENT BEGIN:VEVENT DTEND:20121011T200000 DTSTAMP:20140416T134548 DTSTART:20121011T180000 GEO:40.7464825;-74.0069332 LOCATION:Elizabeth Harris Gallery\,529 W.20th St. \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Anticipation\, Scott Richter UID:240996 END:VEVENT BEGIN:VEVENT DTEND:20121011T200000 DTSTAMP:20140416T134548 DTSTART:20121011T180000 GEO:40.72012;-73.990339 LOCATION:Feature Inc\,131 Allen Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Common Scents\, Alex Brown UID:239913 END:VEVENT END:VCALENDAR