BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:

Tufnell&rsquo\;s friendly\, 32&rdquo\; tall gnomes are cast in pigmented resin. They will interact with the passing public in this Crow n Heights neighborhood\, delighting young and old alike.

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A \;steel rose \;bush \;joins the city tree in front of the gallery to add a poetic touch to this urban neighborho od. With his steel work Sam Tufnell has posed himself the challenge of maki ng steel appear fragile without sacrificing structural integrity. The roseb ush\, with its buds\, open blossoms and countless leaves\, offers a perfect and beautiful example of the artist&rsquo\;s successful challenge.  \;

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Sam Tufnell graduated from SVA in 2002. He has shown his work in e xhibitions throughout New York City. He lives in Upstate New York and works in Brooklyn.

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www.samtufnell.com

DTEND:20140910 DTSTAMP:20140731T054926 DTSTART:20140804 GEO:40.672585;-73.959598 LOCATION:FiveMyles\,558 St. Johns Place \nBrooklyn\, NY 11238 SEQUENCE:0 SUMMARY:Outdoor Sculpture: Gnomes and a Rosebush\, Sam Tufnell UID:348656 END:VEVENT BEGIN:VEVENT DTEND:20140807T200000 DTSTAMP:20140731T054926 DTSTART:20140807T180000 GEO:40.672585;-73.959598 LOCATION:FiveMyles\,558 St. Johns Place \nBrooklyn\, NY 11238 SEQUENCE:0 SUMMARY:Outdoor Sculpture: Gnomes and a Rosebush\, Sam Tufnell UID:348657 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Unframed presents particular visions of our daily e nvironment through photographs\, drawings\, and a sculpture that stand on t heir own - without frames or pedestals.

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This is the third short-ter m exhibition at FiveMyles this summer that acknowledges the work by five em erging artists\, who have not had much opportunities to show their work in public. It is part of the FiveMyles SpaceProgram which offers the gallery s pace during the summer months\, when the space would otherwise be empty\, t o young artists\, musicians and performers for try-outs\, works-in-progress and performance events. \;

DTEND:20140824 DTSTAMP:20140731T054926 DTSTART:20140810 GEO:40.672585;-73.959598 LOCATION:FiveMyles\,558 St. Johns Place \nBrooklyn\, NY 11238 SEQUENCE:0 SUMMARY:Unframed\, Michael Britto\, Gustavo Azrael Torres\, Floor Grootenhu is\, Francelle Jones\, Kerwin Williamson UID:348654 END:VEVENT BEGIN:VEVENT DTEND:20140816T200000 DTSTAMP:20140731T054926 DTSTART:20140816T170000 GEO:40.672585;-73.959598 LOCATION:FiveMyles\,558 St. Johns Place \nBrooklyn\, NY 11238 SEQUENCE:0 SUMMARY:Unframed\, Michael Britto\, Floor Grootenhuis\, Francelle Jones\, G ustavo Azrael Torres\, Kerwin Williamson UID:348655 END:VEVENT BEGIN:VEVENT DESCRIPTION:

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&ldqu o\;Imagine a world where all your favorite actors play in one universe toge ther&hellip\;&rdquo\;

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myplasticheart presents Dream Cast : a 1 /6 Scale Custom Space Opera\, where we invite you to take a look inside the mind of artist Justin Alan Volpe as he plays writer\, director and designe r to a universe made up of Force Benders\, Space Cowboys\, and an android r ock band The Seekers.

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With a cast you may never see together on the silver screen\, some of the most iconic actors of our time are set to port ray a rag tag group of adventurers and lawmen\, all in a 1/6 scale.

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The stage is set&hellip\; Please join us for the opening reception on Augu st 1st from 6-9PM EDT at myplasticheart in the Lower East Side NYC. Justin Alan Volpe will be in attendance to discuss his work. Refreshments will be served. The exhibition runs through August 31st.

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About the artist: Justin Alan Volpe has worked as a sculptor for Jeff Koons\, a 1/6 scale cos tume fabricator for Sideshow Collectables\, instructed Needle Felting Works hops at Kidrobot NYC and the Textile Arts Center in Brooklyn\, collaborated with Toy Tokyo to design and create their Bearbrick for the Medicom Bearbr ick World Wide Tour 2\, and created packaging artwork for various projects.

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Dream Cast : a 1/6 Scale Custom Space Opera
Opening Reception Friday\, August 1st\, 2014 6 &ndash\; 9pm\,
Exhibition runs through A ugust 31st\, 2014

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myplasticheart
210 Forsyth St.
NY\, NY 10002
(646) 290-6866

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justinalanvolpe.com
myplasticheart.com

DTEND:20140831 DTSTAMP:20140731T054926 DTSTART:20140801 GEO:40.7229442;-73.9903902 LOCATION:myplasticheart nyc\,210 Forsyth St. \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Dream Cast : a 1/6 Scale Custom Space Opera\, Justin Alan Volpe UID:348576 END:VEVENT BEGIN:VEVENT DTEND:20140801T210000 DTSTAMP:20140731T054926 DTSTART:20140801T180000 GEO:40.7229442;-73.9903902 LOCATION:myplasticheart nyc\,210 Forsyth St. \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Dream Cast : a 1/6 Scale Custom Space Opera\, Justin Alan Volpe UID:348577 END:VEVENT BEGIN:VEVENT DESCRIPTION:

NEW YORK CITY - Gallery Molly Krom

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July 31- August 2 2\, 2014

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OPENING RECEPTION: Sunday\, August 10\, 6-8pm

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Gall ery Molly Krom is pleased to present Stripped\, a two artist show featuring sculptures by Katerina Marcelja and collages by Amanda C. Mathis.

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Katerina Marcelja and Amanda C. Mathis have exhibited together before\, whi ch is hardly coincidental\, considering the premise of their work. Both art ists are concerned with &ldquo\;the history of artifacts found in abandoned domestic settings" (Marcelja) and with "the residue of human existence...\ , the pieces of history revealed through the architecture of our homes" (Ma this).

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The assemblages by Katerina Marcelja are made from fragments found in abandoned dwellings and are formed with a random precision that r eflects a careful dialog between the artist and the lived history of the ar tifacts. Stripped from their habitat\, they stand as stubborn\, cynical and yet ernest records of the passage of time\, of unrelenting tides of habita tion.

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For Amanda C. Mathis the process begins with the exploration of various neighborhoods where she photographs homes\, gravitating towards older dwellings. Using these photographs\, she creates nonsensical composit ions that repudiate the viewer's expectations of what should be occurring i n the picture plane. There exists a contradiction between the seamless\, fl at quality of the collage surface and the spatial complexity created by the juxtaposition of the images.

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The title of the exhibit\, Stripped\, was a subject of some debate among the artists and the curator because of its potential reference to the frequently used\, and even more frequently m isused\, notions of "deconstruction/construction" as well as a somewhat mor e sophisticated reference to Duchamp's work\, but the exhibit is about neit her. Stripped refers to the act of intervention and defiance that is delega ted to art as it responds to the "dictates" of form in architecture in part icular\, and in life in general. Architecture dictates proportions and rela tions among the elements of the building\, positioning of plumbing\, constr uction of a piece of furniture\, designs for a block of dwellings. The dict ates of life are in its course and the fate of memories. For Marcelja and M athis\, their act of resistance to these dictates is a gesture\, simultaneo usly playful and tragic\, since the intent is to hold on to the remnants of memories stripped from their source.

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Katerina Marcelja was born in Las Vegas\, Nevada and grew up in Italy. She studied scul pture at Boston University and performance in NYU . Her recent exhibitions include Wet Wings and Wooden Sail at Giacobetti Paul Gallery\, Insubstantia l Evidence at Douglass Street Music Collective Gallery \, and Fragment Seri es at Open Source. She exhibited at Gallery Molly Krom in December 2013 in Flights of Love.

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Amanda C. Mathis was born in Orla ndo\, Florida. She received her BFA from the University of Central Florida (2004) and her MFA from Pratt Institute (2006). She has executed large scal e installations for her solo shows at James Nicholson Gallery ( New York) a nd Smack Mellon ( New York). Her work has been included in group exhibition s at Smack Mellon\, Kunsthalle Galapagos\, the Freedman Gallery at Albright College ( Reading\, Pa)\, Open Source Gallery( New York) and the Visual Ar t Center of New Jersey ( Summit\, NJ). Mathis has participated in the Artis t in the Marketplace program at the Bronx Museum of Arts\, Lower Manhattan Cultural Council's Workplace Program\, and the Saltonstall Foundation for t he Arts residency. She was a winner of a Pollock-Krasner Foundation grant i n 2012.
This is her first show at Molly Krom.

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Both artists liv e and work in Brooklyn\, New York.

DTEND:20140822 DTSTAMP:20140731T054926 DTSTART:20140731 GEO:40.7219666;-73.9903845 LOCATION:Gallery Molly Krom\,53c Stanton Street \nNew York City\, NY 10002 SEQUENCE:0 SUMMARY:Stripped\, Katerina Marcelja\, Amanda C. Mathis UID:348565 END:VEVENT BEGIN:VEVENT DTEND:20140810T200000 DTSTAMP:20140731T054926 DTSTART:20140810T180000 GEO:40.7219666;-73.9903845 LOCATION:Gallery Molly Krom\,53c Stanton Street \nNew York City\, NY 10002 SEQUENCE:0 SUMMARY:Stripped\, Katerina Marcelja\, Amanda C. Mathis UID:348566 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Sargent&rsquo\;s Daughters is pleased to present Jordan Cast eel&rsquo\;s first solo exhibition\, &ldquo\;Visible Man&rdquo\; opening on Wednesday\, August 13th\, 2014.  \;The exhibition presents a new serie s of paintings\, collages and prints.

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Casteel&rsquo\;s subject in t his series is black men\, all of whom are unclothed\, both literally and me taphorically.  \;Drawing on a long line of art historical portraiture\, Casteel&rsquo\;s nudes confront the viewer with an unprotected gaze.   \;They are surrounded by objects of domesticity: photographs\, clothes\, an d furnishings.  \;Often they are encompassed by the winding tapestry of prints on the surrounding upholstery.  \;Casteel&rsquo\;s preoccupatio n with paint lends a fluid thickness to her works.  \;The love of paint is apparent in each stroke.  \;The collage works and print works recal l the bright colors and thick lines of Jacob Lawrence\, Nancy Spero and the blocky beauty of Matisse.

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In her painting Yahya\, the subject is s tretched out on the floor in front of a floral couch\, his arm encased in a cast.  \;Though it would seem logical to assume we are looking at him from above\, the actual perspective is shifted and we appear to be below hi m.  \;Yahya regards us cooly\, eyes unflinching as Olympia.  \;

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The contrast of popular images of black men and the humanity of actual individual black men is highlighted by Casteel&rsquo\;s inclusion of perso nal objects and the setting of the subjects at home\, most often in repose and relaxed.  \;This pose was chosen by Casteel as one at odds with the usual portrayal of black men\, and it is consequently exciting to shift ou r own perception.  \;In addition to her placement of the subjects\, Cas teel often experiments with color. Is\, Casteel seems to ask\, a black man a black man no matter the color?

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Jordan Casteel was born in 1989 in Denver\, CO. She recently completed her MFA at Yale in New Haven\, CT. She currently lives and works in Brooklyn\, NY.  \;

DTEND:20140914 DTSTAMP:20140731T054926 DTSTART:20140813 GEO:40.7139931;-73.9892639 LOCATION:Sargent's Daughters\,179 East Broadway \nNew York\, NY 10002 SEQUENCE:0 SUMMARY: Visible Man\, Jordan Casteel UID:348438 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Peter Fischli David Weiss\, Katharina Fritsch\, Gary Hume&nb sp\;will be on view at Matthew Marks Gallery\, 523 West 24th Street\, from July 10 to August 15\, 2014\, Monday through Friday\, 10:00 A.M. to 6:00 P. M.

DTEND:20140814 DTSTAMP:20140731T054926 DTSTART:20140710 GEO:40.7489501;-74.0050924 LOCATION:Matthew Marks Gallery - 24th St.\,523 W 24 Street \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Group Show\, Peter Fischli\, David Weiss\, Katharina Fritsch\, Mart in Honert\, Gary Hume UID:348437 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140906 DTSTAMP:20140731T054926 DTSTART:20140807 GEO:40.7464825;-74.0069332 LOCATION:Josee Bienvenu Gallery\,529 West 20th St \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Group Show UID:348436 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Unframed presents particular visions of our daily environmen t through photographs\, drawings\, and a sculpture that stand on their own - without frames or pedestals.

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ARTIST:

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Michael Br itto: \;Having spent 30 years shooting film and becoming a mas ter printer\, I learned to crop \;my images in the camera. It is a grea t pleasure to catch a child at a particular moment of \;enjoyment and t o be able to present what my eye and the camera see without hesitation  \;and without further editing.

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Floor Grootenhuis: \;Next time you get a bagel to go perhaps you can discover \;who ma de your paper bag? Often the maker(s) name(s) are \;stamped on the bott om of the bag with the bag&rsquo\;s birth date. \;This work marks an in visible collaboration\; both with \;the bag maker\, the collectors and myself - a three-part \;symbiosis coming together in a new man made org anic form. \;In this age where electronic devices are replacing intimac y \;and face-to-face connections\, my commitment is to bring the \; natural\, physical and everyday world back into the human \;experience. The process is the piece and the experience is \;in the participation.

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Francelle Jones: \;I went to see a reggae art ist named Luciano in prospect park and he was singing a song called "Rememb er when we were Kings and Queens". Well I downloaded the song and as I was riding my bike it finally hit me. Some people look at my images and see pov erty in some of the faces. They see the down trodden\, but I look and see k ings and queens. I also think it is a good time especially with everything that is happening in the neighborhood that we are reminded that we are all powerful and beautiful!

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Gustavo Azrael Torres: \;Born and raised in Jersey City\, NJ\, I have been creating art since the age of three. For me\, art has been more of a creative outlet\, it has hel ped me overcome traumatic events in my life such as being bullied\, and sta ying in unhealthy relationships. My pieces are like journal entries\, inspi red by personal experiences in my life.

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Kerwin Williamson:< /strong> \;I \;started pursuing fine-art more intensely in 2001 whi le still working on my first comic/graphic novel (Land of the rising sun). By 2006\, I began working in film-photography [black&\;white]. The urban setting of Brooklyn &\; Manhattan was my first subject\, then I moved i nto digital &\; photographing\, art &\; music events by 2011. My curr ent project [Rise Of The Young Ones] focuses on "Modern architecture"\, asp ects of urban change\, the historic-social causes for it\, and implications . The way I see it\, art encompasses everything\; the way we live\, dress\, eat\, think\, feel\, and interact with each other. Art is the reason\, art is the way.

DTEND:20140824 DTSTAMP:20140731T054926 DTSTART:20140810 GEO:40.672585;-73.959598 LOCATION:FiveMyles\,558 St. Johns Place \nBrooklyn\, NY 11238 SEQUENCE:0 SUMMARY:UNFRAMED\, Michael Britto\, Francelle Jones\, Kerwin Williamson\, G ustavo Azrael Torres\, Floor Grootenhuis UID:348434 END:VEVENT BEGIN:VEVENT DTEND:20140816T190000 DTSTAMP:20140731T054926 DTSTART:20140816T160000 GEO:40.672585;-73.959598 LOCATION:FiveMyles\,558 St. Johns Place \nBrooklyn\, NY 11238 SEQUENCE:0 SUMMARY:UNFRAMED\, Michael Britto\, Floor Grootenhuis\, Francelle Jones\, G ustavo Azrael Torres\, Kerwin Williamson UID:348435 END:VEVENT BEGIN:VEVENT DESCRIPTION:

In her ninth solo show at the Robin Rice Gallery\, veteran a rtist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook\, a babb ling brook running through the property. The classic architecture of the ho use is offset by uniquely quirky interiors designed by the English-born Pat ricia and her husband\, Anthony Cotsifas\, which generate an otherworldly e xistence within the estate. &ldquo\;Peabrook is my Neverland\,&rdquo\; Heal states\, in reference to J.M. Barrie&rsquo\;s Peter Pan. &ldquo\; It is a fictional place often described as a metaphor for eternal childhood .&rdquo\; Heal hopes that\, with just a visit to the gallery and a little i magination\, you\, too\, can see Peabrook.

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 \;

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Her use of the large format\, now-extinct Polaroid film for her black and white pho tographs\, and the warm soft colors found in many of the other pieces of th e collection\, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter\, including mythical creatures and extensive taxidermy\, complete the &ldquo\;magical&rdquo\; representation o f Heal&rsquo\;s home that she strove to depict. The simply framed 4&rdquo\; x 5&rdquo\;\, 5&rdquo\; x 7&rdquo\; and 8&rdquo\; x 10&rdquo\; photographs sit within large mattes\, in keeping with the classical quality of her ima ges. &ldquo\;I really wanted to work in film again\, and this project seeme d the right one to do it with\,&rdquo\; says Heal\, who lists Sarah Moon an d André\; Kertesz as artistic inspirations.

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 \;

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T he dark and mysterious invitational image\, &ldquo\;Willow&rdquo\;\, depict s a portrait of a hooded woman\, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden.

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The earth- toned image contains the unpredictable streaked effect of developed instant film.

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 \;

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In another image\, entitled &ldquo\;Sitting Room&rdquo\;\, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs. The rhinoceros head is an art piece made of resin\; Heal says that she does not condone hunting\, and collects taxidermy as homage to the anim als. Taxidermy can found throughout her home\, including a raven standing a lert upon one of the aforementioned chairs in her living room.

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&nbs p\;

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Patricia Heal was born in England\, where she studied art and t heater. After receiving her degree in photography\, she moved to New York C ity. Currently\, Heal works for leading editorial and commercial clients\, and shares a studio with her husband\, fellow photographer Anthony Cotsifas \, and their bulldog\, Moses. She has received numerous awards\, including the Society of Publication Designers Award for Photography\, the Communicat ion Arts Photography Award\, a Nikon/PDN Award\, the IPA Lucie Fine Art Awa rd\, and a Fuji Film Promotion Award. In her previous show\, Patricia focus ed on the wild ponies of Dartmoor and their habitat. After it was shown at the Robin Rice Gallery\, her show was then exhibited in England at Stone Th eatre in London and Bangwallop in Salcombe\, Devon.

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 \;

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To view all of the images exhibited\, please direct yourself to www.robinricegallery.com

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 \;

DTEND:20141026 DTSTAMP:20140731T054926 DTSTART:20140917 GEO:40.7357251;-74.0074529 LOCATION:Robin Rice Gallery\,325 West 11th Street \nNew York\, NY 10014-622 3 SEQUENCE:0 SUMMARY:Finding Peabrook\, Patricia Heal UID:348369 END:VEVENT BEGIN:VEVENT DTEND:20140917T210000 DTSTAMP:20140731T054926 DTSTART:20140917T180000 GEO:40.7357251;-74.0074529 LOCATION:Robin Rice Gallery\,325 West 11th Street \nNew York\, NY 10014-622 3 SEQUENCE:0 SUMMARY:Finding Peabrook\, Patricia Heal UID:348370 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140829 DTSTAMP:20140731T054926 DTSTART:20140728 GEO:40.7726783;-73.9652947 LOCATION:Van Doren Waxter Gallery\,23 East 73rd Street \n New York\, NY 10 021 SEQUENCE:0 SUMMARY:Summer Group Exhibition: Part II \, James Brooks\, Alan Shields\, M anny Farber\, Al Held UID:348286 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The Season in Review \;summarizes our recent ex hibitions with works by the following artists: Tiong Ang\, Guglielmo Achill e Cavellini\, Carlo Ferraris\, Greg Kwiatek\, and Walter Robinson. \;
RECENT PRESS:
W Magazine
New York Magazine
Artspace
The New Yorker
artnet News

Gallery summ er hours: Monday through Thursday\, 10am to 6pm.

We will be clos ed from 22 \;August to 9 September 2014. We re-open \;on 10 Septemb er 2014 with an exhibition by leading \;Portuguese artist Pedro Calapez . \;

DTEND:20140821 DTSTAMP:20140731T054926 DTSTART:20140728 GEO:40.7188646;-73.9846431 LOCATION:LYNCH THAM\,175 Rivington Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:The Season in Review\, Tiong Ang\, Guglielmo Achille Cavellini\, Ca rlo Ferraris\, Greg Kwiatek\, Walter Robinson UID:348256 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Since 1946\, Guild Hall has proudly hosted the annual Clothe sline Art Sale\, a community event that showcases original works by East En d artists. Nearly 400 artists enter the sale each year\, with their work at tracting thousands of art lovers looking for the next \;de Kooning\, Pr ince\, or Sherman. Works range in price from $50 to $2\,000\, with all proc eeds split 50/50 between the artist and Guild Hall. Proceeds from the sale benefit Guild Hall of East Hampton.

DTEND:20140802T160000 DTSTAMP:20140731T054926 DTSTART:20140802T090000 GEO:40.957854;-72.190107 LOCATION:Guild Hall\,158 Main Street \nEast Hampton\, NY 11937 SEQUENCE:0 SUMMARY:CLOTHESLINE ART SALE UID:347928 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Flowers is pleased to announce the New York solo debut of Br itish artist Tom Hammick titled\, Hypnagogic. The show\, comprised of paintings and prints\, will run from September 11th until October 11th 2014\, with a reception for the artist on Thursday\, September 11th\, from 6-8pm.

DTEND:20141011 DTSTAMP:20140731T054926 DTSTART:20140911 GEO:40.7464825;-74.0069332 LOCATION:Flowers Gallery NY\,529 West 20th Street \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Hypnagogic\, Tom Hammick UID:347904 END:VEVENT BEGIN:VEVENT DTEND:20140911T200000 DTSTAMP:20140731T054926 DTSTART:20140911T180000 GEO:40.7464825;-74.0069332 LOCATION:Flowers Gallery NY\,529 West 20th Street \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Hypnagogic\, Tom Hammick UID:347905 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140801T190000 DTSTAMP:20140731T054926 DTSTART:20140801T100000 GEO:40.7176771;-74.0053594 LOCATION:Gallery 69\,69 Leonard St. \nNew York\, New York 10103 SEQUENCE:0 SUMMARY:Spring Summer Art Clearance! UID:347833 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140823 DTSTAMP:20140731T054926 DTSTART:20140806 GEO:40.7485981;-74.0062949 LOCATION:Jonathan LeVine Gallery - 557C West 23rd\,557C West 23rd Street \n New York\, NY 10011 SEQUENCE:0 SUMMARY:Cruel Summer\, Mike Ballard\, BLADE\, Mark Bode\, Tim Conlon\, Cope \, Shepard Fairey\, Finok\, FREEDOM\, Sam Friedman\, Mike Giant\, Maya Hayu k\, Eric Haze\, Horfé\, HuskMitNavn\, Dabs Myla\, Caleb Neelon\, NIagar\, C leon Peterson\, Pose\, Recok\, Victor Reyes\, Rime\, RISK\, ben venom UID:347823 END:VEVENT BEGIN:VEVENT DTEND:20140806T200000 DTSTAMP:20140731T054926 DTSTART:20140806T180000 GEO:40.7485981;-74.0062949 LOCATION:Jonathan LeVine Gallery - 557C West 23rd\,557C West 23rd Street \n New York\, NY 10011 SEQUENCE:0 SUMMARY:Cruel Summer\, Mike Ballard\, BLADE\, Mark Bode\, Tim Conlon\, Cope \, Shepard Fairey\, Finok\, FREEDOM\, Sam Friedman\, Mike Giant\, Maya Hayu k\, Eric Haze\, Horfé\, HuskMitNavn\, Dabs Myla\, Caleb Neelon\, NIagar\, C leon Peterson\, Pose\, Recok\, Victor Reyes\, Rime\, RISK\, ben venom UID:347824 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140823 DTSTAMP:20140731T054926 DTSTART:20140806 GEO:40.7464825;-74.0069332 LOCATION:Jonathan LeVine Gallery - 529 W. 20th\,529 W. 20th Street\, 9E \nN ew York\, NY 10011 SEQUENCE:0 SUMMARY:Cruel Summer\, ben venom\, BLADE\, Caleb Neelon\, Cleon Peterson\, Cope\, Dabs Myla\, Eric Haze\, Finok\, FREEDOM\, Horfé\, HuskMitNavn\, Mark Bode\, Maya Hayuk\, Mike Ballard\, Mike Giant\, NIagar\, Pose\, Recok\, Ri me\, RISK\, Sam Friedman\, Shepard Fairey\, Tim Conlon\, Victor Reyes UID:347821 END:VEVENT BEGIN:VEVENT DTEND:20140806T210000 DTSTAMP:20140731T054926 DTSTART:20140806T190000 GEO:40.7464825;-74.0069332 LOCATION:Jonathan LeVine Gallery - 529 W. 20th\,529 W. 20th Street\, 9E \nN ew York\, NY 10011 SEQUENCE:0 SUMMARY:Cruel Summer\, Mike Ballard\, BLADE\, Mark Bode\, Tim Conlon\, Cope \, Shepard Fairey\, Finok\, FREEDOM\, Sam Friedman\, Mike Giant\, Maya Hayu k\, Eric Haze\, Horfé\, HuskMitNavn\, Dabs Myla\, Caleb Neelon\, NIagar\, C leon Peterson\, Pose\, Recok\, Victor Reyes\, Rime\, RISK\, ben venom UID:347822 END:VEVENT END:VCALENDAR