BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION: DTEND:20150412 DTSTAMP:20150302T054434 DTSTART:20150315 GEO:40.7154876;-73.9915222 LOCATION:Joe Sheftel Gallery\,24A Orchard \nNY\, NY 10002 SEQUENCE:0 SUMMARY:The Sword Show\, Andrew Gbur UID:375652 END:VEVENT BEGIN:VEVENT DTEND:20150315T200000 DTSTAMP:20150302T054434 DTSTART:20150315T180000 GEO:40.7154876;-73.9915222 LOCATION:Joe Sheftel Gallery\,24A Orchard \nNY\, NY 10002 SEQUENCE:0 SUMMARY:The Sword Show\, Andrew Gbur UID:375653 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The first U.S. solo exhibition by Croatian artist Igor Eskin ja features new works ranging from photography\, sculpture to site-specific installation. Eskinja&rsquo\;s abstract compositions are characterized by their particular production by way of accumulation\; the works&rsquo\; ephe meral and fragile state incorporate the very essence of transformation. &nb sp\;The title of the exhibition refers to a bond between the poetic dimensi on (in the works themselves) and the economical context of exchange\, abstr action and power.

DTEND:20150503 DTSTAMP:20150302T054434 DTSTART:20150313 GEO:40.7165681;-73.9910088 LOCATION:Scaramouche\,52 Orchard Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Poems of Accumulation and Growth\, Igor Eskinja UID:375614 END:VEVENT BEGIN:VEVENT DTEND:20150313T200000 DTSTAMP:20150302T054434 DTSTART:20150313T180000 GEO:40.7165681;-73.9910088 LOCATION:Scaramouche\,52 Orchard Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Poems of Accumulation and Growth\, Igor Eskinja UID:375615 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Scandinavian fine art venture Nordic Artwork presents Polar Opposites\, a unique exhibition that features artwork from the northern and southern hemispheres that captu re the special beauty of the Polar Regions. The photographs by Daniel Korda n of Moscow\, and landscape paintings and photographs by Christina Kjelsmar k will be interspersed with images from Chasing Ice\, an award-win ning documentary film by James Balog and Jeff Orlowski.

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Nordic Artwork will host a grand opening reception on Tuesday\, March 3 from 6:30-9 p.m at NOoSPHERE\, an artist-initiated nonprofit venue with a special focus on Norway.

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Landscapes in the polar a nd sub-polar zones both north and south are stunning and harsh. People have been living above 60 degrees north&mdash\;the Nordic lands&mdash\;for thou sands of years\, whereas Patagonia has only been inhabited since 1865.

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Living in these arduous regions exaggerates one&rsquo\; s interaction with nature. The lives of the first inhabitants depended heav ily on the climate\, and\, even to this day\, people in these desolate land s are highly aware of shifting weather and wind. People on both ends of the globe are welcoming alternative energy sources\, knowing that nature&rsquo \;s power is strong and dependable.

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&ldquo\;Art com munities at both poles are influenced by the striking landscapes. It is a h uge challenge to paint these beautiful landscapes\, and at the same time\, do them justice to show their uniqueness and strength\,&rdquo\; said Kirste n Wildfang\, co-founder of Nordic Artwork. &ldquo\;With this exhibition we are trying to show our connectedness despite the thousands of miles separat ing us. We want to address the concern for climate affecting the people liv ing at the poles\, by focusing on their dependence on nature&rsquo\;s unpre dictability.&rdquo\;

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Nordi c Artwork was created by Kirsten Wildfang and Tine Kryger\, each a Danish expatriate in New York\, as a way for individuals and businesses to collect high-quality Scandinavian art in an easily accessible way. Nordic Artwork currently represents nine artists who have been selected for their craftsmanship and international appeal. They come from a tradition of Scand inavian painters where clean lines\, expert painterly technique and a disti nctive light has long been known in the work of Vilhelm Hammershø\;j\ , Edvard Munch and the Skagen painters. Both individual pieces and complete solutions for private and commercial spaces are available in the online ga llery at NordicArtwork.com. Visit Nordic Artwork online at www.nordicartwork.com https://www.facebook.c om/NordicArtwork

DTEND:20150327 DTSTAMP:20150302T054434 DTSTART:20150303 GEO:40.7217317;-73.9852623 LOCATION:NOoSPHERE\,251 East Houston Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Polar Opposites\, Christina Kjelsmark\, Daniel Kordan\, James Balog \, Jeff Orlowski UID:375525 END:VEVENT BEGIN:VEVENT DTEND:20150303T210000 DTSTAMP:20150302T054434 DTSTART:20150303T183000 GEO:40.7217317;-73.9852623 LOCATION:NOoSPHERE\,251 East Houston Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Polar Opposites\, James Balog\, Christina Kjelsmark\, Daniel Kordan \, Jeff Orlowski UID:375526 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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NORDIC ARTWORK \;UNITES THE MOST EXTREME POINTS OF THE EARTH WITH &ldquo\;POLAR OPPOSITES\,&rdquo\; ITS FIRST MULTI-MEDIA ART EXHI BITION \;

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March 3&mdash\;27\, 2015 \;

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Opening Reception: \;March 3\, \;6:30-9pm \;

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NOoSPHERE \;Arts \;

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2 51 East Houston Street \;

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New York\, NY 10002 \;\n

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ImageNEW YORK CITY&mdash\;Scandinavian \;fine art venture \;N ordic Artwork \;presents \;Polar Opposites\, a unique exhibition th at features artwork from the northern and southern hemispheres that capture the special beauty of the Polar Regions. The photographs by Daniel \;K ordan \;of Moscow\, and landscape paintings and photographs by Christin a \;Kjelsmark \;will be interspersed with images from \;Chasing Ice\, an award-winning documentary film by James \;Balog \;and Jef f \;Orlowski. \;

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Nordic A rtwork will host a grand opening \;reception \;on Tuesday\, March 3  \;from 6:30-9 \;p.m \;at \;NOoSPHERE\, an artist-initiated nonprofit venue with a special focus on Norway. \;

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Landscapes in the polar and sub-polar zones both nor th and south are stunning and harsh. People have been living above 60 degre es north&mdash\;the Nordic lands&mdash\;for thousands of years\, whereas Pa tagonia has only been inhabited since 1865. \;

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Living in these arduous regions exaggerates one&rsquo\;s interaction with nature. The lives of the first inhabitants depended heavil y on the climate\, and\, even to this day\, people in these desolate lands are highly aware of shifting weather and wind. People on both ends of the g lobe are welcoming alternative energy sources\, knowing that nature&rsquo\; s power is strong and dependable. \;

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&ldquo\;Art communities at both poles are influenced by the strikin g landscapes. It is a huge challenge to paint these beautiful landscapes\, and at the same time\, do them justice to show their uniqueness and strengt h\,&rdquo\; said Kirsten \;Wildfang\, co-founder of Nordic Artwork. &ld quo\;With this exhibition we are trying to show our connectedness despite t he thousands of miles separating us. We want to address the concern for cli mate affecting the people living at the poles\, by focusing on their depend ence on nature&rsquo\;s unpredictability.&rdquo\; \;

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& nbsp\;

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Nordic Artwork \;was created by Kirsten \;W ildfang \;and Tine \;Kryger\, each a Danish expatriate \;in New York\, as a way for individuals and businesses to collect high-quality Sca ndinavian art in an easily accessible way. Nordic Artwork currently represe nts nine \;artists \;who \;have been selected for their craftsm anship and \;international appeal. They come from a tradition of Scandi navian painters where clean lines\, expert painterly technique and a distin ctive light has long been known in the work of \;Vilhelm \;Hammersh ø\;j\, \;Edvard \;Munch and the \;Skagen \;painters. Both individual pieces and complete solutions for private and commercial sp aces are available in the online gallery at NordicArtwork.com. \;Visit Nordic Artwork online at \;www.nordicartwork.com \;https://www.facebook.com/NordicArtwork \;

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Media Contact: \; \;

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Kristen Tate Comm unications: \;646-4

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DTEND:20150327 DTSTAMP:20150302T054434 DTSTART:20150303 GEO:40.7217317;-73.9852623 LOCATION:NOoSPHERE\,251 East Houston Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:"Polar Opposites"\, Christina Kjelsmark\, Daniel Kordan\, Jeff Orlo wsk UID:375504 END:VEVENT BEGIN:VEVENT DTEND:20150303T210000 DTSTAMP:20150302T054434 DTSTART:20150303T183000 GEO:40.7217317;-73.9852623 LOCATION:NOoSPHERE\,251 East Houston Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:"Polar Opposites"\, Christina Kjelsmark\, Daniel Kordan\, Jeff Orlo wsk UID:375505 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150227 DTSTAMP:20150302T054434 DTSTART:20150227 GEO:40.716943;-73.997372 LOCATION:3A Gallery\,179 Canal Street \nNew York\, NY 10013 SEQUENCE:0 SUMMARY:"Some Paintings From Belgium" Jef Geys UID:375462 END:VEVENT BEGIN:VEVENT DTEND:20150227T200000 DTSTAMP:20150302T054434 DTSTART:20150227T180000 GEO:40.716943;-73.997372 LOCATION:3A Gallery\,179 Canal Street \nNew York\, NY 10013 SEQUENCE:0 SUMMARY:"Some Paintings From Belgium" Jef Geys UID:375463 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150724 DTSTAMP:20150302T054434 DTSTART:20150326 GEO:40.716943;-73.997372 LOCATION:3A Gallery\,179 Canal Street \nNew York\, NY 10013 SEQUENCE:0 SUMMARY:"Some Paintings From Belgium" Jef Geys\, Jef Geys UID:375460 END:VEVENT BEGIN:VEVENT DTEND:20150326T200000 DTSTAMP:20150302T054434 DTSTART:20150326T180000 GEO:40.716943;-73.997372 LOCATION:3A Gallery\,179 Canal Street \nNew York\, NY 10013 SEQUENCE:0 SUMMARY:"Some Paintings From Belgium" Jef Geys\, Jef Geys UID:375461 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150406 DTSTAMP:20150302T054434 DTSTART:20150306 GEO:40.7211642;-73.9887236 LOCATION:Y Gallery\,165 Orchard Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Landscape of Belief\, Monika Bravo UID:375371 END:VEVENT BEGIN:VEVENT DTEND:20150306T210000 DTSTAMP:20150302T054434 DTSTART:20150306T180000 GEO:40.7211642;-73.9887236 LOCATION:Y Gallery\,165 Orchard Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Landscape of Belief\, Monika Bravo UID:375372 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150509 DTSTAMP:20150302T054434 DTSTART:20150314 GEO:40.719014;-73.9918129 LOCATION:Woodward Gallery\,133 Eldridge Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Both Ways\, Susan Breen\, Margaret Morrison UID:375369 END:VEVENT BEGIN:VEVENT DTEND:20150314T200000 DTSTAMP:20150302T054434 DTSTART:20150314T180000 GEO:40.719014;-73.9918129 LOCATION:Woodward Gallery\,133 Eldridge Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Both Ways\, Susan Breen\, Margaret Morrison UID:375370 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150418 DTSTAMP:20150302T054434 DTSTART:20150301 GEO:40.7494584;-74.0046212 LOCATION:Winston Wachter Fine Art\,530 West 25th Street \nNew York\, NY 100 01 SEQUENCE:0 SUMMARY:Hoop The American Dream\, Robin Layton UID:375367 END:VEVENT BEGIN:VEVENT DTEND:20150306T200000 DTSTAMP:20150302T054434 DTSTART:20150306T180000 GEO:40.7494584;-74.0046212 LOCATION:Winston Wachter Fine Art\,530 West 25th Street \nNew York\, NY 100 01 SEQUENCE:0 SUMMARY:Hoop The American Dream\, Robin Layton UID:375368 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150312 DTSTAMP:20150302T054434 DTSTART:20150301 GEO:40.7190592;-73.9939197 LOCATION:Whitebox Art Center\,329 Broome Street \nNew York\, New York 10002 SEQUENCE:0 SUMMARY:Tonal Vision\, norton\, Sarah Anderson\, richard bloes\, Patrick Bu rns\, Natalee Cayton\, Chris Ketchie\, Tom Kotik\, David Miller\, Pablo Nar vaez\, Patrick Paine\, Eliza Proctor\, Greg Reynolds\, Joshua Rosenblatt\, Royce Weatherly\, Ian Jones\, Jason Phillips UID:375365 END:VEVENT BEGIN:VEVENT DTEND:20150301T210000 DTSTAMP:20150302T054434 DTSTART:20150301T160000 GEO:40.7190592;-73.9939197 LOCATION:Whitebox Art Center\,329 Broome Street \nNew York\, New York 10002 SEQUENCE:0 SUMMARY:Tonal Vision\, Sarah Anderson\, richard bloes\, Patrick Burns\, Nat alee Cayton\, Ian Jones\, Chris Ketchie\, Tom Kotik\, David Miller\, Pablo Narvaez\, norton\, Patrick Paine\, Jason Phillips\, Eliza Proctor\, Greg Re ynolds\, Joshua Rosenblatt\, Royce Weatherly UID:375366 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150404 DTSTAMP:20150302T054434 DTSTART:20150305 GEO:40.760955;-73.968441 LOCATION:Throckmorton Fine Art\,145 EAST 57th STREET\, 3RD FLOOR \nNEW YORK \, NEW YORK 10022 SEQUENCE:0 SUMMARY:Warring States & Han Dynasty Jades UID:375364 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Opening Reception: Thursday\, March 5th\, 6 &ndash\; 8 PM.

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To be attended by James Barker\, Tracy Martin and Michelle Moore Peel

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Steven Kasher Gallery is proud to present the exhibition Selma March 1965.  \;Featur ing over 150 original photographs\, the exhibition depicts the three Selma- to-Montgomery marches that rocked the nation and galvanized the Civil Right s Movement in 1965. &ldquo\;Never before in New York or any other gallery h as the work of photographers James Barker \, Spider Martin and Charles Moore been brought together like this\,&rdquo\; said Steven Kasher. &ldquo\;By combining their work\, the exhibition captures in a new way the angst\, courage and chaos of this seminal moment in American history.&rdquo\;

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On March 7th\, 1965\, Alabama state troopers and a local posse viciously attacked c ivil rights demonstrators in Selma\, stopping a planned peaceful march to t he state capitol in Montgomery\, wounding many innocent marchers. Both film ed and photographed\, &ldquo\;Bloody Sunday&rdquo\; instantly caused nation wide outrage. A few days later\, a second march\, led by the Rev. Dr. Marti n Luther King Jr.\, was turned back. A third\, ultimately successful march left Selma on March 21\, arriving in Montgomery five days later. \; By then\, President Lyndon B. Johnson\, pushed by Dr. King and the horrific im ages of brutality captured by Martin\, Moore and others\, had introduced th e Voting Rights Act to Congress\, which became law later that year.

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&ldquo\;Together the images on display prese nt a complex\, compelling tableau that is both monumental and intimate\, br ave and vulnerable\,&rdquo\; said Kasher. &ldquo\;The exhibit is inspiring\ , but also a chilling reminder that those who fight for social justice do a t great risk\, with no guarantee that their efforts will be successful &nda sh\; though sometimes they are\, if only partially.&rdquo\; Selma March 196 5 commemorates the 50th anniversary of the Selma marches as well as the Vot ing Rights Act they catalyzed. It is the 30th public exhibition that Kasher has organized of photography of the Civil Rights Movement. \;

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Charles Moore (1931 &ndash\; 2010)is the most renowned photographer of the Civil Rights Movement. His S elma pictures were published in two issues of Life\, then the most read and shared journal in the U. S.\, with a wider audience than the tele vision news. His pictures of peaceful demonstrators and brutal police shock ed the nation and galvanized Congressional response. Moore&rsquo\;s Civil R ights Movement pictures have been published and exhibited widely ever since \, especially the ones he took of the Birmingham protests in 1963. Those pi ctures\, of protestors fire-hosed and attacked by police dogs\, are the mos t iconic images of the Civil Rights Movement. They earned Moore renown\, bu t also arrest in Birmingham\, and a year&rsquo\;s banishment from Alabama\, his native state. His earliest pictures in this exhibition document the ri se to prominence in Montgomery of the Reverend Martin Luther King\, Jr.\, t aken while Moore was chief photographer for The Montgomery Advertiser. Moore&rsquo\;s Selma pictures for Life record the brutal atta ck on the first march\, then attacks on civil rights activists in Montgomer y\, and finally the joyous culmination in Montgomery of the third march.

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In 1965 Spider Martin (1939 &ndash\; 2003) was a young staff photographer at The Birmingham N ews. Spider was sent to cover the Selma events\, but the News was relu ctant to feature his images. Once the Bloody Sunday violence preempted nati onal television programing and exposed what was happening in Selma\, the News \;had no choice but to prominently publish Spider's picture s\, moving them from the back of the paper to the front. The \;News  \;released Spider from his assignment after Bloody Sunday because "the largely \;segregationist editors thought if you didn't publish it \, much of this would go away." But Spider won out his argument with his ed itors \;to stay on\, so he \;covered the Selma activities through T urnaround Tuesday and the third successful march. His photographs traveled all over the world\, appearing in such publications as \;Time\, Lif e\, Der Spiegel\, Stern\, The Saturday Evening \;Post\, Paris Match\, < /em>and numerous books. \; Martin&rsquo\;s pictures are among the most dramatic and monumental of the events. His prints have never been exhibited in New York previously.

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Jame s Barker (b. 1936) was a participant observer on the third Selma m arch. As a staff photographer working at Washington State University he was chosen to join a delegation of three sent by the university to support and witness the march. His images are the only insider ones known to exist &nd ash\; as opposed to photojournalistic. He captures the fear\, weariness\, t edium\, and organizational details of the third march in a most intimate wa y. Barker continues to practice as a documentary photographer in his adopte d state\, Alaska.

DTEND:20150418 DTSTAMP:20150302T054434 DTSTART:20150305 GEO:40.7501399;-74.003542 LOCATION:Steven Kasher Gallery\,515 West 26th Street \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Selma March 1965\, James Barker\, Spider Martin\, Charles Moore UID:375362 END:VEVENT BEGIN:VEVENT DTEND:20150305T200000 DTSTAMP:20150302T054434 DTSTART:20150305T180000 GEO:40.7501399;-74.003542 LOCATION:Steven Kasher Gallery\,515 West 26th Street \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Selma March 1965\, James Barker\, Spider Martin\, Charles Moore UID:375363 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150411 DTSTAMP:20150302T054434 DTSTART:20150312 GEO:40.7476226;-74.0061424 LOCATION:Sikkema Jenkins & Co\,530 W.22nd St. \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Aggregates\, Marc Handelman UID:375360 END:VEVENT BEGIN:VEVENT DTEND:20150226T200000 DTSTAMP:20150302T054434 DTSTART:20150226T180000 GEO:40.7476226;-74.0061424 LOCATION:Sikkema Jenkins & Co\,530 W.22nd St. \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Aggregates\, Marc Handelman UID:375361 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20150503 DTSTAMP:20150302T054435 DTSTART:20150315 GEO:40.7165681;-73.9910088 LOCATION:Scaramouche\,52 Orchard Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Solo Exhibition\, Igor Eskinja UID:375358 END:VEVENT BEGIN:VEVENT DTEND:20150315T200000 DTSTAMP:20150302T054435 DTSTART:20150315T180000 GEO:40.7165681;-73.9910088 LOCATION:Scaramouche\,52 Orchard Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Solo Exhibition\, Igor Eskinja UID:375359 END:VEVENT BEGIN:VEVENT DESCRIPTION:

In 2010\, photographer McNair Evans returned to his childhood home in Laurinburg\, North Carolina\, to re trace his father&rsquo\;s life and legacy after his death nine years earlie r. His father&rsquo\;s passing had exposed the looming insolvency of their family businesses\, ending five generations of family and financial stabili ty. The economic impact on the family was immediate\, but the emotional imp act lingered with Evans. Seeking to comprehend how the man he admired could have hidden the impending reality from those he loved\, Evans delved into his family origins and his father&rsquo\;s history to create a multi-layere d photographic narrative about love and loss.

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Evans used medium and large format cameras to chronicle his father &rsquo\;s journey from North Carolina to Princeton\, New Jersey\, and back again. The overall portrait that emerges is intimate\, yet the themes of ho me\, work\, love\, loss and grief concern us all. We see a name scratched i nto a mantelpiece\, a church hymnal on a dashboard behind a splintered wind shield\, the exposed contents of an old\, care-worn desk and a bedroom at t wilight\, as a backyard floodlight\, installed by the artist&rsquo\;s mothe r to prevent burglaries\, shines through a window.

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It is testament to Evans&rsquo\; sensibilities as a photograp her that his photographs of the unremarkable are never banal. His compositi onal clarity\, mastery of light and shadow\, and the unabashed emotion that he injects into his work allow mundane subjects to be transported\; pushed beyond the everyday.

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These photograp hs convey anger\, nostalgia and grief\, alloyed with gratitude and an accep tance of the gift of clarity gained by making this survey. This work is hau nting in its ability to hold these feelings in careful balance. His photogr aph of playing cards on a table demonstrates this poignant equilibrium: fai nt condensation mists a window\, through which a marvelous slant of morning sunlight illuminates the aftermath of a game of chance\, now finished beca use the player has left the table.

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Mc Nair Evans grew up in a small farming town in North Carolina and became int erested in photography while studying cultural anthropology at Davidson Col lege. He continued his education through one-on-one mentorships with highly acclaimed pioneers of new documentary practices\, Mike Smith of Johnson Ci ty\, TN\, and Magnum Photographer Alec Soth. Soth went on to nominate Evans for the John Gutmann Foundation Photography Fellowship Award in 2013. McNa ir&rsquo\;s pictures draw parallels between the lives of individuals and un iversally shared experiences\, and they are most recognized for a distinct and metaphoric use of light.

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McNair&r squo\;s photographs have appeared in numerous exhibition settings and edito rial publications\; they were featured in Harper&rsquo\;s Magazine and on t he cover of William Faulkner&rsquo\;s novel Flags in the Dust\, among other s. His first monograph\, Confessions for a Son\, was pre-released on Septem ber 20\, 2014 at the New York Art Book Fair and has since been featured in The New Yorker\, Photo District News\, and The Financial Times.

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The exhibition will open on Wednesday\, February 25th with a reception from 6 to 8 p.m.

DTEND:20150405 DTSTAMP:20150302T054435 DTSTART:20150225 GEO:40.7175125;-73.9904759 LOCATION:Sasha Wolf Gallery\,70 Orchard Street \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Confessions For a Son\, McNair Evans UID:375357 END:VEVENT BEGIN:VEVENT DESCRIPTION:

If You Ask Me.... It's About The Soul - Curated by The Lazy Hustler aka Ricky Powell

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RSVP Only. Email info@sacredgallerynyc.com to be put on the list.

DTEND:20150426 DTSTAMP:20150302T054435 DTSTART:20150305 GEO:40.719541;-74.001323 LOCATION:Sacred Gallery NYC\,424 Broadway 2nd Floor\nNew York\, NY 10013 SEQUENCE:0 SUMMARY:If You Ask Me.... It's About The Soul\, Group Show UID:375355 END:VEVENT BEGIN:VEVENT DTEND:20150305T230000 DTSTAMP:20150302T054435 DTSTART:20150305T200000 GEO:40.719541;-74.001323 LOCATION:Sacred Gallery NYC\,424 Broadway 2nd Floor\nNew York\, NY 10013 SEQUENCE:0 SUMMARY:If You Ask Me.... It's About The Soul\, Group Show UID:375356 END:VEVENT END:VCALENDAR