ArtSlant - Recently added en-us 40 Sofia Szamosi - Open Source Gallery - November 8th - December 1st <p>Open Source Gallery presents &ldquo;Eat Me,&rdquo; new multimedia work by Sofia Szamosi.</p> <p>The Open Source Gallery is proud to present &ldquo;Eat me,&rdquo; the first solo show of New York based artist, Sofia Szamosi. Curated by Keith Miller, Sofia Szamosi&rsquo;s &ldquo;Eat Me&rdquo; explores the relationship between the artist&rsquo;s sense of self, food and contemporary notions of body image through a series of video self-portraits. Through exquisitely shot, confrontational images, Szamosi work addresses the complexities of body image and food, illustrated through sensual, grotesque, and occasionally disturbing imagery. Reminiscent of advertisements of overtly sexualized women selling the newest commodities, guilty pleasures, and unhealthy sweets, the artist looks directly into the camera, confronting the viewer. With her own body as a canvas, Szamosi explores consumption and desire, making herself both target and victimizer of the almost inescapable excess in our consumer-based society.</p> <p>&ldquo;Eat Me&rdquo; presents a tenuous balance of an enticing eroticism and a troubling repulsion. The viewer ends up involved in Szamosi&rsquo;s contemplation of food and complicit in her predicaments, which range from enjoyment to humiliation. She spits multi-colored candies like a fountain or seductively licks a lollypop; she drowns in syrup and coughs up sprinkles. In each case, the viewer must decide where to draw the line:where does indulgence end and obsession begin? Szamosi&rsquo;s work lays bare the conflicted relationship we have with pleasure, the body, and what we mean by free will. Alternately sexy and sickening, &ldquo;Eat Me&rdquo; walks the delicate line between solipsistic desire and self-destruction.&nbsp;</p> <p>Sofia Szamosi lives and works in New York, New York. Sofia&rsquo;s music videos have been released by labels Sweat It Out and Dim Mak, and her photobooth photography has been featured in Russh Magazine and the Gallatin Review. Her artwork has been represented in the Gallatin Arts Festival, Superchief Gallery, and at the International Photobooth Convention in Chicago.</p> <p>Keith Miller is a filmmaker, painter, and curator. Miller is currently a professor at New York University&rsquo;s Gallatin School of Individualized Study. Since 2009, he has been the curator of the Gallatin Galleries, encouraging work that engages the personal with the political. Miller&rsquo;s exhibition of paintings, &ldquo;Trees,&rdquo; was shown at Open Source in 2013. He recently premiered his second feature film,&nbsp;<em>Five Star</em>, premiered at the Tribeca Film Festival and the Venice Film Festival&rsquo;s&nbsp;<em>Giornate degli Auotre</em>. His first feature length film,&nbsp;<em>Welcome to Pine Hill</em>, which The NY Times&rsquo; AO Scott called &ldquo;resonant and powerful,&rdquo; premiered in 2012 at the Slamdance Film Festival, where it won the Grand Jury Prize.</p> Fri, 24 Oct 2014 18:57:29 +0000 Jonathan Beer, Michael Chiarello - Tripoli Gallery - November 1st - November 24th <p><span style="font-family: 'Gill Sans';">Tripoli Gallery is pleased to present Jonathan Beer and Michael Chiarello in a two-man show titled <em>Poetics of Space. </em>The exhibition will be on view at 30a Jobs Lane, Southampton, NY, from November 1st through November 24th, with a public opening reception on Saturday, November 1st from 5 to 7 p.m. </span></p> <p><em><span style="color: black; font-family: 'Gill Sans'; font-size: small;">Poetics of Space</span></em><span style="font-family: 'Gill Sans';"> brings together sculpture by local artist Michael Chiarello and paintings/mixed media work by Jonathan Beer&mdash;two artists whose work takes divergent approaches to space and spatial concerns yet comes together aesthetically in a balance of forcefulness and poetics. The title for the exhibition is borrowed from Gaston Bachelard&rsquo;s 1958 text, <em>La poetique de l'espace</em>; a simultaneous critique of poetry and philosophical search for meaning in all spaces life occupies. With use of thin lines, Chiarello transforms steel into an open, breathable form that naturally takes into account both positive and negative space; inviting the viewer to not only observe but exist within the space of the work. Jonathan Beer&rsquo;s work challenges our notions of space within the 2-dimensional canvas, going beyond traditional illusionistic devices as he simultaneously constructs and deconstructs pathways leading in and out of the picture plane; transitioning between purely abstract and recognizable forms.</span></p> <p><strong><span style="color: black; font-family: 'Gill Sans'; font-size: small;">Jonathan Beer</span></strong><span style="font-family: 'Gill Sans';"> was born in New Orleans, Louisiana in 1988 and received his BFA from School of Visual Arts in 2010 and his MFA from the New York Academy of Art in 2012. He was awarded a 3rd Year Post Graduate Fellowship at the New York Academy of Art for 2013. Beer has had solo shows at MDC Museum of Art + Design in Miami, FL; Kathleen Cullen Fine Art, NY; Georgia Tech&rsquo;s Ferst Center for the Arts, Atlanta, GA, among others. His work has been exhibited internationally at Galerie Delta in Rotterdam, Netherlands and at the Siauliai Art Gallery in Lithuania. In 2011, he co-founded Art-Rated, a blog dedicated to articles and interviews on the contemporary art scene. He has been in two group shows at Tripoli Gallery in 2013 and 2014. Beer currently lives and works in Newburgh, NY.</span></p> <p><strong><span style="font-family: 'Gill Sans'; font-size: small;">Michael Chiarello</span></strong><span style="font-family: 'Gill Sans'; font-size: small;"> was born in New York in 1979 and grew up in Northport, Long Island. He earned his BFA from Maryland Institute and College of Art (MICA) in Baltimore in 2001. His public works include </span><em><span style="font-family: 'Gill Sans'; font-size: small;">Full</span></em><span style="font-family: 'Gill Sans'; font-size: small;">, Merriweather Post Pavillion, Columbia, MD; <em>Rising Landscape/Boundless, </em>Town &amp; Country Real Estate, Bridgehampton, NY; <em>Highway 1</em>, Mather Hospital, Port Jefferson, NY; </span><span style="font-family: 'Gill Sans'; font-size: small;">Konner Development, Bridgehampton, NY; and Dodds &amp; Eder Sculpture Garden, Sag Harbor, NY. Chiarello has exhibited at Sperone Westwater Gallery, Galerie LeLong, and Robert Miller Gallery in New York, NY; Energy Gallery in Toronto, Canada; and locally at the Montauk Beach House and The Ark Project in Watermill, among others. He has been exhibiting with Tripoli Gallery since 2011. </span><span style="font-family: 'Gill Sans'; font-size: small;">Chiarello currently lives and works in East Hampton, NY.</span></p> <p><span style="font-family: 'Gill Sans'; font-size: small;">For press inquiries, images, or further information, please contact or call 631.377.3715</span></p> Fri, 24 Oct 2014 16:05:18 +0000 Eric Souther, Kiki Smith, Ann Hamilton, Xu Bing, Oliver Herring, Peer Bode, Joseph Scheer - Claire Oliver Gallery - October 30th - December 6th <p>Groundbreaking selections from the Institute for Electronic Arts at Alfred University</p> <p>Migration: 1.) to shift position&nbsp; 2.) a large-scale and continuing movement.<br /> &nbsp;</p> <p>With the advent of new technologies forging new definitions of design and communications, the role of artists and designers in society has become more critical than ever. Claire Oliver Gallery seeks to forge new bridges between the worlds of science, technology, art and design with the exhibition <em>Migration</em>.&nbsp; With groundbreaking selections from the Institute for Electronic Arts at Alfred University, the exhibition seeks to highlight innovations and discoveries which have and continue to expand the possibilities of digital technology's role in the fine arts.</p> Fri, 24 Oct 2014 19:26:34 +0000 - Ceres Gallery - December 2nd - December 6th <p>New Mixed Media Work</p> <div class="ap-whitebox-body description"> <p style="text-align: justify;">Ceres Gallery presents 10 simultaneous exhibitions each week for five weeks with space available for both two and three-dimensional work. Each artist will be able to fully avail themselves of approximately 12-17 running feet of wall space with 10+ foot ceilings OR approximately 80-100 sq ft of floor space. There is room for 1 artist per week with work on stands/floor and 9 artists on the walls.&nbsp;</p> <p style="text-align: justify;">These one-week exhibitions will begin Nov 25 and continue through Dec 30, 2014 at our 2000+ sq ft premiere gallerv space in Chelsea.&nbsp;</p> <p style="text-align: justify;">Ceres will host a wine reception each week for the public as well as forthe guests of each artist.</p> </div> Fri, 24 Oct 2014 14:26:36 +0000 Abdul Badi, Yehuda Blum, Colin Bootman, Maria Diaz-Luna, France Hilbert, Carlos Pinto - Clover's Fine Art Gallery - October 30th - November 30th Thu, 23 Oct 2014 23:27:45 +0000 Wendell Minor - Edward Hopper House Art Center - November 7th - January 4th, 2015 <h2 style="text-align: justify;"><span style="font-size: small;">Book talk and signing with illustrator Wendell Minor</span></h2> <p style="text-align: justify;"><span style="font-size: small;"><strong>Friday, November 7, 2014, 7-8 pm</strong><br /> Artist Wendell Minor will discuss the process&nbsp;of creating&nbsp;"Edward Hopper Paints His World," a picture book biography&nbsp;that introduces Hopper to the next generation.&nbsp;&nbsp;<br /></span></p> <p style="text-align: justify;"><strong><span style="font-size: small;">November 7, 2014 - January 4, 2015 in the Hopper Hallway Gallery</span></strong></p> <p style="text-align: justify;"><span style="font-size: small;">Edward Hopper House is pleased to present a series of illustrations by Wendell Minor created for the new picture book biography&nbsp;&ldquo;Edward Hopper Paints His World&rdquo; (written by Robert Burleigh with illustrations by Wendell Minor).&nbsp;&nbsp; According to The Wall Street Journal, &ldquo;In the rich, warm picture-book pages of &lsquo;Edward Hopper Paints His World,&rsquo; Mr. Minor deploys his own considerable skills with the brush to summon resonant scenes of Hopper seeming to enter what would become his own paintings... This is a lovely, serene introduction for 5- to 10-year-olds to the creative process and to the particular, haunting talent of Hopper himself."</span></p> Fri, 24 Oct 2014 14:13:30 +0000 - Edward Hopper House Art Center - October 25th - January 4th, 2015 <p style="text-align: justify;"><strong>Opening Reception October 25th 2-4 pm</strong></p> <p style="text-align: justify;"><strong>Through January 4, 2015</strong></p> <p style="text-align: justify;"><strong>Juror</strong>: &nbsp;<strong>Kenise Barnes, Director of Kenise Barnes Fine Art, Larchmont, NY</strong></p> <p style="text-align: justify;"><strong>Edward Hopper House </strong>presents the its 21st annual small works exhibition.&nbsp; This year&rsquo;s theme, <em>En Route,</em>celebrates the new bridge being built across Edward Hopper&rsquo;s beloved Hudson River and recognizes Hopper&rsquo;s frequent use of travel themes in his paintings.&nbsp;&nbsp; Selected artists: John Aquilino, Chris Ekstrom, Robert Hunter, Michael Iskowitz, William Jobson, FlavioMorante, Crista Pisano, Elisa Pritzker, Caroline Blum, Kathy Cantwell, Emily Cucalon, Lisa Delmonico, Jacquelyn Etling, Lisa Fiore, Daly Flanagan, Marilyn Friedman, Shabnam K. Ghazi, Daric Gill, Devorah Rosen Goldman, Heather Goodman, Jeri Greenberg, Erica Hauser, Laura Johansen, Carole P. Kunstadt, Elizabeth Meggs, Katherine Rohrbacher, Lynn Stein, Laurie Steinhorst, Toru Sugita, Erin White, Eunice Yu, Win Zibeon.</p> Fri, 24 Oct 2014 14:14:40 +0000 - International Studio & Curatorial Program (ISCP) - November 7th - November 9th <p>The International Studio &amp; Curatorial Program (ISCP) Fall Open Studios is a three-day exhibition of international contemporary art. The 34 artists and curators from 22 countries currently in residence present work in their studios. The studio is a generative space &ndash; part production site, office, laboratory and situation &ndash; and it can be argued that it is more significant today for artistic process than ever before. Open Studios invites the public to 34 &ldquo;studio visits&rdquo; to experience art in its place of origin and to share conversations with artists from all over the world.&nbsp;Visitors will have access over the three days to international contemporary art practices in a studio setting as well as through ISCP&rsquo;s 20<sup>th</sup>&nbsp;anniversary alumni exhibition.</p> <p>&nbsp;</p> <p><strong>Artists and curators participating in Open Studios<br /></strong><a href="" rel="nofollow">Jo-Anne Balcaen</a>&nbsp;Canada&nbsp;<a href="" rel="nofollow">Randi Grov Berger</a>&nbsp;Norway&nbsp;<a href="" rel="nofollow">Melanie Bonajo</a>&nbsp;The Netherlands&nbsp;<a href="" rel="nofollow">Peggy Buth</a>&nbsp;Germany&nbsp;<a href="" rel="nofollow">Chun-Yi Chang</a>&nbsp;Taiwan&nbsp;<a href="" rel="nofollow">Claudia Chaseling</a>&nbsp;Germany&nbsp;<a href="" rel="nofollow">Burak Delier</a>&nbsp;Turkey&nbsp;<a href="" rel="nofollow">Jeff Desom</a>&nbsp;Luxembourg&nbsp;<a href="" rel="nofollow">Polibio D&iacute;az</a>&nbsp;Dominican Republic&nbsp;<a href="" rel="nofollow">Saara Ekstr&ouml;m</a>&nbsp;Finland&nbsp;<a href="" rel="nofollow">Gianfranco Foschino&nbsp;</a>Chile&nbsp;<a href="" rel="nofollow">Hyon Gyon</a>&nbsp;South Korea&nbsp;<a href="" rel="nofollow">Toulu Hassani</a>&nbsp;Germany&nbsp;<a href="" rel="nofollow">Allard van Hoorn</a>&nbsp;The Netherlands&nbsp;<a href="" rel="nofollow">Yinling Hsu&nbsp;</a>Taiwan&nbsp;<a href="" rel="nofollow">Emre H&uuml;ner</a>&nbsp;Turkey&nbsp;<a href="" rel="nofollow">Dominique Hurth</a>&nbsp;Germany&nbsp;<a href="" rel="nofollow">Ivan Ivanovski</a>&nbsp;Macedonia&nbsp;<a href="" rel="nofollow">Anna Jermolaewa</a>&nbsp;Austria&nbsp;<a href="" rel="nofollow">Sta&scaron; Kleindienst</a>&nbsp;Slovenia Lilian Kreutzberger The Netherlands&nbsp;<a href="" rel="nofollow">V&eacute;ronique Leblanc</a>&nbsp;Canada&nbsp;<a href="" rel="nofollow">Jae Hoon Lee</a>&nbsp;New Zealand&nbsp;<a href="" rel="nofollow">Kristina Matousch</a>Sweden&nbsp;<a href="" rel="nofollow">nova Milne</a>&nbsp;Australia&nbsp;<a href="" rel="nofollow">Simon Dybbroe M&oslash;ller</a>&nbsp;Denmark Marzena Nowak Poland&nbsp;<a href="" rel="nofollow">Rolf Nowotny</a>&nbsp;Denmark&nbsp;<a href="" rel="nofollow">Asae Soya</a>&nbsp;Japan&nbsp;<a href="" rel="nofollow">Kwok Hin Tang</a>&nbsp;Hong Kong&nbsp;<a href="" rel="nofollow">Lotta T&ouml;rnroth</a>&nbsp;Sweden<a href="" rel="nofollow">Alexander Tovborg</a>&nbsp;Denmark Tori Wr&aring;nes Norway&nbsp;<a href="" rel="nofollow">Yuri Yim</a>&nbsp;South Korea</p> Thu, 23 Oct 2014 19:06:22 +0000 Group Show - International Studio & Curatorial Program (ISCP) - November 7th - January 30th, 2015 <p>Alongside Open Studios and through January 30<sup>th</sup>, 2015 ISCP presents the exhibition&nbsp;<em><strong>New York Stories: Twenty Years of ISCP.</strong>&nbsp;</em>This exhibition, organized on the occasion of ISCP&rsquo;s 20<sup>th</sup>&nbsp;anniversary, includes work by 15 ISCP alumni that &ndash; in the broadest sense &ndash; considers the global city of New York from the perspective of an artist-in-residence. Artists: Balam Bartolom&eacute;, Taysir Batniji, Maura Biava, Christine Coenon, Jacqueline Doyen, Patrick Hamilton, Laura Horelli, Anouk Kruitof, Kakyoung Lee, Max Pam, Bundith Phunsombatlert, Karen Elaine Spencer, Axel Topfer, Christoph Weber, and Yamashita + Kobayashi.</p> Thu, 23 Oct 2014 19:04:30 +0000 Group Show - Viridian Artists - November 11th - November 29th <p style="text-align: justify;" align="center"><strong>Chelsea:</strong>&nbsp;It is with pleasure and pride that Viridian Artists is featuring past and present Viridian Artists in two upcoming 45th&nbsp;Anniversary Exhibitions. These exhibitions will be occurring October 21st&nbsp;through November 8th&nbsp;and November 11th&nbsp;through November 29th, 2014. There will be receptions on Thursday Oct. 23 and Thursday Nov. 13, 6-8pm.</p> <p style="text-align: justify;">As one of the first artist-owned galleries in the New York City art world, Viridian began its existence in Soho when Soho was just beginning to be an art destination. In 1969, a group of Long Island artist formed a gallery just off West Broadway called Second Story Spring Street, the parent of Viridian Artists before SoHo was SoHo.</p> <p style="text-align: justify;">Viridian moved from there to becoming the only artist owned gallery on 57th&nbsp;St where it remained until 2001 in the NY Gallery Building. As the city was digging out from under the tragedy of 9/11, Viridian was moving to 530 W 25th&nbsp;in Chelsea where it remained until 2011, moving then to its current location at 548 West 28th&nbsp;Street.</p> <p style="text-align: justify;">Over the years some of the original artists have remained with the gallery while others have departed and then returned. With the gallery since its inception are Janet Bohman, Bernice Faegenburg, and Virginia Evans Smit. Barbara K Schwartz, Susan Sills, Oi Sawa, and Tazuko Fujii have been the gallery nearly as long. Other artists with the gallery since before 2000 include May DeViney, Renee Borkow and the Estate of Bruce Rosen.</p> <p style="text-align: justify;">The artists of Viridian draw from the complicated and often contradictory currents of modern life and contemporary culture to create their art. The gallery has always prized esthetic diversity and each Viridian Artist, past and present, has a particular approach to representation and a unique way of decoding reality.</p> <p style="text-align: justify;">As commercial galleries become artist-owned and cooperative galleries become more respected for their high quality art and the freedom they give their artists, Viridian has maintained that critical balance necessary to compete in today&rsquo;s diverse art community. Today, surviving the heyday of commercialism as art and art as real estate, Viridian continues.</p> Thu, 23 Oct 2014 17:57:47 +0000 Róza El-Hassan - Thomas Erben Gallery - October 30th - December 13th <p>Thomas Erben is pleased to present the gallery&rsquo;s first exhibition with <strong>Roza El-Hassan </strong>(b. 1966, Budapest), an artist of dual Hungarian/Syrian nationality. Installing wooden figures and mixed media sculptures with works on paper and wall-drawings, El-Hassan merges many contradictory qualities into a multi-faceted and nuanced reflection on the human condition.<br /><br />Roza El-Hassan&rsquo;s social intervention and social design projects &ndash; involving materials like wicker and adobe - as well as objects and drawings, have been exhibited widely and internationally. Institutional solo exhibitions include Kunstmuseum Basel (2012); M&uuml;csarnok/Kunsthalle, Budapest (2006); The Drawing Center, New York (2003); Secession, Vienna (2000); Ludwig Museum Budapest and De Vleeshal, Netherlands (both 1999); and Neue Galerie am Landesmuseum, Graz (1995). She represented Hungary in 1997 at the Venice Biennale.<br /><br />El-Hassan&rsquo;s sculptures are at once solid and ethereal. Assembled from pieces of roughly hewn wood &ndash; small splinters joined to heavy blocks &ndash; these figures are carved by a hand alternating between the violent and the gentle. Blank or rudimentary faces combine with sketch-like body parts or carefully contoured planks into intuitive impressions: internal states projected in wood. Outer roughness is contrasted with a calm radiating from within, further enhanced by the partial coloring of some sculptures in light washes, with details added in pencil. These solemn works are balanced with more energetic pieces, like the haphazardly clad <em>Red Man</em> (2007), whose laughing face is painted a bright scarlet, matching the blanket on which he is sitting.<br /><br />Similar qualities are present in El-Hassan&rsquo;s works on paper, and throughout the artist&rsquo;s career her drawings have been the constant holding all other activities together. Some of these works come about as sketches for sculpture, performance and architecture; time is a central aspect, and many are produced in a diary-like fashion. Abstract tangles mix with vague figures, collaged pieces of torn paper and fabric, translucent fields, vibrantly colored shapes, smudged pencil. As grave as the subject matters may be, the lightness and openness of the work suggests a process of searching rather than stating, a subtle sensitivity in fraught political climates.<br /><br />The tentative, probing nature of El-Hassan&rsquo;s drawings is reflected through her entire practice, and what may at first glance seem makeshift is always underpinned with careful formal and material consideration. By letting her work sprawl in multiple directions, the artist creates a whole that encompasses all human hopes and fears, embodying currents of unrest and trauma as well as dignity, protest, and artistic integrity.<br /><br />The artist lives and works in Budapest and Berlin, where she is currently a resident at the K&uuml;nstlerhaus Bethanien. El-Hassan is the publisher of the website</p> Thu, 23 Oct 2014 17:01:57 +0000 Taku Obata - Jonathan LeVine Gallery - 529 W. 20th - November 22nd - December 20th Thu, 23 Oct 2014 08:17:21 +0000 Kai and Sunny - Jonathan LeVine Gallery - 529 W. 20th - November 22nd - December 20th Thu, 23 Oct 2014 08:16:43 +0000 Doze Green - Jonathan LeVine Gallery - 557C West 23rd - November 20th - December 20th Thu, 23 Oct 2014 08:14:46 +0000 Guglielmo Achille Cavellini - LYNCH THAM - November 5th - December 21st <div class="gmail_quote" dir="ltr"> <div> <div><strong>GUGLIELMO ACHILLE CAVELLINI&nbsp;/&nbsp;Centennial Exhibition</strong></div> </div> <div> <div>5 Nov&nbsp;to 21Dec&nbsp;2014</div> </div> </div> <div class="gmail_quote" dir="ltr">Opening Reception:&nbsp;Wednesday,&nbsp;5 Nov&nbsp;2014, 6-8pm<br />175 Rivington Street, New York</div> <div class="gmail_quote" dir="ltr">&nbsp;</div> <div class="gmail_quote" dir="ltr"> <p><span style="font-family: verdana, sans-serif;">LYNCH THAM is pleased to present select carbon works by the celebrated Italian artist Guglielmo Achille Cavellini.&nbsp; The year 2014 is an important marker in Cavellini&rsquo;s career as art institutions across Europe and the United States celebrate the centenary of his birth.&nbsp; In addition to the gallery presentation, a local Cavellini Festival, organized by Mark Bloch is scheduled from&nbsp;November 14-16. On&nbsp;November 14, the library at the Museum of Modern Art, New York, will host a reception and special viewing of their vast Cavellini archive.&nbsp; The weekend will also include a series of performances and interventions at various New York museums and non-profit spaces.</span></p> <p><span style="font-family: verdana, sans-serif;">&nbsp;</span></p> <p><span style="font-family: verdana, sans-serif;">The exhibition at LYNCH THAM includes Cavellini&rsquo;s ontological carbon series created from 1970 to 1990.&nbsp; The works feature fully and partially charred pictures and objects; including geometric abstraction of chromatic scale with portraits and image of Italy&rsquo;s physical outline as an aesthetic and personal symbol. These pieces contributed to the deep innovation Cavellini had undertaken in his work and when combined, in terms of background and form, carbon became an absolute texture, which expanded through a continued citation.&nbsp;</span></p> <p><span style="font-family: verdana, sans-serif;">&nbsp;</span></p> <p><span style="font-family: verdana, sans-serif;">Cavellini engaged in an extensive postage-art exchange for which he became well known.&nbsp;&nbsp;This exchange turned him into the leader of a new way of communicating in art.&nbsp; He became a mythical figure for a generation of underground artists and was regarded as a liberator that would break the chains of a closed system that often excluded artists.&nbsp; In 1970, he invented the term&nbsp;<em>autostoricizzazione</em>&nbsp;(self-historicization) and started a long work of conceptual self-promotion, which sought to bypass the roles of the critic and the market.</span></p> <p><span style="font-family: verdana, sans-serif;">&nbsp;</span></p> <p><span style="font-family: verdana, sans-serif;">Cavellini was born in Brescia, Lombardy where he lived and worked until he died in 1990.&nbsp; His artist&rsquo;s books are represented in the permanent holdings of New York&rsquo;s Franklin Furnace and in the archive on 20th century art maintained by the Venice Biennale. His work is in many private and public collections including the Civiche Raccolte Comune di Milano, Museo Pecci Prato, Museo MART Rovereto, Museo di Cavalese Trento, Collezione citta di Pesaro, Civica Raccolta del disegno Sal, FRAC Nord Pas de Calais and Le Consortium Dijon in France, among many others.&nbsp;</span></p> <p><span style="font-family: verdana, sans-serif;">&nbsp;</span></p> <p><span style="font-family: verdana, sans-serif;">2014 venues for the Centennial Exhibitions include Emily Harvey Foundation, Venezia, Italy; Museo MART di Rovereto, Rovereto, Italy; Ludwig Museum of Contemporary Art, Budapest, Hungary; ICI, Italian Cultural Institute, San Francisco, CA; Center of Contemporary Art (Lu.C.C.A.), Lucca, Italy;&nbsp;Public Library of Cairo Montenotte, Cairo;&nbsp;Spazio Contemporanea, Brescia, Italy, among others.&nbsp; A comprehensive exhibition on mail art, curated by Mark Bloch, is scheduled for November-December at White Box, New York.</span></p> <p><span style="font-family: verdana, sans-serif;">&nbsp;</span></p> <p><span style="font-family: verdana, sans-serif;">&nbsp;</span></p> <p><strong><span style="font-family: verdana, sans-serif;">Media enquiries:</span></strong></p> <p><span style="font-family: verdana, sans-serif;">Florence Lynch / Bee Tham</span></p> <p><span style="font-family: verdana, sans-serif;">Tel:&nbsp;<a href="tel:%2B1-917-327-3580" target="_blank" rel="nofollow">+1-917-327-3580</a>&nbsp;/&nbsp;<a href="tel:%2B1-917-288-9099" target="_blank" rel="nofollow">+1-917-288-9099</a></span></p> <p><span style="font-family: verdana, sans-serif;"><a href="" target="_blank" rel="nofollow"></a></span></p> </div> Wed, 22 Oct 2014 21:45:45 +0000 Timothy Kane, David Scher, Paul Scher - The Boiler (Pierogi) - October 29th 8:00 PM - 10:00 PM <p>A one night, live performance by ONEM, a performance group founded in 1969 in St. Paul, Minnesota by Timothy Kane, Paul Scher, and David Scher. In conjunction with David Scher&rsquo;s &ldquo;Suspended Interruption,&rdquo; exhibition, on view at Pierogi (177 N 9<sup>th</sup> Street) until November 16.&nbsp;</p> Wed, 22 Oct 2014 18:41:19 +0000