ArtSlant - Closing soon en-us 40 Group Show - Mitchell-Innes & Nash - 26th St. - June 27th, 2006 - August 11th, 2006 <p>May 10, 2006 – Mitchell-Innes &amp; Nash will present a summer photography exhibition curated by photographers Justine Kurland and Dan Torop in its Chelsea space. The exhibition will include works from the 19th, 20th, and 21st centuries, with a number of photographs on loan from private and public collections.  <br /><br />The 27 artists included in the exhibition are Bas Jan Ader, Angelblood, Kenneth Anger, Eugene Atget, Antoine-Henri Becquerel, William Balch, Roe Ethridge, Annika von Hausswolff, F. Jay Haynes, Susan Jennings, Joan Jonas, Matt Keegan, Clarence Kennedy, Darius Kinsey, Robert Macpherson, Corey McCorkle, Eadweard Muybridge, Simone Nieweg, Alice O’Malley, Adam Putnam, Victoria Sambunaris, David Benjamin Sherry, Joseph Sudek, W.F. Swann, Félix Teynard, Carleton Watkins, and Will Wendt. <br /><br />Justine Kurland’s photographs have been exhibited at museums and galleries in the U.S. and internationally. She received her B.F.A from School of Visual Arts, NY in 1996, and her M.F.A. from Yale University in 1998. She is represented by Mitchell-Innes &amp; Nash, New York. Dan Torop received his B.A. in 1994 from Harvard University and his M.F.A. in 1997 from Yale University. His work has been featured at museums and galleries around the U.S. Torop is represented by Derek Eller Gallery, New York.</p> Tue, 19 May 2009 11:18:06 +0000 Group Show - Pavel Zoubok Gallery - June 1st, 2006 - August 12th, 2006 <p><strong>PAVEL ZOUBOK GALLERY</strong> is pleased to announce the opening of <strong><em>THE NEW COLLAGE</em></strong>, a large-scale survey exhibition of new and recent work by fifty-two contemporary artists working within the aesthetic and practice of collage; including <strong>Nora Aslan, Tony Fitzpatrick, Wangechi Mutu, Thomas Lanigan-Schmidt, Javier Pinon, Fred Tomaselli, Dodi Wexler and C.K. Wilde</strong>. Please join us for the opening reception on Thursday, June 1, from 6-8pm, or during the run of the exhibition, which continues through August 12.</p> <p><strong>The gallery is located at: 533 West 23rd Street (between 10th &amp; 11th Avenues)</strong></p> <p><strong>G</strong><strong>allery Hours: Tuesday – Saturday, 10am-6pm (during the month of June) </strong><strong>Summer Hours: Monday – Friday, 11am-6pm (from July 1)</strong></p> <p>Since 1997, Pavel Zoubok Gallery has exhibited the work of contemporary and modern artists with a particular focus in the field of collage, assemblage and mixed media installation. Over the years the gallery’s exhibition program has expanded to include paintings and drawings by artists whose work embraces a montage, or collage aesthetic. Following last year’s <strong><em>COLLAGE: signs &amp; surfaces</em></strong>, the current exhibition builds upon the gallery’s art historical programming by exploring collage in contemporary practice through the work of fifty-two artists:</p> <p><strong>NORA ASLAN – MARC BELL – BRADLEY CASTELLANOS – MICHAEL COOPER – MATTHEW CUSICK – JOHN DIGBY – INDIA EVANS – TONY FITZPATRICK – ADAM FOWLER – JOHN FRASER – RICHARD GALPIN – MARIETTA GANAPIN – GINNIE GARDINER – ARTURO HERRERA – LESLIE HIRST – NICK HOLLIDAY – IMI HWANGBO – MARCUS KENNEY – VIVIENNE KOORLAND -- THOMAS LANIGAN-SCHMIDT – LANCE LETSCHER – ANTONIO MERINERO – JERRY MISCHAK – WANGECHI MUTU – PHILIP NAUDE – SIMON NEVILLE – AARON NOBLE – MICHAEL OATMAN – TONY OURSLER – JAVIER PINON – MAC PREMO – ANTONIO A. PULEO – CHRISTIAN ROSSI – MARTHA ROSLER – JONATHAN SANTLOFER – RAVEN SCHLOSSBERG – HOLLI SCHORNO – JOHN SCRIBNER – DONNA SHARRETT – KAREN SHAW – FRED STONEHOUSE – CHRISTOPHER TANNER – MARITTA TAPANAINEN – FRED TOMASELLI – MARK WAGNER – ROBERT WARNER – MARSHALL WEBER – BRADLEY WESTER – KARIN WEINER – AARON WEXLER – DODI WEXLER – C.K. WILDE</strong></p> <p><strong><em>THE NEW COLLAGE</em></strong> explores the ways in which contemporary artists have increasingly drawn upon and expanded the traditions laid down through the preceding century. In part, this renewed interest in collage has been bolstered by an increased critical focus on drawings and works on paper, a “trend” whose momentum has found validation in both the scholarly and commercial branches of the art world. The “new collage” is without question a more inclusive field, one in which cutting and pasting is no longer a revolutionary act in itself, but rather a natural expression of daily experience. As we now live in a world in which information and imagery comes to us in layers and/or fragments, it is only natural that our visual culture should reflect this. In looking at the artists in the exhibition, what is immediately apparent is the broad range of styles and processes that define their aesthetics. The new collage has come to include every conceivable material and method, from traditional cut and paste to the use of trompe l'oeil, photomontage and digital layering, crossing every stylistic and conceptual boundary. While the Modernist period saw only a handful of full-fledged collagists, numerous artists working today have made collage their primary visual language, expanding the field and challenging our ways of looking.</p> <p><strong>A full-color catalogue will accompany the exhibition.</strong></p> Sat, 13 Oct 2012 17:15:41 +0000 Group Show - The Fireplace Project - July 29th, 2006 - August 22nd, 2006 Sun, 17 Aug 2014 02:17:50 +0000 Gulgun Aliriza - Bowery Gallery - August 1st, 2006 - August 25th, 2006 Sat, 15 Oct 2011 08:46:57 +0000 Stephen j Shanabrook - The Drawing Center - September 1st, 2006 - September 1st, 2006 Tue, 17 Feb 2009 16:23:58 +0000 Group Show - Stux + Haller - July 20th, 2006 - September 9th, 2006 Mon, 27 Oct 2008 02:53:39 +0000 Diego Medina - Queens Museum of Art - July 21st, 2006 - September 17th, 2006 <p>The Queens Museum dedicated a specific budget of $300 for production of the work. <br /><br />What can I do in daily life with $300? <br /><br />-Two weeks worth of groceries<br />-One-third of a month's rent<br />-Four months worth of metrocard<br />-Fill up the gas tank seven times<br />-Pay four months worth of cellular phone bills<br />-Eat sushi ten times<br />-Go out dancing on Roosevelt Avenue twice<br />-Go to the beach on three Saturdays<br />-Buy one pair of jeans, or one pair of shoes, or four shirts, or one jacket<br />-Buy a small digital camera<br />-Buy an iPod without accessories <br /><br />I decided to buy $300 worth of wood and make a sculpture with it. I like to work with wood, and I like the fact that it is a natural resource, gentle, warm, a tree that was sacrificed</p> Sat, 25 Oct 2008 04:47:41 +0000 Suzanne Broughel, Louis Cameron, Michele Kong, Sungmi Lee, Todd Pavlisko, Milton Rosa-Ortiz, Cory Wagner - MoMA PS1 - June 25th, 2006 - October 9th, 2006 Sun, 19 Jul 2009 15:54:34 +0000 Jill Greenberg - ClampArt - October 12th, 2006 - November 11th, 2006 Wed, 15 Jun 2011 09:00:49 +0000 Christian Patterson - Yancey Richardson Gallery - October 27th, 2006 - November 25th, 2006 Mon, 04 Jan 2010 13:05:07 +0000 Group Show - BravinLee Programs - November 17th, 2006 - December 30th, 2006 Sun, 14 Dec 2008 08:43:49 +0000 Group Show - Islip Art Museum - December 1st, 2006 - December 31st, 2006 Thu, 25 Feb 2016 18:51:52 +0000 Mary Mattingly - WhiteBox - December 29th, 2006 - January 3rd, 2007 <p><strong>Fore Cast</strong> is a clarion call anticipating the looming environmental catastrophy. Fore Cast is an interactive Opera, opening at White Box on December 19, 2006, at six o'clock pm. Fore Cast will transform White Box's space into a waterlogged, apocalyptic swampland, sound<i>scape</i>, and video<i>surround</i>. The opening and closing nights will feature live performances by <i>Mary Mattingly's Navigators</i>.</p> <p><br />Entering a water-filled and truncated landscape, viewers witness the land's predicted end-state, a reversion to its primeval condition and a topographical perspective of a sick new world. The marshy waterscape is the setting for the future of a civilization ensnared in an unceasing loop of WWIV, a war Albert Einstein foreshadowed as being fought with sticks and stones. With an unparalleled innate sense of intelligence, wit and craft, Mary Mattingly creates an installation explains the tragic outcomes of this hypothesized war in the not-so-distant future.</p> <p><br />Multiple video projectors arranged in a semi-circle fill the walls of White Box and present a "Fore Cast" that will loop for six days and one hour. (A new week, according to Mary Mattingly's proprietary uniform time scale, derived from ancient Assyrian and Babylonian astronomical methodology and translated to a system for future use.) The videos play continuously in White Box's waterlogged space. The main screen portrays WWIV, fought by six groups of combatants ---The World Economic Forum, The Council on Foreign Relations, Bechtel, Nestlé, The United Nations, and B.R.I.C.--- colluding to capture and assert political and economic control over a shattered and borderless world. The belligerents' leaders plot together in a corporate conference rooms, ultimately degenerating into intercontinental world-scale conflict fought with the weapons of Cain and Abel, the war unfolding in disastrous environments everywhere.</p> Sun, 10 Nov 2013 00:13:03 +0000 Brett Cody Rogers, Luke Dowd, Scott Myles, David Noonan, Giles Round - John Connelly Presents - November 30th, 2006 - January 6th, 2007 Tue, 21 Oct 2008 23:14:59 +0000 Group Show - International Center of Photography (ICP) Museum - September 14th, 2006 - January 7th, 2007 <p style="text-align: justify;">In a time of rampant natural disasters and urgent concerns about global environmental change, this exhibition demonstrates the ways in which the most interesting and engaging contemporary artists view the natural world. Shattering the stereotypes of landscape and nature photography, the thirty-nine international artists included in this survey boldly examine new concepts of the natural sphere occasioned by twenty-first-century technologies; images of destructive ecological engagement; and visions of our future interactions with the environment. Considering nature in the broadest sense, this exhibition reflects new perspectives on the planet that sustains, enchants, and&mdash;increasingly&mdash;frightens us.</p> Fri, 29 Nov 2013 16:32:40 +0000 Eneas Capalbo - Marisa Newman Projects - January 18th, 2007 - January 18th, 2007 A series of abstract paintings that borrows its' name from Gerhardt Richter abstract series.<br> Thu, 30 Oct 2008 02:32:56 +0000