ArtSlant - Closing soon http://www.artslant.com/ny/Events/show en-us 40 Group Show - Bronx Museum of the Arts - June 30th, 2005 - October 2nd, 2005 <p>For twenty-five years, the groundbreaking Artist in the Marketplace (AIM) program has been providing professional development for emerging artists in the New York area. This year's program culminates with the exhibition <em>AIM 25</em>. <br /> <br /> <em>AIM 25 </em>artists expand time, technology, and perception; explore human movement through synesthesia; update drawing with a sense of action or adventure; craft paintings and sculptures with multi-layered irony; use portraiture to address complex social issues; bring out the politics and poetics intrinsic to peculiar mediums; and strongly misread conceptualism.</p> Tue, 28 Oct 2008 13:53:23 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Michalis Pichler - Printed Matter, Inc. - January 21st, 2006 - February 4th, 2006 <p>Printed Matter Inc. is pleased to announce the opening of an exhibition of the work of German artist Michalis Pichler this Saturday, January 21 from 5 to 7 PM. <strong><em>i fell in love, i fell out of love, 100$, potato chips, airplanes, clouds &amp; sky</em></strong>, the name of the exhibition, is also the title of an ephemeral newspaper piece published on the occasion of the exhibition and designed to be given away at Printed Matter. At the opening reception we will also celebrate the launch of two books by Pichler, both published in 2005 by Revolver: <span style="text-decoration: underline;">"WAR"diary</span> and <span style="text-decoration: underline;">New York Garbage Flag Profile</span>. Printed Matter is located at 195 Tenth Avenue at 22nd Street. <br /><br /> Both <span style="text-decoration: underline;">"WAR"diary</span> and <span style="text-decoration: underline;">New York Garbage Flag Profile</span> originated during Pichler''s residency in New York as a DAAD Arts Fellow in 2003. Taking up themes and formal strategies introduced in his powerful newspaper piece from 2002, <span style="text-decoration: underline;">New York Times Flag Profile</span>, the books investigate the phenomenon of patriotism in post 9-11 New York. <br /><br /> In <span style="text-decoration: underline;">"WAR"diary</span> headlines from the <em>Daily News</em> are collaged onto the stockpages of the <em>New York Times</em>, creating subtle ghosts of words like OUTRAGE! BAGHDAD, and CAUGHT on top of or cut into endless columns of numbers. <span style="text-decoration: underline;">New York Garbage Flag Profile</span> documents mass-produced materials like paper cups and plastic bags emblazoned with American Flags that the artist found discarded in public spaces in New York. Photographs of the objects are accompanied by transcriptions of the texts printed right onto them; Pichler refers to these transcriptions as poetry. <br /><br />Though he is traditionally trained in architecture and sculpture and often involved in labor-intensive work processes, Pichler''s practice seems less concerned with artistic disciplines and more concerned with individual digestion of and response to cultural conundrums. Using public space as both source material and stage for his projects, he deploys the Situationist strategies of <em>derive</em> and <em>détournement</em> that position him as something of an socially engaged trickster. <br /><br /> <span style="text-decoration: underline;">"WAR"diary</span>, and <span style="text-decoration: underline;">New York Garbage Flag Profile</span>, both published by Revolver, Frankfurt, are priced at $12, and $30 respectively and are available at Printed Matter and through our website www.printedmatter.org. <span style="text-decoration: underline;">i fell in love, i fell out of love…</span>is available in the store for free. <br /><br /> For additional information, please contact Rachel Bers, Programming and Website Coordinator at (212) 925-0325 or at rbers@printedmatter.org. <br /><br /> Printed Matter, Inc. is an independent 501(c)(3) non-profit organization founded in 1976 by artists and art workers with the mission to foster the appreciation, dissemination, and understanding of artists'' books and other artists'' publications. <br /><br /> Printed Matter, Inc. has received support, in part, through grants from the New York State Council on the Arts, the New York City Department of Cultural Affairs, Altria Group, Inc, the Milton &amp; Sally Avery Arts Foundation, the Canadian Consulate General and the Government of Canada, The Cowles Charitable Trust, the CRH Foundation, Foundation for Contemporary Arts, The Gladys Krieble Delmas Foundation, the Fifth Floor Foundation, The Horace W. Goldsmith Foundation, LEF Foundation, Materials for the Arts, The Peter S. Reed Foundation, the Schoenstadt Family Foundation, The Starry Night Fund, The Roy and Niuta Titus Foundation, The Andy Warhol Foundation for the Visual Arts, and private foundations and individuals worldwide.</p> Sat, 20 Dec 2008 08:17:51 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Jill Greenberg, Tracey Moffatt, Christopher Williams, Florian Maier-Aichen - AIPAD Photography Show New York - February 9th, 2006 - February 12th, 2006 Fri, 23 Mar 2012 17:16:09 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Carl Ferrero, Iris Bernblum, Diane Derr, Vera Iliatova, James Kennedy, Ra di Martino, Chad Nelson, Sara Greenberger Rafferty, Catherine Ross - Artists Space: Exhibitions - January 12th, 2006 - February 18th, 2006 Thu, 15 Apr 2010 07:48:04 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Caitlin Atkinson - Foley Gallery - January 26th, 2006 - March 4th, 2006 Thu, 23 Oct 2008 10:52:52 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Group Show - Anthology Film Archives - March 8th, 2006 - March 14th, 2006 <p><b><span style="font-size: small;">13th Annual New York Underground Film Festival</span></b></p> <p><span style="font-size: small;">Presenting the best works from the outer reaches of independent cinema.</span></p> Fri, 13 Nov 2009 15:13:56 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Eunjung Hwang - Stux + Haller - March 30th, 2006 - April 22nd, 2006 Sun, 26 Oct 2008 08:51:13 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Iris Cintra, Yonat Cintra, Noa Arbel, Ilan Dotan, Pei Sun, Boaz Noy, John Leslie - BROADWAY GALLERY - April 16th, 2006 - April 29th, 2006 Mon, 27 May 2013 13:53:03 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Group Show - WhiteBox - April 24th, 2006 - April 30th, 2006 <p>AsylumNYC was as site-specific investigation into regimes of exclusion.<br /><br />The project invited 10 non-U.S. artists to participate in an exhibition at WHITE BOX in New York. Out of these, two was finally rewarded the legal aid necessary to obtain a 3-year artists visa to the United States.<br /><br />The online application period began on February 7th, 2006 and ended on April 1st, 2006. In this short period, a total of 235 artists from 43 different countries applied for participation. <br /><br />The AsylumNYC exhibition opened at WHITE BOX in Chelsea on Monday, April 24th 2006. From this day to the end of the week, the selected artists were kept in detention in WHITE BOX and were not permitted to leave the gallery.<br /><br />The artists were not allowed to bring any tools or materials with them into the gallery and were only given a notebook, as well as a blue and black pen. For creating their work, they had to rely entirely on the goodwill of gallery visitors and the arrangements they could make with these. <br /><br />This was the set-up for a very intense and interesting week in New York. Interest for the project exceeded all expectations and more than 2.000 visitors came by WHITE BOX to experience things for themselves. <br /><br />Additionally, the extensive media coverage from New York Times, CNN, BBC and numerous other media outlets meant that an estimated 90.000.000 (!) individuals were informed about the AsylumNYC project globally. <br /><br />At the last day of the exhibition, Dusanka Komnenic from Serbia and Montenegro were awarded the free legal services of immigration lawyer Daniel Aharoni, Attorney at Law. Dusanka was selected from the participating artists on the ground that her artistic project managed to break the most mental and visual borders, without actually breaking any of the project rules.<br /><br />Additionally, immigration lawyer Martin C. Liu Associates supported AsylumNYC with pro-bono legal services for yet another artist. Mexican participant Antonio O'Connell Perez Rubio was selected to receive this service.<br /><br />Antonio was not able to physically attend the project in White Box, as he was denied entrance to the United States of America by the official authorities. Nonetheless, Antonio managed to participate from afar, involving visitors in New York City and elsewhere via phone and internet, while by his absence clearly illustrating the situation of many contemporary immigrants.<br /><br /><br />CONTEXT:<br />AsylumNYC was informed by research from the refugee communication-platform: AsylumHOME.net.<br /><br />While AsylumHOME aims to actively empower refugees immigrating to Europe, AsylumNYC explores the notion of acceptance needed by the creative worker to be a successful immigrant in the U.S.<br /><br />Echoing restrictions forced upon asylum seekers, foreign artists in the U.S. must be approved by immigration authorities to stay and work. To qualify for a U.S. visa, an artist or any other creative professional have to demonstrate extraordinary ability in the arts as evidenced by awards, critical reviews, or professional affiliations. They must also be able to afford the legal expenses associated with this extensive procedure. <br /><br />Functioning within these processes, AsylumNYC confronted its otherwise privileged participants with their own precarious freedom of movement. <br /><br />The project performed the notion of acceptance needed by both the traditional refugee and the creative worker to be a successful immigrant. Similar in kind to the proof needed by an asylum seeker to be accepted as a "real" refugee by the nation state, the creative worker has to prove her/his worth to the creative community before gaining status as a "real" artist. And just as any other immigrant, the asylum artist will ultimately be dependent on the goodwill of strangers to thrive in their new environment.</p> <p></p> <p>(text courtesy of wooloo.org) </p> Sun, 10 Nov 2013 00:13:03 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Andrew Prokos - Museum of the City of New York - December 1st, 2005 - May 1st, 2006 Fri, 07 Mar 2014 13:47:10 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Rob Conger - Mixed Greens Gallery - April 22nd, 2006 - May 22nd, 2006 Sat, 25 Oct 2008 09:18:13 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Christian Patterson, Stephen Shore, Lisa Kereszi, Lee Friedlander, Mitch Epstein, Tim Davis - Yancey Richardson Gallery - May 18th, 2006 - June 30th, 2006 Mon, 04 Jan 2010 12:03:33 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Group Show - Stux + Haller - June 8th, 2006 - July 8th, 2006 Tue, 28 Oct 2008 07:43:39 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Group Show - Mitchell-Innes & Nash - 26th St. - June 27th, 2006 - August 11th, 2006 <p>May 10, 2006 – Mitchell-Innes &amp; Nash will present a summer photography exhibition curated by photographers Justine Kurland and Dan Torop in its Chelsea space. The exhibition will include works from the 19th, 20th, and 21st centuries, with a number of photographs on loan from private and public collections.  <br /><br />The 27 artists included in the exhibition are Bas Jan Ader, Angelblood, Kenneth Anger, Eugene Atget, Antoine-Henri Becquerel, William Balch, Roe Ethridge, Annika von Hausswolff, F. Jay Haynes, Susan Jennings, Joan Jonas, Matt Keegan, Clarence Kennedy, Darius Kinsey, Robert Macpherson, Corey McCorkle, Eadweard Muybridge, Simone Nieweg, Alice O’Malley, Adam Putnam, Victoria Sambunaris, David Benjamin Sherry, Joseph Sudek, W.F. Swann, Félix Teynard, Carleton Watkins, and Will Wendt. <br /><br />Justine Kurland’s photographs have been exhibited at museums and galleries in the U.S. and internationally. She received her B.F.A from School of Visual Arts, NY in 1996, and her M.F.A. from Yale University in 1998. She is represented by Mitchell-Innes &amp; Nash, New York. Dan Torop received his B.A. in 1994 from Harvard University and his M.F.A. in 1997 from Yale University. His work has been featured at museums and galleries around the U.S. Torop is represented by Derek Eller Gallery, New York.</p> Tue, 19 May 2009 11:18:06 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Group Show - Pavel Zoubok Gallery - June 1st, 2006 - August 12th, 2006 <p><strong>PAVEL ZOUBOK GALLERY</strong> is pleased to announce the opening of <strong><em>THE NEW COLLAGE</em></strong>, a large-scale survey exhibition of new and recent work by fifty-two contemporary artists working within the aesthetic and practice of collage; including <strong>Nora Aslan, Tony Fitzpatrick, Wangechi Mutu, Thomas Lanigan-Schmidt, Javier Pinon, Fred Tomaselli, Dodi Wexler and C.K. Wilde</strong>. Please join us for the opening reception on Thursday, June 1, from 6-8pm, or during the run of the exhibition, which continues through August 12.</p> <p><strong>The gallery is located at: 533 West 23rd Street (between 10th &amp; 11th Avenues)</strong></p> <p><strong>G</strong><strong>allery Hours: Tuesday – Saturday, 10am-6pm (during the month of June) </strong><strong>Summer Hours: Monday – Friday, 11am-6pm (from July 1)</strong></p> <p>Since 1997, Pavel Zoubok Gallery has exhibited the work of contemporary and modern artists with a particular focus in the field of collage, assemblage and mixed media installation. Over the years the gallery’s exhibition program has expanded to include paintings and drawings by artists whose work embraces a montage, or collage aesthetic. Following last year’s <strong><em>COLLAGE: signs &amp; surfaces</em></strong>, the current exhibition builds upon the gallery’s art historical programming by exploring collage in contemporary practice through the work of fifty-two artists:</p> <p><strong>NORA ASLAN – MARC BELL – BRADLEY CASTELLANOS – MICHAEL COOPER – MATTHEW CUSICK – JOHN DIGBY – INDIA EVANS – TONY FITZPATRICK – ADAM FOWLER – JOHN FRASER – RICHARD GALPIN – MARIETTA GANAPIN – GINNIE GARDINER – ARTURO HERRERA – LESLIE HIRST – NICK HOLLIDAY – IMI HWANGBO – MARCUS KENNEY – VIVIENNE KOORLAND -- THOMAS LANIGAN-SCHMIDT – LANCE LETSCHER – ANTONIO MERINERO – JERRY MISCHAK – WANGECHI MUTU – PHILIP NAUDE – SIMON NEVILLE – AARON NOBLE – MICHAEL OATMAN – TONY OURSLER – JAVIER PINON – MAC PREMO – ANTONIO A. PULEO – CHRISTIAN ROSSI – MARTHA ROSLER – JONATHAN SANTLOFER – RAVEN SCHLOSSBERG – HOLLI SCHORNO – JOHN SCRIBNER – DONNA SHARRETT – KAREN SHAW – FRED STONEHOUSE – CHRISTOPHER TANNER – MARITTA TAPANAINEN – FRED TOMASELLI – MARK WAGNER – ROBERT WARNER – MARSHALL WEBER – BRADLEY WESTER – KARIN WEINER – AARON WEXLER – DODI WEXLER – C.K. WILDE</strong></p> <p><strong><em>THE NEW COLLAGE</em></strong> explores the ways in which contemporary artists have increasingly drawn upon and expanded the traditions laid down through the preceding century. In part, this renewed interest in collage has been bolstered by an increased critical focus on drawings and works on paper, a “trend” whose momentum has found validation in both the scholarly and commercial branches of the art world. The “new collage” is without question a more inclusive field, one in which cutting and pasting is no longer a revolutionary act in itself, but rather a natural expression of daily experience. As we now live in a world in which information and imagery comes to us in layers and/or fragments, it is only natural that our visual culture should reflect this. In looking at the artists in the exhibition, what is immediately apparent is the broad range of styles and processes that define their aesthetics. The new collage has come to include every conceivable material and method, from traditional cut and paste to the use of trompe l'oeil, photomontage and digital layering, crossing every stylistic and conceptual boundary. While the Modernist period saw only a handful of full-fledged collagists, numerous artists working today have made collage their primary visual language, expanding the field and challenging our ways of looking.</p> <p><strong>A full-color catalogue will accompany the exhibition.</strong></p> Sat, 13 Oct 2012 17:15:41 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list Group Show - The Fireplace Project - July 29th, 2006 - August 22nd, 2006 Sun, 17 Aug 2014 02:17:50 +0000 http://www.artslant.com/ny/Events/list http://www.artslant.com/ny/Events/list