Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
New York
PERSiAN S O K R A T E S

"   PERSiAN   S O K R A T E S  "

________________________________________
Let' s  s e e; i f  it can  T a l k;   from t h e    "  4  S i D E s  ".. o f  the canvas..
(that will m e a n  that;  i t  i  s;   a   MOD E R N ;   P  A  i  N  T  i n g.)  
i t   w o u l d n ' t  be,  difficult;  t o   R  E  A  D   those 4  S i D E S  o f  this painting PERSiAN SOKRATES;     
 ;   to  the  READer; o f A R T- W o r k s, that has a great education and experiance w i t h  , " c o n t e m p o rary  a r t; "  ;  R  e  a  d  i  n  g  s..(at least contemporary art has m a d e;   " very  " difficult to read " ; installations and art works;  (with very helpfull t e x t s, added to the a r t -work  ..)  t o  educate perfect readers ;  o f    a r t P i e c e s.. 
1-
  
 
T h i s ; M i g h t  have; b e e n  ; put , ( on that s i d e  only ),  to an exhibition.. and it has a name; and a  s t o r y;   o  n  i  t..  (if ı w a s to listen to the 1.part o f Bethoween' s 5. Symphony..that may too give m e the ;  picture o f ;  the SYMPHONY; t o o.. b u t  there a r e ; 3 p a r t s;  m o r e ; to T a l k;  about the concept, and the content.(that would b e; a MOD E R N  TALKiNG..because, there are not 4 objects; Talking 4 Stories; there..T h e r e is  ONE-OBJECT; t h a t,  tells u s; itself; from 4 other; a n g l e   s..  -4 story Parts that differ from each other; b u t still  about ; o n e; OBJECT.. t h a t;  i s  ;  M O D E R N i T E..)
2-

3-

4-

_________________________________________________________________________________
 
.....T H A N;   M   O   D  E  R  N;   ;  PAiNTiNG;    ; can  b  e   " F R A M E D ";  a s ;   
  ;CONTEMPORARY;  P i e c e s;  READy-& AUTOMATically;  O  C C  U  R  E  D..
__________________________________________________
1-
2-
3-

  
4-
 
E  v  e  r  y;   A R T;  W O R K;    h  a  s     to;  h a v e;   ;"   S T O R Y  "  ;  a t  least;  to b e connected;  w i t h;  human; and the created;  n a t u r e; and WORLD, and E A R T H  ..
.(even conceptual contemporary a r t;  h  a s;  very  specific ; stories..w h e n they place themselves; İ N THE FİELDS O F S C İ E N C E ; -AND PHİLOSOPH..- as they steal rolles and stories; from them- ; t o o. )
... a n d   when  there a r e;  s t o r i e s;   t h e r e ;   a r e ;b a s i c   characters; that carry the story..S  O; i n a  painting too; t h e r e , a r e ;  these; characters,  p  a  i  n  t e d; or P i c t u r e d..
(give m e ; pictures o f some characters; and I will MAKE-UP; a story upon ,them..)
1-
2-

3-

4-

5-

6-

7-

8-

9-

10-

11-

12-

13-

14-

15-

16-

17-

18-

19-

20-

21-

22-

23-

24-

25-

26-

27-

28-

29-

30-

AUTOMATiCally - CONTEMPORARy  ;   p i e c e s;  that O C C U R E D:  
(but MODERN; has given L i f e; to contemporary; a n d;  has M A D E; all contemporary   -that are included i n the Concept;- 
UNiFiED; i n a TOTAL;  S U M..(that may b e said a s Modern Tradition..)____________________________________________
 
 
These  3  0;   p i e c e s,  are  l i k e; sonatas  w r i t t e n;     ;   before a SYMPHONy..I  m i g h t  have;  g o  to  ACADEMy; o f arts;  and then; MAKE; t h e s e  30 pieces  first; t h e n;  C o m b i n e  -place-  them; i n    an ;     "   ONE-SiDE;  TOTAL  W O R K.."   
... o N  the  OTHER H a n d; I ' ve  written  them;  a l l ; with m y hands with ALPHABETH; ; o n   to papers; & and into my brain,    t h a n ;    " l  e  t;  T h e m;  appear; a s they were  f r e e;  to  T U R N;  i  n;  4  S i d e s; o f  the TUVAL; " as alphabeth letters i n my brain carrying; the subjects of the painting ;   freely i n t e r a c t; with  ; colors, a s their shapes, o c c u r i n 4 side  B A S E S ..THAT i s T H E;  MODERN;  ; and UNTOUCHED;  O C C U R A N C E..i  n  ART  M A K i n g..
MODERNiTy & N E W;    ;  "  B E L i E F "   ;  i n   A R T  :________________________________________________
MODERNiTY;  a  n  d;  " d e f i n a t i o n  able ities "   i n  s c i e n c e;   ; h a s  c h a n g e d;  t h e   W A Y;  o  f  ;  " t h e   B e l i e f "   ,  too..the n a m e  of the N E W;  RELiGi O N i  s;   " to belive i n  s c i e n c e..belive i n WHAT; a r e being  " d e f i n e d  ",  b y   s c i e n c e..
S  O;   b e l i e f   i n  art;   ;  h a s been   "  r e N e w e d  "  ; ; b y  MODERNism..a n d  modernity,  i n s t a l l s;     " s c i e n t i f i c   definations>;i n   a r t;      ; instead o f;   " figuration  " ...   -if there i s something that has not been designed a s a  f i g u r e;  ; than  ;  that  i s   ;  "  w e may; d e f i n e  it  a s  i f; it  w a s ;   a  figure-assumed  "..-  -figuration  ties;    " 4 Sided;  s h a p e s;  o f  the Object  "; i n t o  one side, o n l y;  while it is being said that  , figure gives some  L i b e r t y; to that;  O B J E C T..  i f there i s L i b e r t y;  then I should say;  " d e f i n e;  i  t; i n   m u l t i;  WAYs..-
FREE- & Turninig-FRAME i n g;      i n MODERN  A R T..:___________________________________________________
...i n  an Academy e d u c a t i n;   o  n  e of  t h e L e s s o n s;  i  n  m a k i n g;  a P a i n t i n g;   ; is  to   "  place t h e; Subject; o n the  t u v a l "..(that means  to  FRAME;  t h e subject o n to; t u v a l  surface..)  b  u  t;  h e r e in that ;  MODERN; P a i n t i n g;  FRAME; i s  free; and  i  t  is  turninig in the art-work;  f r e e l y;  ; and;  that free FRAMing;  ; catches;  t h e;  ;  definations;   O N E by O N E.  -due to scientific,  aesthe tics..-
______________________________________________________
 
OTHER;  COMPUTER; C O N T E M P O RARization s..
...(real i z a t i o n s..)
______________________________________________________

 
_____________________________________________________
 
 
Posted by Murat Oktay Danis on 11/14/12







Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.