Last night, I stop on my walk home to look at a graveyard. I try to
read inscriptions but few characters are legible. Closed one hundred
and sixty years ago, the tombstones are worn soft and toppled. A flash
of light catches my eye, then another, and then more: it is twilight,
and the space now walled by buildings is filled with fireflies. Perhaps
tapping out the Morse code of the dead.
Later,
I am sad. Jonathan is again out of sorts; we will not be spending time
together, as I had hoped. My Wednesday meeting is canceled. I think
that maybe this will give me more time with him, but then considering
how things have been, think otherwise. What is time with someone who
isn't there? I try to talk to him; he has no replies. I tell him that
sometimes I feel like we shouldn't get married, because of these nights
mostly. Again I am met with silence. I spend the evening feeling as if
the meaning is being drained from my hectic life, leaving behind only
obligations. Sleep comes fitfully, tossing and calling out for an hour
or more before the darkness can bring peace.
Today I am sad
still. In the morning my stomach will not be calm and I want to cry, to
sob. But of course I am at work, the unintended position, so I cannot.
Perhaps if I were up front, in my private world - but no, my computer
there is broken, so I'm in the back at the secretary's desk. In the
middle of it all. Exposed.
I'm cheered momentarily when the
hard-nosed blowhard male attorney of the office decides to order
chinese food for us. My vegetable and bean curd soup comes without any
bean curd, but at least there's food and at least it's free. Afternoon
brings only drudgery: request medical records for these 45 clients, oh
would you please? Not so bad I suppose; I only had to fill out
authorizations for 30 of them.
And then at 5pm I am released,
and somehow I don't feel any better at all. Of the list of things that
may be upsetting me, "job" is crossed off. I am at my studio now; I
have yet to face home, to face him. Any number of things could happen
when I get there, from good to bad with an infinite gray scale in
between. I sit here, stalling, in fear of the darker end.
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