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series of a red, red rose

series of a red,  red rose

Written by Luping Zeng 27/3/2010

Description: The series of text project I used a poem from Robert. Burns, (1759-1796, poet, Scotland)-The name of the poem is “A red, red rose”. The poem described a love story. I represent series of abstract landscape sense which use woman’s vagina expressing the poem. These different position of woman’s down body shape showing variety that vision, image, mystery and attract in beautiful love dream, such as the piece of rose, red color, implication and signal. Try creating a broad space for performance. The philosophy context effected from Freud (philosopher, Austria) spirit theory. That seeking dream’s vision tries to achieve the poem’s meaning.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Figure 1,  Luping Zeng, “series 1 A red,  red rose”, 2010, ink and pastel on paper, Size 800x550mm
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Figure 2,  Luping Zeng, “series 1 A red,  red rose”, 2010, ink and pastel on paper, Size 800x550mm
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Figure 3,  Luping Zeng, “series 1 A red,  red rose”, 2010, ink and pastel on paper, Size 800x550mm
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Figure 4,  Luping Zeng, “series 1 A red,  red rose”, 2010, ink and pastel on paper, Size 800x550mm
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Figure 5,  Luping Zeng, “series 1 A red,  red rose”, 2010, ink and pastel on paper, Size 800x550mm
 
 
Form of the painting analysis: it make abstract philosophy to rootle depth of vision which produced the form substrate in picture, - is essentially different lines assembled some geometry shape in a certain order. 
 
Semiotic of the sign analysis: used diamond figure add red colour  to made a focus – mean is flower core which they unfreeze into natural environment. On the other way, trying to appreciate attractive of natural landscape, such as mountain, trees, sky, wind and cloud etc. And the words line tries to build the form context.  
 
These elements of idea come to produce the philosophy of the subject.  
 
  
 
 
 
 
 
 
 
 
 
 
 
 
 
Figure 6,  “Form of the painting analysis sketches”      Figure 7, “Semiotic of the painting analysis sketches”
Posted by Luping (Bruce) Zeng on 6/8/10 | tags: abstract conceptual abstract







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