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with tag: photography [clear]

20130130225949-kcgnaughten0172dpi British Journal of Photography  
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Jim Naughten at KLOMPCHING GALLERY March 14th - May 4th
Posted 2/28/13

BRITISH JOURNAL OF PHOTOGRAPHY February, 2013 "Hereros – Jim Naughten"   London-based photographer Jim Naughten first came across the Herero tribe and their eclectic sense of fashion several years ago while travellingin southern Africa. The images he captured on that trip were published in Marie Claire, which funded an exhibition that in turn landed him a major global advertising campaign. Yet Naughten knew he needed to return to Namibia to continue photographing. “I always had it in the ba... [more]

20130130225949-kcgnaughten0172dpi Photo District News  
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Jim Naughten at KLOMPCHING GALLERY March 14th - May 4th
Posted 2/28/13

PHOTO DISTRICT NEWS – Exposures Section (February, 2013 issue) For his new book, Jim Naughten created typological photographs of Namibia’s He rero people, whose military and civilian clothes are symbols of their historic struggle against colonialism. By Conor Risch   Many nations and cultures remember military heroes, great victories, and fallen soldiers through statues and monuments. On national holidays, war veterans don old uniforms and medals, or wear clothing decorated with patches... [more]

20130130225949-kcgnaughten0172dpi Independent On Sunday  
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Jim Naughten at KLOMPCHING GALLERY March 14th - May 4th
Posted 2/28/13

INDEPENDENT ON SUNDAY – COSTUME DRAMA by Peter Popham Colonial rule may be history for the Herero tribe of Namibia but the style conventions of their 19th-century German oppressors live on – albeit with a certain bovine-inspired twist… When European women jettisoned their ankle-length frocks and the multiple petticoats that kept the frocks full and plump, they gained a great deal in the way of freedom. But they lost something, too – and what they lost is brought home by the magnificent... [more]

20121010024031-screen_shot_2012-10-09_at_4 NOCTURNES, REVIEW BY JILL CONNER  
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Josephine Sacabo, Dalt Wonk at OPEN HOUSE - 379 BROOME STREET, NOLITA, NYC October 26th, 2012 - October 27th, 2012
Posted 10/10/12

            Nocturnes is an elaborately designed book that harmonizes a series of stunning black-and-white photographs with a series of eloquent poems. Each poem, printed on a sheet of vellum, serves as a portal to related, mysterious photographs. True meaning only exists deep down in the observer’s reservoir of nostalgia, the place where we all want to go swim at night, an unpredictable dreamscape where figures and objects pose as symbols of one’s experience. The rhythmic juxtaposition between w... [more]

20120813235647-nick-kline impressions of gilgo beach at open source gallery, brooklyn  
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Nick Kline at Open Source Gallery September 8th, 2012 - October 4th, 2012
Posted 9/25/12

you are in brooklyn, no, not that brooklyn. we are talking about the real brooklyn that you can never fully know. concrete, cars, people, and places form an abstract pattern of unruly democracy. like an islamic tile if such a thing could be ugly. in this brooklyn, in a tiny garage, reside monumental pictures of otherwise imperceptible details. you are also in gilgo beach and it's bright. you are also alice, but you are not in wonderland. you have not grown small but the impressions you are confronted wi... [more]

20120813235647-nick-kline Gilgo Beach - A Physical Absence  
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Nick Kline at Open Source Gallery September 8th, 2012 - October 4th, 2012
Posted 9/24/12

           Over the past fifteen years, the “Ocean Parkway Serial Killer” targeted sex workers along this stretch of roadway, ultimately burying them at Gilgo Beach.  It is this series of events that Nick Kline examines in his exhibit, Gilgo Beach.  In a sterilized, clinical gallery space, the track lighting of a traditional gallery replaced with fluorescents, floor covered in stains that contrast the whiteness of the walls, Kline’s detailed, large-scale photographs create the air o... [more]

20120707145530-bogren_m01 The New York Photo Review — Ed Barnas  
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Martin Bogren, Barbara Ciurej and Lindsay Lochman, Monika Merva, Shawn Rocco, Tabitha Soren at KLOMPCHING GALLERY July 25th, 2012 - August 18th, 2012
Posted 8/13/12

  The New York Photo Review (August 2012) Fresh: The Wall—Ed Barnas   Tabitha Soren, "Running 000329" 2011 The summer show, “Fresh: The Wall/The Page/The Internet”, at Klompching Gallery highlights the work of five contemporary fine art photographers chosen for their consistent vision and strong viewpoint by collector Fred Bidwell and gallery co-owner Darren Ching. Walking into the gallery I was immediately struck by Tabitha’s Soren’s cinematic images from her “Running” series. One mi... [more]

20120628043715-traavik2 North Korea beyond Images  
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Peter Fend, Morten Traavik at NOoSPHERE June 1st, 2012 - July 7th, 2012
Posted 6/28/12

NORTH KOREA BEYOND IMAGES by Shota Ogawa Military marches, missiles on display, and elite leaders in dark green “workers’ clothes”: images of North Korea seem ubiquitous in our media culture. Yet the opacity of the reclusive country continues to work up a thirst for more images. Photojournalistic exhibitions promise to sooth our thirst with intimate ‘inside views’ of North Korea, but giving visibility to an already hypervisible subject can only aggravate our thirst. POWER GAMES, cur... [more]

20120605023207-nocturnes_cover Nocturnes  
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Josephine Sacabo, Dalt Wonk at OPEN HOUSE GALLERY October 26th, 2012 - October 27th, 2012
Posted 6/5/12

            Nocturnes is an elaborately designed book that harmonizes a series of stunning black-and-white photographs with a series of eloquent poems. Each poem, printed on a sheet of vellum, serves as a portal to related, mysterious photographs. True meaning only exists deep down in the observer’s reservoir of nostalgia, the place where we all want to go swim at night, an unpredictable dreamscape where figures and objects pose as symbols of one’s experience. The rhythmic juxtaposition between w... [more]

20120401123222-sherman__untitled_film_still__21__1978 Cindy Sherman and Eugene Atget at MoMA: Photography vs. Reality  
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Cindy Sherman at MoMA (Museum of Modern Art) February 26th, 2012 - June 11th, 2012
Posted 4/24/12

The Museum of Modern Art is host to two significant exhibitions, both of which explore Photography’s relationship to reality. Cindy Sherman’s 6th floor mid-career retrospective and Eugene Atget’s “Documents pour artistes”, hidden away in the Photography 3rd floor galleries, represent diametrically opposed positions. First some notes on the Sherman retrospective, which is the big draw. The first room held a couple of revealing images. Revealing to me at least, because I had nev... [more]

20120327003010-_publish_worksimages_vivian_maier_9328_un-seen_exhibitfeature_w Vivian Maier and Vernacular Photography  
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Vivian Maier at Steven Kasher Gallery April 12th, 2012 - May 26th, 2012
Posted 4/24/12

I first stumbled across Vivian Maier’s black and white street scenes at Mass MoCA over the summer and had the opportunity to re-visit her work in several New York City exhibitions. By now, everyone is familiar with the story behind this work. Maier worked as a nanny and had a passion for photography. Her time off was primarily spent photographing people on the streets of Chicago.  She died in 2009, leaving a storage locker full of tens of thousands of negatives and thousands of exposed but unde... [more]

20110523162017-4ba91a529868d A Chance at Redemption  
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Randy West at Bruce Silverstein June 9th, 2011 - September 17th, 2011
Posted 6/13/11

     In his first solo exhibition since 2007, photographer Randy West presents eight new works in the series Tethered.  As the two-dimensionalizing culmination in a process in which the artist crumples up his own rejected images, the sculptural forms that are created are photographed, a gesture that both relates the final work to their original unwanted images and re-imagines them into new photograhs.  The results are vibrant, interesting and formally satisfying.  West has managed to make his... [more]

20110206054222-sm17x22_poster Duplicitous Icons of John Rusnak  
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John Michael Rusnak at CATM chelsea March 3rd, 2011 - April 3rd, 2011
Posted 3/23/11

Duplicitous Icons of John Rusnak: Concerning a Unitative Vision by Mani De Osu In the Center of the Western World, John Rusnak is making stride in the miring world of which we call Art.  The appearance of his new series, Duplicitous Icons, amongst throngs of the non pervasive, unmoving and unchallenging slough of ideas showcased at galleries in the City of New York, has given a much needed exhalation after so long of holding one's breath waiting to see art that moves.  After so long... [more]

20110223153559-9304490_orig THe Gathering II The Second Act  
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GEDI, HS, KRISTEN KLOSINSKI, WONDER LEE, Johnny Mattei, Max, PLATYPUS, JOSEPH ROSSETTI at Studio 125 March 18th, 2011 - April 20th, 2011
Posted 3/19/11

Woooo! This was a fun show with a few unxpected suprises, I loved it. [more]

20110206054222-sm17x22_poster John Michael Rusnak's Visionary Art  
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John Michael Rusnak at CATM chelsea March 3rd, 2011 - April 3rd, 2011
Posted 2/21/11

John Michael Rusnak's extraordinarily original and suggestive photo art murals entitled DUPLICITOUS ICONS will be on exhibit at the CATMChelsea Gallery 500 West 22 St. from March 3 to April 3. They fuse the two arts of photography and painting and viewed either individually or in their entirety the prints of this series makes us rethink elements of spirituality, sexuality, religion and the broader aspects of contemporary experience.They constitute a search for meaning beneath the surface of the du... [more]

20101020174255-renactlge24 DAYLIGHT MAGAZINE ONLINE — Trent Davis Bailey  
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Jim Naughten at KLOMPCHING GALLERY November 4th, 2010 - December 18th, 2010
Posted 11/24/10

Jim Naughten's "Re-Enactors" Exhibition at Klompching Gallery Written by Trent Davis Bailey Photography has long held an intrinsic relationship with war. As early as the 1860s, photographers such as Matthew Brady, Alexander Gardner, Timothy O'Sullivan, and George P. Barnard all directed their photographic efforts to memorializing — and often monumentalizing — the transitory scenes of the battlefield. So, shouldn't there be a natural, if not necessary, place for such a photographer at a mode... [more]


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