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20141009103246-richmondia_what_if_map__2014__neil_greenberg__photo_courtesy_oran_viriyincy What If Staten Island Seceded from New York?   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Will Corwin, Neil Greenberg at Staten Island Arts September 25th, 2014 - December 7th, 2014
Posted 10/9/14

It’s late morning and the ride across the New York Harbor, from Manhattan to Staten Island, is brisk. Tourists crowd the starboard side, photographing Lady Liberty, as our ferry powers along. “Did you know that Staten Island voted to secede in the early nineties?” I slant my eyes at the artist, Will Corwin, whose artwork, The Great Richmond, is currently installed at the Staten Island Ferry terminal. “No. Really?” “It’s true,” he says, “but the whole ef... [more]

20141002015703-ac_bgg14_tb_0927_05_e Confrontational Aesthetics: Choirboys Sing Insults in Allora & Calzadilla Performance   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Allora & Calzadilla at Gladstone Gallery - 24 St. September 13th, 2014 - October 11th, 2014
Posted 10/2/14

The Earth breaks along fault lines. Mountains are pushed up; buildings crumble. Active faults are sites of extreme subterranean tension that operate on an unpredictable timeline with potentially devastating environmental, economic, and social aftershocks. To live near a fault is to live with unending uncertainty. Entire cities and nations have suffered when the earth shudders along her lines. All of this would seem like ample fodder for the socially and politically minded artists Allora & Calzadilla unti... [more]

20141006171218-prince_new_portraits_2014__976__install_14__1_ @richardprince4: Who are the other Richard Princes?   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 10/2/14

Update October 6, 2014: In a further twist to the RP4 tale, Instagram has started to dump previous images posted by the artist (including the ones we had linked to here, now obsolete). The reasons behind these mysterious recent movements on the (at the time of writing) still active account are unclear: a warning from the Instagram authorities? Or a classic Prince joke? In his latest post, two women are captured mid-conversation on a sofa. Above them hangs the infamous Untitled (Cowboy), the artist's... [more]

20140922152346-aw4p2_studium_natemat_ruchu__a_____b31__1959_vl_opalka_mouvement_04 Fade into White: Roman Opalka's Infinity   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Roman Opalka at Dominique Lévy Gallery September 4th, 2014 - October 18th, 2014
Posted 9/22/14

The magnitude of entropy overcomes one who moves along the two floors of Dominique Lévy’s gallery, viewing Roman Opalka’s five-decade quest to render the spectrum of time’s (ir)relevance. Two early series prognosticate the honed laboriousness arriving in the French-born Polish artist’s most renowned final series OPALKA 1965 / 1 – ∞ (1965-2011). In this series, comprising 233 paintings in total, 11 shown by the gallery—each titled Détails—Opa... [more]

20140918043836-bowery_install-05 In Search of Analogue Photography's Uncharted Territory   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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David Benjamin Sherry at Salon 94 Bowery September 7th, 2014 - October 25th, 2014
Posted 9/18/14

If any image could be counted as a badge of honor amongst photographer artists, it would be the navel gaze of photographing one's own camera. Like countless others before him, David Benjamin Sherry has also photographed the tool of his trade in all its glory. Among the twenty-nine photographs on view in Climate Vortex Sutra at Salon 94, the artist’s traditional large-format camera is shown as a quiet still life upon its tripod—its bellows left extended as if focused precisely on any num... [more]

20140910160521-lvdstokker_koenigclintoninstallationview10_72dpi Not So Pretty In Pink (And Why That's a Good Thing)   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Lily van der Stokker at Koenig & Clinton September 4th, 2014 - October 18th, 2014
Posted 9/10/14

Imagine a summit called by feminist activists and artists representing all of the nuanced wings of the movement. In this time of uncertainty about the role of feminism in the art world, these delegates wonder who could best represent the complexities of feminism and feminist theory without apology. The name they arrive at is Lily van der Stokker, whose new show at Koenig & Clinton is a sprawling pink spectacle comprised of flowery sculptures and wall paintings that illustrate the artist’s... [more]

Fall Previews: How to Survive the Season in New York and London   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 9/8/14

September in New York: Maneuver the Mania New York Editor Charlie Schultz makes a plan for seeing great art this fall without getting carried away—if only he can stick to it. There is a shift in every August when this art critic’s inbox goes from near vacancy to nearly too packed to approach. The slim pickings of late summer exhibitions explode into a buffet of delicious opportunities. Great art, it seems, is everywhere in the city and the challenge (for me) is to... [more]

20140902133509-sussman_llareta_0308_2b31_copy_2 September in New York: Maneuver the mania   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 8/28/14

There is a shift in every August when this art critic’s inbox goes from near vacancy to nearly too packed to approach. The slim pickings of late summer exhibitions explode into a buffet of delicious opportunities. Great art, it seems, is everywhere in the city and the challenge (for me) is to not grotesquely over consume, which has taken years of practice and willpower development. And even still, it’s not a guarantee. In fact, despite my best efforts to maneuver the mania I have no... [more]

20140826071629-installation_view_gallery_914 Lucas Samaras' Offerings from a Restless Soul   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Lucas Samaras at The Metropolitan Museum of Art February 24th, 2014 - September 1st, 2014
Posted 8/26/14

The path to the Lucas Samaras exhibition, Offerings from a Restless Soul, at the Metropolitan Museum proved to be a fortuitous one. It led me though the Greek and Roman Galleries, filled with remnants of classical art, works that undoubtedly inspired Samaras, a Greek-born artist who came to America in 1948. Two works stayed with me as I made my way to the Samaras show: the marble head of a youth, attributed to the Greek sculptor Polykleitos, with its strong muscular face, aquiline nose, and locks of hai... [more]

20140824100757-sv-1-d A World's Fair tribute in a New York neighborhood mash up   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Balthus, Joseph Cornell, Daniel Gordon, Van Hanos, Robert Indiana, Ray Johnson, Jamian Juliano-Villani, Anya Kielar, Claes Oldenburg, Dushko Petrovich, James Rosenquist, Pierre Roy, Peter Saul, Johannes Vanderbeek, Stan VanDerBeek, Roger White at Rachel Uffner Gallery June 28th, 2014 - August 16th, 2014
Posted 8/24/14

New York City has always been a draw for an eclectic mix of artists working across the visual and performing arts. Its underground pubs and speakeasies, expansive loft spaces, museums, sidewalks, and streets have served as creative inspiration for all kinds of movements including jazz, expressionism, Fluxus, hip-hop, and punk. Despite all of that creative energy and expression, the city has also been a beautiful breeding ground for social and cultural dissonance. While New York may not be known for... [more]

Collector's Catalogue Volume 7, Issue 3: Conflicts of Interest in Public vs Private Curation, the "Miami Model"   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 8/22/14

The Art World's Intrinsic Conflict of Interest Ryan Wong on the blurring of public and private interests, and the rise of a new brand of curator. The cousin, flip side, and feeder to the museum, in today’s money-saturated world of contemporary art, is the private collection. The necessity of this relationship might be surprising to the average museum visitor, who often looks to museums as the centers of the art world. Private collections, however, shape our understand... [more]

20140821013721-dfe5a5b72c The Art World's Intrinsic Conflict of Interest: Curating the Private Collection with the Public Trust   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 8/21/14

The cousin, flip side, and feeder to the museum, in today’s money-saturated world of contemporary art, is the private collection. The necessity of this relationship might be surprising to the average museum visitor, who often looks to museums as the centers of the art world. Private collections, however, shape our understanding of art history and production not only by determining which artworks are available for display and loan, but by actively applying curatorial labor towards their care an... [more]

20140817110817-p1050600 5Pointz Demolition to Begin: Another Nail in the Coffin of NYC   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 8/17/14

Demolition may commence any day on New York City’s 5 Pointz, the sprawling concrete structures occupying an entire city block famously polychromed by an array of styles that over the past ten years made it one of the most recognized graffiti landmarks in the world. Owner of the Long Island City, Queens site David Wolkoff had the art painted over last November in preparation for tearing down the former warehouse that had housed art studios at below market rates. Wolkoff was granted a speci... [more]

20140805055615-benzant Younger Americans at Driscoll Babcock   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Leonardo Benzant, Michael Maxwell, Jennifer Packer, Kara Rooney, Luke Whitlatch at Driscoll Babcock June 19th, 2014 - August 8th, 2014
Posted 8/5/14

Driscoll Babcock, which moved to Chelsea two years ago, is something like a stately townhouse in a row of beige suburban mansions. The gallery bills itself as the oldest in New York, and casts itself in a grand tradition of the city’s academic art. You don’t find sly, discreet conceptual gestures, nor massive, high-production-value installations. Instead, the gallery seems to look for untrendy, well-crafted works in a certain American tradition—their roster includes works from th... [more]

20140729052704-kessler_installation_shot_1 A Secret History Mapped in the Mundane   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Bradford Kessler at 247365 Gallery - Manhattan June 22nd, 2014 - August 24th, 2014
Posted 7/29/14

Bradford Kessler’s cut-out panels coated in a paint-like sealant called hydroflex are not quite paintings or sculptures. Neither do they seem to be of the crowd that questions the nature of painting using sculptural methods (to name a few practitioners: Jacob Kassay, Nathan Green, Lisa Sigal, and Kenji Fujita). So what are they? They are weird and maybe boring, but boring in a way that hangs out at the edge of one’s consciousness for days. They are like a child’s bed set, reti... [more]

20140722161442-fma_286 In Field and Studio, Florian Maier-Aichen Charts Murky Terrain   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Florian Maier-Aichen at 303 Gallery June 5th, 2014 - August 1st, 2014
Posted 7/22/14

Florian Maier-Aichen’s recent show at 303 Gallery—his fourth to date—splits into two distinct sets of photographs. One series is landscape oriented; the other is markedly abstract. Almost all of the photographs are printed on a large scale, the average size being roughly equivalent to the face of a vending machine. This may be the primary characteristic of these works; because they are large—and from a distance appear full of detail—one is naturally compelled to look... [more]


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