Two recent New York exhibitions put a new spin on the specter of the drone within art and technology. This past Saturday was the last day to see Sky Burial, Rick Silva's solo show of drone art at Transfer Gallery in Bushwick. Meanwhile, across the East River, bitforms gallery presented its second week of Shellshocked with four drone pieces by Addie Wagenknecht.
Wagenknecht and Silva join a long list of contemporary artists making drone art, but the ways they approach drones are decidedly innovati... [more]
Breaking up has never been easy. It's also never been easier, thanks to text messaging.
In her first New York solo exhibition, Allison L. Wade presents an entire series of artworks devoted to the breakup text message. Set against painted and photographed backgrounds on differently sized canvases, each work features a single text sent during one of Wade's own romantic failures, either by Wade herself or one of her exes.
They range from the tragic, "I knew you would do this to me," and desper... [more]
MoMA PS1 threw their annual Halloween Ball last Friday - the theme this year: Hallowqueens! The galleries remained open during the costume ball making for some interesting juxtapositions.
First, four dumpsters sat in the courtyard marked with "THROW YOUR ART AWAY", a project from Bob and Roberta Smith (actually one person) that asks gallery goers to bring in their old art and treat it as the commodity it is. If your art is lucky (read: good enough), MoMA will display it on the second floor for a... [more]
The Oxymoron of Normality at DEPO Tütün Deposu Lüleci in Istanbul, Turkey, is an exhibition which brings together artists from Poland and Turkey. Organized by the Arsenal Gallery in Bialystok, Poland, the show is part of the cultural program of the 600th anniversary of the Polish-Turkish diplomatic relations in 2014. The Oxymoron of Normality. We are Europeans, but perhaps not in a full sense is curated by Monika Szewczyk and aims to cover the condition of countries in the area of Central and Eastern Europe and the Ba... [more]
Rearrange your sock drawers. Rapper turned painter turned Lion turned hosier Snoop Lion just released a fresh line for your feet. Working with Swedish sock company Happy Socks, Snoop and the creative team at Cashmere Agency developed a collection of three designs inspired by his foray into painting.
"The Art of Inspiration" sock collection includes the navy and white paisley-patterned "Snoop Dogg Gin & Juice," the brightly colored paint supply-themed "Snoop Dogg Painter," and "Snoop Dogg Stripes... [more]
When I moved to New York in 2007 one of the first things I picked up was a copy of New York Magazine with Dash Snow, Dan Colen, and Ryan McGinley in bed together on the cover. The image, shot by Cass Bird, has stayed with me. It shows a bird’s-eye view of three friends in their underwear, snuggled together like a small litter of puppies. The picture is intimate but it becomes oddly intrusive on a magazine cover, in part because no one is making eye contact with the photographer. Instead all... [more]
Grayson Perry, Turner Prize winning potter, weaver, draftsman, transvestite and Brit wrote a poignant essay on the "Default Man" last week for The New Statesman. While he applied his critique of embedded privilege to England alone, this concept most definitely exists internationally and particularly, in Western cultures where white, straight, middle-class males are the dominant, benevolent rulers.
This, like any other western nation, is a country of the Default Man. The Default Man—white,... [more]
1) A young woman in skinny jeans pauses outside the entrance of Spaced Out: Migration to the Interior. She pulls her cell phone away from her ear and peeks in at the pink shag carpet lining the floor and Fred Tomaselli’s Diary (1990). She tells whoever is on the other end of her phone call to hold on a minute as she turns her head toward the bouncer, “What the hell is going on in there?” she wants to know, “Is this some kind of surrealist circus or what?”
Jim La... [more]
It’s late morning and the ride across the New York Harbor, from Manhattan to Staten Island, is brisk. Tourists crowd the starboard side, photographing Lady Liberty, as our ferry powers along. “Did you know that Staten Island voted to secede in the early nineties?” I slant my eyes at the artist, Will Corwin, whose artwork, The Great Richmond, is currently installed at the Staten Island Ferry terminal.
“It’s true,” he says, “but the whole effort got los... [more]
The Earth breaks along fault lines. Mountains are pushed up; buildings crumble. Active faults are sites of extreme subterranean tension that operate on an unpredictable timeline with potentially devastating environmental, economic, and social aftershocks. To live near a fault is to live with unending uncertainty. Entire cities and nations have suffered when the earth shudders along her lines.
All of this would seem like ample fodder for the socially and politically minded artists Allora & Calz... [more]
Update October 6, 2014: In a further twist to the RP4 tale, Instagram has started to dump previous images posted by the artist (including the ones we had linked to here, now obsolete). The reasons behind these mysterious recent movements on the (at the time of writing) still active account are unclear: a warning from the Instagram authorities? Or a classic Prince joke? In his latest post, two women are captured mid-conversation on a sofa. Above them hangs the infamous Untitled (Cowboy), the artist's first... [more]
The magnitude of entropy overcomes one who moves along the two floors of Dominique Lévy’s gallery, viewing Roman Opalka’s five-decade quest to render the spectrum of time’s (ir)relevance. Two early series prognosticate the honed laboriousness arriving in the French-born Polish artist’s most renowned final series OPALKA 1965 / 1 – ∞ (1965-2011). In this series, comprising 233 paintings in total, 11 shown by the gallery—each titled Détails&mdas... [more]
If any image could be counted as a badge of honor amongst photographer artists, it would be the navel gaze of photographing one's own camera. Like countless others before him, David Benjamin Sherry has also photographed the tool of his trade in all its glory. Among the twenty-nine photographs on view in Climate Vortex Sutra at Salon 94, the artist’s traditional large-format camera is shown as a quiet still life upon its tripod—its bellows left extended as if focused precisely on any numbe... [more]
Imagine a summit called by feminist activists and artists representing all of the nuanced wings of the movement. In this time of uncertainty about the role of feminism in the art world, these delegates wonder who could best represent the complexities of feminism and feminist theory without apology. The name they arrive at is Lily van der Stokker, whose new show at Koenig & Clinton is a sprawling pink spectacle comprised of flowery sculptures and wall paintings that illustrate the artist’s theoreti... [more]
September in New York: Maneuver the Mania
New York Editor Charlie Schultz makes a plan for seeing great art this fall without getting carried away—if only he can stick to it.
There is a shift in every August when this art critic’s inbox goes from near vacancy to nearly too packed to approach. The slim pickings of late summer exhibitions explode into a buffet of delicious opportunities. Great art, it seems, is everywhere in the city and the challenge (... [more]
There is a shift in every August when this art critic’s inbox goes from near vacancy to nearly too packed to approach. The slim pickings of late summer exhibitions explode into a buffet of delicious opportunities. Great art, it seems, is everywhere in the city and the challenge (for me) is to not grotesquely over consume, which has taken years of practice and willpower development. And even still, it’s not a guarantee. In fact, despite my best efforts to maneuver the mania I have not... [more]