Near the entrance of Untitled Gallery on the Lower East Side is a slab of concrete with a shovel stuck into it. Chair legs and wire sprout off the shovel, as do branches wrapped in stretched pantyhose like wings on an urban angel. The shovel’s handle fits into the mouth of a plastic bottle shaped like a fuel container, painted black to resemble an African mask. On the adjacent wall hangs an antique wooden mirror frame, which now holds a hand-drawn Confederate flag found by the artist. Two to... [more]
If there’s one thing the internet is good for, it’s cats. So when the Japan Society in New York announced its Life of Cats exhibition—featuring ukiyo-e woodblock prints depicting cats from the Edo Period (1615-1867)—the internet duly erupted with fanfare. The show, which opens today, has made the rounds not only in the usual art publications, but also in myriad pop culture blogs and magazines, attesting to the near universal appeal of feline themes. I think we can be quite as... [more]
Hopping around the fairs you start to notice some trends in material and content. We’ve noticed a healthy use of floral foam at Independent and Armory, rock-climbing grips as wall plinths, new-media on canvas, and a whole bunch of animated icons making their way into the pictorial plane. There is a lot of playfulness this year… but it’s all rather childish.
Per Fhager at Stene, exhibiting at Volta NY
On a far wall in the upper reaches of Independent, there’s a photo dip... [more]
An art fair isn't the most innovative cultural event—it might even make you worry about the state of culture and raise concerns about the mental health of art industry workers. No, it's not the most relaxed way to experience art—bonus points for the most nauseating strip lighting in the world.
Important questions are raised by this year's Armory Show, such as: why shouldn't I attach a GoPro to my dog? Why should a sweater have armholes? It also reminds us that the true frisson of art... [more]
Malfunctioning subways, icy roads, and slushy sidewalks did little to deter fair-goers from attending Independent’s Vernissage last night. It is year six for Independent, an art fair that continues to provide a refreshing alternative to the heavy-handedness of its behemoth counterparts on the piers. An open floor plan directs traffic in a meandering fashion, contrary to the congested roadways of gridded booths across town at Armory. This wandering through and around works not only creates a br... [more]
As I was walking around the Armory Show preview on a slushy Wednesday afternoon, I overheard Neil Patrick Harris say, like a self-assuring mantra, “This is not going to make me anxious” as he walked into the fair. I empathized, ridden already with the anxiety of two hours' worth of art-gazing and glad-handing behind me.
Fairs are bound in anxiety for a lot of reasons. They are sheer feats of organization, for one, but it’s the clash of cash and creation that makes them uneasy... [more]
Security Breach: A Surveillance Love Affair at the New Museum Triennial by Stephanie Cristello Nadim Abbas, Niv Acosta, Sophia Al-Maria, Ketuta Alexi-Meskhishvili, Shadi Habib Allah, Ed Atkins, Olga Balema, Frank Benson, Sascha Braunig, Antoine Catala, Aslı Çavuşoğlu, José León Cerrillo, Onejoon Che, Tania Perez Cordova, Njideka Akunyili Crosby, Verena Dengler, DIS, Aleksandra Domanovic, Casey Jane ELLISON, Exterritory, Ane Graff, Lawrence Abu Hamdan, Eloise Hawser, Kiluanji Kia Henda, Lena Henke, Lisa Holzer, Juliana Huxtable, Geumhyung Jeong, Renaud Jerez, K-HOLE, Shreyas Karle, Josh Kline, Eva Koťátková, Donna Kukama, Firenze LAI, Oliver Laric, Li Liao, Rachel Lord, Basim Magdy, Nicholas Mangan, Daniel Steegmann Mangrané, Ashland Mines, Shelly Nadashi, Eduardo Navarro, Steve Roggenbuck, Avery K. Singer, Martine Syms, Lisa Tan, Luke Willis Thompson, Peter Wächtler, Guan Xiao at New Museum
February 25th - May 24th
Why do we need agents, the 00 section? Isn't it all rather quaint? Well, I suppose I see a different world than you do, and the truth is that what I see frightens me. I'm frightened because our enemies are no longer known to us. They do not exist on a map, they aren't nations. They are individuals. So before you declare us irrelevant, ask yourselves—how safe do you feel?
The question: how safe do you feel? How safe do we feel in a world where technology has been absorbed? Wh... [more]
At last, Armory Arts Week has arrived. From the Armory Show to VOLTA NY to Scope—one might easily get lost planning visits to every fair (our Fair Guide can help with that!). But if ten art fairs aren't enough to divide your attention this week, galleries and museums around the city have set their exhibition clocks to chime with the Armory Show and its satellites too. New exhibitions will be opening citywide this week to capitalize on the art world's Manhattan descent. There are a thousand to... [more]
VOLTA is Armory Week's invitational contemporary art fair uniquely dedicated to solo projects. In association with GalleryLOG and VOLTA NY, ArtSlant presents exclusive video interviews with six featured artists from VOLTA NY.
Click on the link to watch the interview or find more information about each artist.
Galleri Christoffer Egelund (Copenhagen, booth C4)
VOLTA NY 2015
Richard Heller Gallery (Los Angeles, booth B1)
VOLTA NY 2015
A handful of the UK’s young artists have nervousness on the brain—or so it seems, judging by a recent crop of artistic endeavors discussing 21st century anxiety.
Among current examples are Helen Carmel Benigson’s solo show Anxious, Stressful, Insomnia Fat at Carroll/Fletcher, London; Rosamund Lakin’s cyberchrondriac film First Opinion at Modern Art Oxford and "This is not a Symptom," a South London Gallery lecture series on the micropolitics of nervousness, facilitated by artis... [more]
Mixing painting and weaving with 35mm photography, Brooklyn-based artist Lala Abaddon creates intricate woven works that “create space and time within a stationary moment” through her use of color and contrast. By cutting printed photographs into hundreds of strips, which she then weaves together, Abaddon creates a deconstructed collage of worldly experience, exemplifying alternate realities of chaos, color, and the universe. Her work dives into the cerebral components of human connection wit... [more]
Middle East-centric shows are having a moment in American museums, but the Middle East, North Africa, and Mediterranean (MENAM) focus at this year’s Armory Show (March 4-8) will mark the first time a fair in the US has brought a large showing of art from the region to a commercial environment. Curator Omar Kholeif and focus partners Edge of Arabia and Art Jameel have selected a handful of galleries, each of which will feature a maximum of two artists, balanced between modern and contemporary.... [more]
“Kehinde Wiley is everywhere right now,” said Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum, as the small press tour began. This was not an exaggeration by any means; Wiley garnered recent attention when his paintings appeared as backdrops in Fox's Empire, a highly stylized melodrama from Lee Daniels and Danny Strong that collages black stereotypes while positioning black bodies into a King Lear-like drama, and for his fashion week photoshoot with New York Magazine. Wiley has been an art star since the mid 2000s when his masterf... [more]
Tick, Tick, Bang: On Painting in The Forever Now by Bradley Rubenstein Richard Aldrich, Joe Bradley, Kerstin Brätsch, Matt Connors, Michaela Eichwald, Nicole Eisenman, Mark Grotjahn, Rashid Johnson, Julie Mehretu, Dianna Molzan, Oscar Murillo, Laura Owens, Amy Sillman, Josh Smith, Charline von Heyl, Mary Weatherford, Michael Williams at MoMA (Museum of Modern Art)
December 14th, 2014 - April 5th
Between 1942 and 1963 Dorothy Canning Miller was the curator of the highly perceptive and ultimately influential Americans shows at the Museum of Modern Art. Beginning with Americans 1942: 18 Artists From 9 States and ending with Americans 1963, Miller presented the work of artists such as Hyman Bloom, Robert Motherwell, Jay DeFeo, Robert Rauschenberg, Jasper Johns, Lee Bontecou, and Frank Stella—artists who would ultimately be the defining contributors to the mid-century American art historic... [more]
If 2014 is to be remembered by one social narrative in America, it’s the involvement of law enforcement in the black community. The world was still mourning the death of Trayvon Martin when NYC Mayor Bill de Blasio announced his promise to end the often abused, racial profiling police tactic known as stop-and-frisk; Michael Brown was fatally shot in Ferguson by a cop—so were Rumain Brisbon and Ezell Ford—and the video of Eric Garner’s last words “I can’t breat... [more]