Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]
It's Turner Prize time again. Britain’s most hated art award celebrates its 30th year this year. What has it achieved in over three decades?
For one thing – its brought contemporary British art to the public attention – mostly to be lampooned by the tabloids. Who can forget headlines surrounding Tracey Emin’s winning entry My Bed (dubbed ‘My Turd’ by Private Eye) or the fury roused by Damien Hirst’s formaldehyde tiger shark entry in 1992?
The “national joke” has provoked walk outs and protests (the Stuckist... [more]
Given that I am now older (although no wiser, perhaps) than I was when I was 21, there are very few things which can coax me over to the Camden area these days. To make your first trip back there after you've reached something sort-of-approximating adulthood is like having the lights flicked on, abruptly, in a low rent simu-dive-bar: Soylent Green may be people, but the human skulls on the bar here are made of B-grade plastic, and the candles shoved into them are melting their crania. Its patina... [more]
In dishonor of the longtime US holiday celebrating the beginning of the colonization of the Americas, we here at ArtSlant thought it might be a good idea to round up some influential postcolonial artworks that interrogate and deconstruct the long-lasting effects of colonization on identity.
Props to the states that have opted out of Columbus Day:
AK, AR, CA, DE, FL, HI, MI, MN, NV, OR, SD, TX, VT, WA, WI, WY.
Coco Fusco and Guillermo Gomez-Peña - Couple in a Cage, 1992 and 1993
Kara Walker, A Subtlety, 2014
It seems like this year, perhaps influenced by the performance series 14 Rooms that took place at Art Basel a few months ago, Frieze has taken a performative turn. Many of its special projects incorporate live shows, and a new section called Frieze Live will introduce performance-based works and reenactments of historical performances at the fair itself. For example, the Japanese duo United Brothers will offer the visitors a soup made of vegetables grown in the region of Fukushima’s 2011 nuc... [more]
We've already recommeded Disabled Theatre, a "hip hop party"-like performance, and a Frieze Project at the zoo. Here are a few more events and performances to look out for this week:
Part of ICA London's Off-Site programme during Frieze this year is a series of panel discussions organized in collaboration with Rhizome. Taking place from Wednesday to Friday, the three panels of "Do you Follow? Art in Circulation" will focus on the politics of digital circulation and its effect on contemporary art... [more]
Also part of Frieze Projects 2014 is Cerith Wyn Evans' offsite project that will take place at the London Zoo at Regent’s Park. Wyn Evans, known for his neon works, will create an installation at the impressive Snowdon Aviary, designed in the 1960s by Antony Armstrong-Jones, 1st Earl of Snowdon, Frank Newby, and Cedric Price. The work will be viewed together with the rare birds from the see-through structure, and on Thursday the 16th, at 5:30 PM, a special performance will take place, with... [more]
In the run up to Ed Fornieles’ solo show, Chisenhale Gallery's Instagram feed was peppered with quick-moving pictures of wholesome family activities—brightly colored breakfast cereals, food porn and sleeping infants, angelic kids growing up to uplifting muzak, hand-holding—some of which descend into destruction, fire, or violence. Other images remained open-ended, such as the repeated phrase "Be Yourself." Fornieles, a British artist now working in LA, who was part of Sarah McC... [more]
The ICA London will feature its Off-Site series of performances and talks throughout Frieze days, at the special location of The Old Selfridges Hotel.
On one of the most intriguing nights, Thursday the 16th, Korakrit Arunanondchai will present four videos combined with performances: 2012-2555 (2012), 2556 (2013), Painting with history in a room filled with men with funny names 2 (2557) (Part 1) (2013), and his recent on-going work, The Future (2014). The Thai artist, known for his body painting on denim canvases and his semi autobiographical video work... [more]
I've been going through my albums on Flickr and updating, rearranging them etc so I thought I would get some of my older work out there.
The 2011 edition of the annual pillow fight at Yonge Dundas Square in Toronto Canada.
Brian CarsonThe Learning Curve Photographyon LinkedIn atwww.linkedin.com/in/torontophotographerbriancarson [more]
Five days into his public performance art piece, Wanna Play? Love in Times of Grindr, the Berlin performance center Hebbel am Ufer (HAU) announced yesterday it’s pulling the plug on Dries Verhoeven, whose project has drawn widespread criticism for violating gay men’s privacy and exploiting users on the gay dating app, Grindr.
For Wanna Play?, which was partially funded by the Dutch embassy, the Dutch performance artist committed to live in a glass trailer erected in one of Kreuzbe... [more]
The Earth breaks along fault lines. Mountains are pushed up; buildings crumble. Active faults are sites of extreme subterranean tension that operate on an unpredictable timeline with potentially devastating environmental, economic, and social aftershocks. To live near a fault is to live with unending uncertainty. Entire cities and nations have suffered when the earth shudders along her lines.
All of this would seem like ample fodder for the socially and politically minded artists Allora & Calz... [more]
I’m not sure exactly what Jon Savage meant when he referred to “Bowie victims” in his book about the birth of punk rock, England’s Dreaming, but ever since I read that phrase it stuck with me. In a way I identified with it—being a big David Bowie adherent—and didn’t necessarily consider it as a derogatory term. I figure he meant teens obsessed with Bowie, the young androgynes with their flared high waters and platform boots, teased mullets and green eye mak... [more]
...In thinking about the act of choreography, the concept of visualizing music is one that has inspired my work - particularly this past year, in my paintings which illustrate personal responses to different songs. For example, my print above is a metaphorical mashup of Prince and Bob Dylan, combining lyrics and concepts from both artists.
There is an interesting quote from Balanchine on Ballet Austin's site about making art from music:
"Music like Stravinsky’s cannot be illustrated; one... [more]
My first introduction to performance art that reclaims public and architectural spaces was meeting the brilliantNoemie LaFrance, acclaimed site-specific Choreographer, Director and Producer of Sens Production, in 2003 in New York City. Subsequently I attended her debut work, "Descent" which took place on a spiraling staircase. Having also created a piece on a stairwell that I'd titled the same name, I connected with LaFrance's creative vision. Here is my "Descent" image which I shot in 1999 ato... [more]
“And we’ll pretend that people cannot see you. That is, the citizens. And that you are free of your own history. And I am free of my history. We’ll pretend that we are both anonymous beauties smashing along through the city’s entrails [She yells as loud as she can] GROOVE!”
— Amiri Baraka, Dutchman, 1964.
We gathered in the lobby of a recently renovated bathhouse at 1914 W Division Street in Chicago’s Wicker Park. The time was 11:00pm. Upon arrival,... [more]