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Patron (Almighty, The): A Satirical Portrait of the Patron We Love to Hate   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 3/27/14

He is the Patron, and he is your King. He is the God of the artworld, even more than Jeff "vacuum-cleaner" Koons, or Richard Prince, with his visions of "Spiritual America": the nubile young female with the movie-star make-up in the U.S.A-grade bubble-bath. You overheard at Trisha's that he once paid a St Martins graduate to drink a bottle of Newport lighter fluid and vomit it up and set it on fire, like a real-life conceptual dragon, and wondered, idly if this was the same St Martins student who vomi... [more]

Patron as Network: Will St Leger's Experiment in Crowdfunding   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 3/26/14

Over the past 5 years, online crowdfunding has assumed a kind of mythical aura. It is, at least in my experience, talked about as if it were a bottomless well of wealth, a sure-fire source of capital for everything and anything from a hovercraft to a public art installation. Need money? Crowdfund it. There are thousands of generous strangers, eagerly waiting with credit cards poised. While the majority of projects do fail, the numbers are astounding. Now a well-worn (granted a bit misleading) f... [more]

Corporate Collections: on the threshold of a new type of patronage   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 3/26/14

Some 45,000 works of art. That’s the number of artworks owned by the twenty member companies and institutions upon the 2005 launch of the Vereniging Bedrijfscollecties Nederland (VBCN – Netherlands Association of Corporate Collections). That’s half as many as the Stedelijk Museum has on display and in storage. Less than nine years later the number stands at roughly 100,000 works of art and the ranks of the VBCN have swollen to forty-six. Suffice it to say, corporate collections in... [more]

12 Residencies in 5 Months: One artist's attempt to redefine patronage   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 3/20/14

Liliya Lifanova received her MFA from SAIC in 2010. Following that, she found herself asking a familiar question to many young artists: what next? Nurtured by the inclusive, critical and supportive, art-centered environment of graduate school, her first post-graduation initiative was a take on the practice of residencies. Called Artist in YOUR Residence, the purpose of the project was to explore concepts of modern patronage and bypass the traditional models for a direct relationship between Artist and... [more]

Networks of Support: Carolina Jayaram, from Chicago Artists Coalition to United States Artists   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 3/14/14

Modern patronage takes many forms. Gone are the days of direct patronage: a wealthy patron giving funds, housing or access directly to an artist. Instead, artists must rely on networks of support. Grants, residencies, galleries, foundations, nonprofits: these organizations comprise the contemporary conduits of patronage. Arts executive and organizer Carolina Jayaram recently left one such organization for another and speaking with her, we saw what it takes to run the networks that support artists... [more]

Bibliophilia in Technophobia, Pt. II: The Return of the Zine   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 11/26/13

Some years back an acquaintance who I guess is about eight years younger than I am (I’m thirty-seven now, so at the time I was probably thirty-two and she twenty-four), sent out an email telling people about her “zine.” In the text, she said something like, “don’t know what a zine is?” and then included a link to a Wikipedia article … on zines.[i] I smiled a bit haughtily; this somehow brought me back to my teens and early twenties, when I never quite... [more]

Bibliophilia in Technophobia: A Dream Come True   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 11/20/13

The phenomenon of collecting loses its meaning as it loses its personal owner. –Walter Benjamin, “Unpacking my Library” Every artist should have a cheap line. It keeps art ordinary. –John Baldessari Let me tell you about a dream I had. It was a working-through, partially, of an 80’s era Twilight Zone I probably saw for the first time late at night on a television where there were still two knobs for UHF and VHF, re-ran on YouTube this past year. In the episode... [more]

Why Publishing an Art Book May Do Nothing For Your Career   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 11/19/13

The last time I got lunch with my friend, he was in the midst of sending applications to McDonalds. Ironically, he was the last person I ever expected this from. The friend I was eating lunch with is one of the most published artists I’ve ever met, with over ten book covers and at least three big solo releases of his own. But what has all that done for him? I mean, right now he’s telling me how it’s literally impossible to feed his family and he’s so desperate for money... [more]

A Surfeit of Space: the Francis J Greenburger Collection   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 8/13/13

There are many different types of art collectors: there are those who buy as investments and populate the halls of Christie’s and Sotheby’s; those who buy art to match their furniture; those who vicariously live through the artists whose works they collect; those who collect privately yet loan profusely; those whose collections are known worldwide and housed in their own foundations; and many others. The Francis J Greenburger Collection (the FJGC) reflects over thirty years of serious... [more]

Small Consultancies and the Working Artist: an Interview with Jennifer and James Wallace of nAscent Art New York   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 8/13/13

Jennifer and James Wallace, co-founders of nAscent Art New York, have made it their mission to champion emerging artists. Not only that, but they have made it their business. In 2007, nAscent Art began as a small auction house to represent emerging artists. Finding it difficult to drum-up buyers let alone a buyer for emerging artists’ works, they decided to employ a different tact in bringing unknown artists to the marketplace and shifted their model to that of an art consultancy. Since 2010, this h... [more]

The Museum of Everything: An Interview with James Brett   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Posted 4/3/13

The Museum of Everything’s founder James Brett is perhaps an incongruous addition to the Collector’s Catalogue – since he frowns at the idea of being labeled a collector. Collector, hoarder, or fanatic – what is so compelling about the Museum’s activity is their novel approach to promoting and presenting artists. Brett, somewhat of a talismanic leader in this – almost intimidatingly so – has punctured the bubble that is the art world, by representing the underrepresented, but also by circumnavigat... [more]


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