Zakir Hussain’s latest works at Gallery SKE in Bangalore is a wonderful presentation of works to understand that originality can only be claimed as an unclaimed, seen as the other in the final omnipresent grand narrative of itself. The claim to originality that his works make in the beginning is by having a title ‘no title’. This is very interesting as the self proclamation of having no title negates the presence of the trace of the past. If there is any coincide... [more]
Think of the most stunning landscape photo you have seen. Now imagine that the scene you believed was a photograph was actually a concisely accurate pastel piece, painstakingly precise in every way. This pleasant illusion is what I experienced at the “2014 Pastel Society of New Mexico Signature Membership Show.” This show is a display of shockingly beautiful and realistic renderings of various subject matter, with a topic of interest to any viewer. Overall, it’s an impressive ar... [more]
On September 9th, a robot was released into the Gulf of Mexico, set adrift in the Gulf Stream. Off the southern tip of Portugal its transatlantic counterpart awaits sendoff into the strong Canary Current this week. Once offshore, these passive robots—floating spheres one-meter in diameter with sensors submerged below sea level—will be left on their own, without human intervention. Their mission: to unite in the middle of the Atlantic, carried only by currents and the forces of natu... [more]
Zeitgeschehen in Malerei festgehalten
In der kommenden Woche eröffnet die Ausstellung: „Eine Explosion wie von 30 Atombomben“ von Renata Jaworska im Forum Regional in Engen.
Am Donnerstag, 25. September, wird um 19.30 Uhr die Ausstellung „Eine Explosion wie von 30 Atombomben“ von der Künstlerin Renata Jaworska im Forum Regional des Städtischen Museums Engen und Galerie eröffnet. Die Künstlerin wird selbst in ihre Arbeit einführen. Die Ausstellung ist laut Mitteilun... [more]
We've had our eyes on Christo's Over the River Project for several years (Christo's been working on it now for twenty years), and every so often we get updates from the OTR squad on the project's various legal battles and incremental successes. The two-week project, which proposes to install a series of fabric panels over the Arkansas River in Colorado, has already received permission from the Federal Government, Colorado State Parks, the State Land Board and Fremont County, Colorado, but faces... [more]
Published in http://www.artindiamag.com/quarter_04_03_14/index.html
Acts of drawing are sometimes summed up as dirtying the paper delicately,1 but Ayesha Sultana’s drawings in Outside the field of view, her first solo at Experimenter, Kolkata, mounted from the 9th of May to the 26th of June, are anything but delicate. Sultana ‘dirties’ the paper vigorously and obsessively, while reining in her mark-marking within perfectly geometric shapes. Nine graphite drawings of various si... [more]
New Century Artists by stormartist Barbara Cuthel, Eva Genevieve, Arlene Horton, Israel Maranon, Pablo Perea, Linda Storm at New Century Artists, Inc.
August 8th, 2014 - August 16th, 2014
Creation is a new painting series by American artist John C. Kuchera. He was born in Cleveland Ohio and has lived in New York City since the early 1980s. Creation 1,2 and 3 will be featured in a group art exhibit in Chelsea called the 20” x 20” art show. Opening reception is Sunday, August 17, 2014, from 6-8pm. 253 west 24 Street in New York City. The Art Exhibit will be on view from August 17 to September 14, 2014.
He likes to do at least 12 of each of the series to ensure... [more]
To borrow a thought from Deleuze and Guattari, art is not chaos, but a composition of chaos that makes possible a wide range of unpredictable new emotions and ideas. It pushes at the borders of the imagination, inviting new ways of seeing, and sharping our capacities for critical reflection. Truly powerful art may even change how we perceive our world, and re-situate our agency within it.
The Mike Kelley retrospective (currently on view at LA MoCA), reminds me of a quote by filmmaker David Lynch... [more]
Industrial landscape inspires paintings
Barbara Gallo Farrell, Poughkeepsie Journal12:03 p.m. EDT June 5, 2014
(Photo: Courtesy photo)
Editor's note: Portrait of the Artist is a regular feature in Enjoy! that spotlights artists with exhibits in the Hudson Valley. If you are an artist in a current or upcoming exhibit and would like to be included in this feature, email firstname.lastname@example.org. This week's Portrait of the Artist features JoAnne Lobotsky, whose work is on display at Betsy Jacaruso Studio & Gallery through July 7... [more]
Irish Photographer Richard Mosse was awarded the prestigious Deutsche Börse Photography Prize for his stunning photo series and film installation documenting, in unsettlingly bright pinks and brilliant fuchsias, the armed conflict in the Democratic Republic of Congo. Mosse was presented with the award, including a £30 thousand prize, at The Photographers’ Gallery in London yesterday.
For The Enclave, Mosse spent two years embedded with rebel forces in the war-torn eastern region of the DRC, where up to 5.4 m... [more]
A Million Little Pieces by Maria Rapoport Meredith James at Jack Hanley Gallery- New York
March 15th, 2014 - April 13th, 2014
The red-and-white checked, anamorphic floor of Meredith James’s video installation Delmar, showing through April 13th at the Jack Hanley Gallery, primes viewers to expect a puzzle. The video triptych behind the green velvet curtains at the far end of the gallery doesn’t disappoint.
As a form, the triptych can be traced from the painted altarpieces of the early Renaissance to modern films. Before the now standard use of widescreen in film, Abel Gance made use of a triptych format to... [more]
Published in http://www.artindiamag.com/quarter_02_02_14/index.html, Page 27
In Sanchayan Ghosh’s second solo at Experimenter, Kolkata, Reversed Perspective: 3 Conjunctions, from the 13th of December to the 8th of February, the viewer can chart his or her course in many ways, both physically and mentally.The landscape of Birbhum is deconstructed and re-imagined via a wooden truss studded with red LEDs; there are dropdowns marked with images of Blossom Theatre, the artist’s ongoing... [more]
Sun Tunnels (1976) via CLUI
Photographer, videographer, and sculptor Nancy Holt, 75, passed away Saturday in Manhattan after fighting a long battle with Leukemia.
Holt, best known for her monumental sized sculptures in Southwest, was one of the first, and most notable, pioneers of the Land-art movement of the 60s and 70s. She was a rarity in her time, both as a woman in an art world still largely dominated by men and as an artist eschewing the gallery for on-site installations. Over her fifty-year... [more]